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PODIUM ART

Anything for which people enter a stage.

Nerd podcast #s2e1: On the necessary lightness of something heavy. A conversation about reviews and witches with Club Gewalt #tfboulevard

There is a huge amount happening in theatre, this summer, as many summer festivals have special corona editions where they show a lot of what was made in attic rooms last year during the forced closure of theatres. One such show was Die Hexe, by Club Gewalt, a fresh point theatre band/theatre collective that is/was showing at Theatre Festival Boulevard this summer. Nerd... 

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Why laughter is best left to us more often: Joseph Toonga teaches theatre rage #tfboulevard

Think Pussy Riot, think Rammstein, maybe think Nina Hagen before she found Jesus and mix that up nice and fierce. Then you get something that is basically an insane festival act. Raging female punk in a beer- and smoke-soaked nightclub, ferocious moshpits full of people who really have something to dance out of their souls. It's all in there... 

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Spielberg, #metoo and corona: Ivo van Hove's West Side Story does not survive crisis

It was supposed to be Ivo van Hove's big break on Broadway. And it was meant to be, but fate decided otherwise. It was announced today via US show news Variety that West Side Story, in Ivo van Hove's modern, raucous version, will not be revived. Despite a jubilant reception and virtually sold-out theatres,... 

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PODCAST - Guilherme Miotto: the wait is always for it to start flowing. #tfboulevard

Guilherme Miotto is artistic director of Corpo Maquina, an extraordinary dance company based in Breda and Tilburg. This year, among other things, he is at Festival Boulevard in Den Bosch with the performance Tak. A performance, stemming from an earlier project in an urban district of Den Bosch. Six women he worked with there now form an ensemble with whom he... 

Read More "PODCAST - Guilherme Miotto: the wait is always for it to start flowing. #tfboulevard

Boulevard makes you feel what white balls cause #tfboulevard

White balls are quite in the news, lately. For instance, they molest compatriots as a holiday pastime. Or they shout 'Snollebollekes' at a black champion. So the fact that white balls can also be fine is news. You can experience it at Festival Boulevard, where in a small, narrow tent, thousands of white Styrofoam balls, driven by huge fans, give you a fine massage shower,... 

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Unaccustomedness was to be expected at this rare summer festival #TFBoulevard

For a year and a half, there was hardly any playing, festival tents remained in mothballs and artists were busy doing living room concerts or attic sessions on Zoom. Now everything is allowed out again and the discharge is just barely there. Unaccustomedness characterises the fresh start of Theatre Festival Boulevard, which has moved to a park south of downtown Bossche for the next few years,... 

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PODCAST: Joseph Toonga at Theatre Festival Boulevard: 'My daughters help me bring empathy to Hiphop' (English)

This podcast is recorded in English. For those who do not speak the language, or who do not have time to listen to the full podcast, here are some quotes. 'Originally I didn't have a title. Someone came up with 'Born to' and then I thought it would be nice to put 'manifesto' after it. After all, it is about appearing,... 

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PODCAST - Naomi Velissariou's permanent quest: 'I wonder if I should do interpretation or connection as an artist.'

Naomi Velissariou (1984) was actually supposed to be at the Bossche Festival Boulevard 2021 with more performances. This year, her entire trilogy 'Permanent Destruction' would be performed in a setting like club rave. Fierce musical theatre, based on playwrights Sarah Kane and Heiner Müller, and concluded with the more subdued work 'Pain against Fear'. All parts have received rave reviews from audiences and press, but... 

Read More "PODCAST - Naomi Velissariou's permanent quest: 'I wonder if I should do interpretation or connection as an artist.'

Boulevard experiences second Corona edition: 'It's organising a festival in the middle of a natural disaster. Nothing is business as usual'

Theatre festival Boulevard is going ahead this summer, just like last year. Everything is adapted to 'corona': safe at one-and-a-half metres, placarded, with registration for catering, but still just about a hundred performances. In this podcast, I speak to Nina Aalders and Tessa Smeulers, responsible for Boulevard's programming. They remained at the helm after the much-loved and... 

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The NUT delivers splendour with Never Work Again.

On the day that Mark Zuckerberg, CEO of the world's Facebook, announced his launch to the 'Metaversum', in order to trounce his collegatechies Bezos, Musk and Branson, who had only had a little sniff of the Universe, I attended the performance 'Never work again' by the Nieuw Utrechts Toneel in Utrecht Leidsche Rijn. In these times of lockdown and... 

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Dance history in action - Dance On Ensemble performs iconic works, with contemporary responses

That Julidans is experiencing a strong edition was actually already evident with the bold and delightful opening night. That performance invited you to think about what dance is. Making Dances - Dancing Replies makes you ponder the same question, but in a very different way. Dance On Ensemble, the Berlin-based company with dancers over 40, performed works by... 

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November Music 2021 receives international summit - November 5 to 14 in 's-Hertogenbosch

Featuring contemporary composers Kaija Saariaho and Rebecca Saunders, jazz pianists Brad Mehldau and Vijay Iyer, the groups Musikfabrik, The Gurdjeff Ensemble and Ensemble Modern and guitarist Julian Lage, festival November Music rolls out the red carpet for a wide variety of top international performers. There is also another Bosch Requiem, this time composed by Hawar Tawfiq and performed by philharmonie zuidnederland.... 

