Anything for which people enter a stage.
It is not often that Norman Lebrecht, author of the globally widely read blog Slipped Disc, covers conductors of the Orchestra of the East two days in a row. First on the departure of principal conductor Jan Willem de Vriend, then on the appointment of former principal conductor Jaap van Zweden to the world-famous New York Philharmonic. Naturally, Lebrecht brought both...
Every stage show, film, or concert has a scene that touches you. A moment that evokes emotion, amazement, or perhaps disgust. Even in director Sam Mendes' James Bond film Spectre, there is such a moment that stays with you. It concerns the excerpt in which classical music, namely the aria Cum dederit from Antonio Vivaldi's Nisi Dominus RV 608,...
Mahler on a programme by Asko|Schönberg - the face of avant-garde atonality, is that possible? For regular guest conductor Etienne Siebens, this is no question: in his programmes, he likes to explore the boundaries between beloved classics and composers still alive. On Thursday, 4 February, he places the ensemble version of Mahler's romantically singing Fourth Symphony - performed with...
The Orchestra of the East is cutting its coat of arms, focusing primarily on Overijssel and has applied for collective redundancy. This - and a whole lot more - can be read in the new business plan. It is enough for the province to release a one-off €1.1 million and make 3.5 tonnes of annual subsidy available again from now on. The...
In 1961, Krzysztof Penderecki (Dębica, 1933) put his name on the map in one fell swoop with Lament for the Victims of Hiroshima. This avant-garde, expressionist piece for string orchestra flogs the ears with heavily dissonant harmonies full of microtones. With this uncompromising orgy of sound, the Pole struck the mental and physical inferno caused by the atomic bomb on the Japanese city in 1945 in the...
Anyone who wants to credibly transfer a historical play to the present had better be radical, director Theu Boermans must have thought. And anyone who sees his adaptation of Nikolaj Gogol's The Revisor at the Nationale Toneel cannot help but agree with him. With references to asylum seekers, cubicle snoopers, data espionage and subsidy fraud, the play seems written yesterday. Yet Boermans remains...
Thursday 21 January sees the start of the ninth edition of the Storioni Festival, dedicated to the five-hundredth anniversary of Hieronymus Bosch's death. Free after his famous triptych Garden of Earthly Delights, the musicians of the Storioni Trio and Frank Veenstra, artistic manager of Muziekgebouw Eindhoven, chose the theme 'Dreams and Demons'. Composer in residence is Poland's Krzysztof Penderecki, who became famous...
Since I can't put all my music musings about Bowie in the (already planned before his death) animation column in mid-March anyway, I'll just muse with the rest of the world now after B-day 10 01 2016. After all, see the cover of Heroes come up quite often in the media. That black-and-white picture where he's in some kind of puppet-like pose...
With the death of Pierre Boulez on 5 January, modernism seemingly came to an end, but the two-year-old Ursula Mamlok (1923) is still alive and kicking. Although the German-American Mamlok hopes to turn 93 on 1 February, she is steadily composing.# In 2009, she wrote Aphorisms II for two clarinets, in which, as in all her pieces, she manages to couple atonality with a warm-blooded...
Technically, of course, he has already risen from the dead once. After all, open heart surgery (2004) shuts down your heart. Before, you were then dead. Now you come back from anaesthesia with a new life. Not surprising, then, that 69-year-old pop culture phenomenon David Bowie hangs his current life on Lazarus: a musical theatre piece, a song, named after the biblical wanderer...
He would have turned 91 on 26 March, but died Tuesday night, 5 January, in his hometown of Baden-Baden. Pierre Boulez was the last surviving composer of the group that changed the direction of music after WWII. His fellow maestros preceded him: Karlheinz Stockhausen died in 2007, Luciano Berio in 2003, Karel Goeyvaerts in 1993 and...
Only Maastricht, Den Bosch and Enschede were able to enjoy Menotti's Amahl and the Night Visitors. Far too little for an opera that has only been seen in our country twice before (in 1988 and 1965) but has everything it takes to win a young audience for the genre ánd is the December opera par excellence. Especially when the mini-opera is so...
Last summer, the Britten Youth String Orchestra made its own Tour de France. It kicked off in Zwolle, where conductor Loes Visser founded the ensemble in 2007 to give young string players orchestral and stage experience. Interested parties are tested on things like intonation, bowing technique and musicality during a rigorous audition and those who are admitted must rehearse every week and participate in all concerts....
Time for our success list. In 2015, we attracted 60,000 more visitors than in 2014. That's something to be proud of. A website that focuses on the stories that existing media find the small, and then figures like that. That we attracted those 300,000 visitors is one, that they spent an average of 2 and a half minutes per story,...
Although the supply has been declining for years, there are still more new shows than a person can see. So nobody sees everything, everybody misses a lot, which was the case in 2014. But these performances no one would have wanted to miss, even if two of them were not even seen in a theatre. And no dance, for that our partner was dance audiences this year too. #1...
Today it was announced that the Gijsbrecht tradition, revived since five years, will end again due to lack of subsidy. A shame, of course, although we don't have to mourn the end of this Amsterdam custom, which has existed since 1638. After all, the play is totally unplayable, historically completely off the mark and all in all a rather pretentious representation of the history of...
The healing power of music, some firmly believe in it - in 2013, it was even the premise of the City of London Festival. Believing that music can connect people and have a healing effect on conflictual societies, festival director Ian Ritchie asked the Brodsky Quartet to commission a composition around this theme. Thus was born the by...
Cultural philosopher Ad Verbrugge has never had very much with David Bowie. He told that at the beginning of his lecture, Friday night 18 December, as a special attraction of the David Bowie Late Night at the Groninger Museum. That was the first disappointment for the assembled fans. More were to follow. Indeed, Ad Verbrugge had not quite prepared for his...
'So, that one is hanging again', the alto Aafje Heynis is said to have exclaimed after a performance of Bach's St Matthew Passion. The statement is probably apocryphal and has also been attributed to soprano Jo Vincent, but fits perfectly with her typically Dutch down-to-earthness*, which was at odds with her heartfelt performances of very diverse music. In 1983, she quit until...
'KUT TONEEL' has been spray-painted over BOT's poster. Another features penises and a clown's nose. Does Firma MES' new show arouse so much aggression? In any case, the young theatre company from The Hague promises us a play about "unkind people". But that doesn't quite pan out. On the flat floor of Theater aan...
Saturday 13 December, the NTR Saturday matinee presents the world premiere of Unscrolled for piano and orchestra by Chinese-American composer Huang Ruo (Hainan, 1976), with pianist Emanuele Arciuli and the Residentie Orkest conducted by Emilio Pomàrico. This kicks off his three-month stay as composer in residence of the Amsterdam Concertgebouw. Ruo is the first to receive this honour,...
Tight and razor-sharp? No. But that's not what this afternoon is about at all. Here the feast of singing together is celebrated, the end result being a performance of Handel's oratorio that you wouldn't want on CD, but which is of a surprisingly high standard and, above all, one you wouldn't have wanted to miss for the world. Much has been written about the problems...
You have to dare to do it: name an opera after the main organiser behind the mass deportations and extermination camps of Jews in World War II and then not perform him as a character. Composer Alejandra Castro Espejo and librettist Bo Tarenskeen did it: their opera Eichmann, a production of the Diamond Factory, will premiere at the Muziekgebouw aan 't IJ on Wednesday 9 December. Adolf Eichmann was...
This year was a celebration of two composers from two seemingly completely different planets. The Estonian Arvo Pärt (b 1935) turned eighty, the Frenchman Pierre Boulez (b 1925) ninety. One is unparalleled among a wide audience for his eloquent 'tintinnabulist style', the other is applauded by a select group of insiders for his avant-garde compositions, which the general public, however, experiences as incomprehensible...
Always nice when someone sets up a committee to solve all the problems. The Dutch theatre sector did just that a few months ago. Led by former minister Guusje Ter Horst, Rinda den Besten (former Utrecht alderman), Sadik Harchaoui (Forum) and Ryclef Rienstra (VandenEnde Foundation) examined what could be better in the relationship between theatre and the...
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