Read More "November Music 2021 receives international summit - November 5 to 14 in 's-Hertogenbosch

Ilay den Boer pushes boundary between theatre and journalism with 'Solomon's Judgement'

Je Maintiendrai. Holland's motto of arms ('Ik zal handhaven') adorns the beautiful hall of Utrecht's old Post Office, now Library. The motto also watched over the premiere of the performance 'Solomon's Judgement' with which Ilay den Boer now returns to the public. After all, he was not here for a while. He worked for just under a year at the IND, the Immigration and Naturalisation Service,... 

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OFFICIAL 2021 DUTCH DRAMA JURY SELECTION IS KNOWN!

From Thursday 2 to Sunday 12 September 2021, the Netherlands Theatre Festival will show the best productions of the past theatre season. The Netherlands Theatre Jury, headed by jury president Hadassah de Boer, selected the eight best theatre productions of the moment. Today, the jury announced its selection. The full selection can be seen during the upcoming edition of the festival 

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Nerd podcast 14: These two reviewers remarkably agree on Catholic theatre, the Holland Festival, ITA and the upcoming summer

We once started this series because we disagree horribly about some things, but in practice things turn out differently. In episode 14 of this fascinating series of insider conversations about theatre and whatnot, we talk about a few Holland Festival performances and look ahead to the festival summer. As it turns out, the... 

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The bizarre world of Euripides Laskaridis - Julidans opens with guts

After a year of forced inactivity, Julidans kicked off yesterday under the slogan Never Stop Dancing. And so do the wondrous creatures that populate Elenit, the opening night in the hands of Euripides Laskaridis. His Elenit is a universe of grotesque and sometimes endearing characters held hostage by a huge windmill on stage. Against their will, they carry on, or... 

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Holland Festival celebrated the live arts in corona time

The 74th edition of the Holland Festival closed last weekend with the performances Transverse Orientation by Dimitris Papaioannou, Age of Rage by ITA-Ensemble and Pierrot Lunaire by Marlene Monteiro Freitas. The festival collaborated with two associate artists, Japanese composer Ryuichi Sakamoto and French-Austrian theatre maker Gisèle Vienne. Twenty-three companies played one hundred and eleven performances in twenty-five days. The festival presented seven world premieres and co-produced 11 international... 

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ITA leaves exactly the wrong things to the imagination in Age of Rage. #HF21

In Electra, one of the finest tragedies handed down to us by the ancient Greeks, there is at least one piece of text that made history. It is the account of a horse race. You see nothing, but the language puts your imagination to work. 25 centuries later, they tried to turn the images described into real images for the... 

Read More "ITA leaves exactly the wrong things to the imagination in Age of Rage. #HF21

Arnold Schoenberg sounds out of an endearing piece of kindergarten drama. #HF21

There is a direct, inverse, link between musical talent and acting ability. The techniques needed to play a musical instrument are completely different from the registers you need - physically and mentally - for acting. So the better you master your instrument, the worse the acting. The musicians of Klangforum Wien master their instrument at the very, very... 

Read More "Arnold Schoenberg sounds out of an endearing piece of kindergarten drama. #HF21

The myth of Europe, you need a Greek for that anyway (and a better theatre) #hf21

'...this (final) image, in which really I saw what I never saw before. That was so insane where I started to doubt my own perception. Interesting sensation that for me is separate from interpretation.' I quote here a visitor I know from the performance Transverse Orientation, one of the toppers of this year's Holland Festival. She was sitting three metres... 

Read More "The myth of Europe, you need a Greek for that anyway (and a better theatre) #hf21

Learning and moving: The Planet, a lament by Garin Nugroho. #HF21

Some art you don't quite understand, but touches you deeply. Paradjanov's films, for instance, or The Planet, a Lament by Garin Nugroho. Nugroho has chosen not to provide his performance with surtitles, so your rational brain has to be sidetracked for a while. What are they singing, what exactly is happening, what is it about? After a few minutes of this same... 

Read More "Learning and moving: The Planet, a lament by Garin Nugroho. #HF21

TIME by Ryuichi Sakomoto: how five quarters can flash by in a thousand years. #HF12

In a legendary episode of the SF series Star Trek, The Next Generation, for fans like me, Captain Picard is hit by a strange light signal from an empty probe. We then switch to a village to which the captain seems to have been teleported and see how he leads quite a life as a village wise and gifted flute player. At the end, he dies... 

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The bands were dead, but Kukangendai breathes life into everything. Be it inimitable. #HF21

Someone cried the other day that bands were dead. That in a world of digital convenience, loop apps and samples, there was no place left for boys and girls with a guitar, a rickety drum kit and possibly a piano. Last night, while real men were watching football, I sat in Amsterdam's BIM house watching a band. It made me overjoyed. Kukangendai, on... 

Read More "The bands were dead, but Kukangendai breathes life into everything. Be it inimitable. #HF21

Unheimlich and intriguing: Kindertotenlieder by Gisèle Vienne #HF21

A boy is a guest at his own funeral where a black metal band is playing a funeral concert. The killer, his best friend, is also there, along with anonymous black metal fans. The light is harsh, there is snow on the ground. To the right at the side of the stage, a wall has been built with crates of beer, to the left is what I am in... 

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A new layer of management is not going to solve Theatre Rotterdam's problems

Rotterdam and theatre, quite tricky. I should know, I was born there and it was a subject of several working groups during my Theatre Science studies in the 1980s. Since the last theatre reform, a merger in which independent performers would work together to provide all the special theatre in Rotterdam, but... 

Read More "A new layer of management is not going to solve Theatre Rotterdam's problems

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