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Self-employed: you don't have to be able to do everything on your own, seek career guidance!

Following the exploration of the labour market in the cultural sector made by the Social and Economic Council (SER) and the Council for Culture last month, there was a lot of attention on the low earning self-employed in the cultural sector. Promising headlines such as "Everyone gets paid except the artist" (NRC) and "It's a matter of waiting every month to see if I earn enough" (Volkskrant) could account for recognition... 

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Contemporary trends in theatre and performance at Something Raw Festival 2016

Three mongols playing Mongols. Dschingis Khan, the opening performance of Something Raw, is provocative and consequential. With this performance by German theatre collective Monstertruck, or the also Berlin-based Man Power Mix by Sheena Mcgrandles and Zinzi Buchanan, the festival Something Raw lives up to its name. Something Raw is a festival in which Amsterdam theatres Frascati, De Brakke... 

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Holland Festival 2016: urgent, challenging and inviting

Never before has the Holland Festival placed itself at the centre of society as it is today. The 2016 programme is steeped in the turbulent times in which we live. The Netherlands holds the presidency of the European Union this spring. Artistic director Ruth Mackenzie has taken this fact unflinchingly to give 'Europe' a wide place in the programming. In presenting... 

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Wicked souls in dark times - baroque opera in Saturday Matinee

Baroque specialist and conductor Andrea Marcon, together with his La Cetra Barockorchester, manages to weave a fine lace work in Vivaldi's opera seria Catone in Utica (1678 - 1741), on which, among others, German soprano Anett Fritsch, Swedish mezzo-soprano Ann Hallenberg and striking Italian mezzo-soprano Francesca Ascioti shine like precious jewels. The international cast of Catone in Utica... 

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Music journalist Erik Voermans: 'I keep interviewing composers whether they want to or not'

On 4 February, music journalist and musicologist Erik Voermans' latest book was presented: From Andriessen to Zappa. After twenty-five years of writing for Het Parool, Voermans has collected his conversations with the greats of modern-classical music in a chic edition. Paul van der Steen's detailed drawings inspire listening to the music discussed. The presentation in the Great Hall of the Muziekgebouw... 

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Hermitage gets 'first' Outsider Art Museum in the Netherlands

The Hermitage Amsterdam has something 'new': a new museum space in the museum on the river Amstel will be home to the 'first' Outsider Art Museum in the Netherlands from 17 March. With artworks by national and international Outsider artists. Excuse me, new? Does the museum not know at all that Zwolle once had a similar museum, with an extensive collection of outsider art? Outsider art returns with this... 

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wu wei

Wu Wei: 'Eastern and Western cultures can enrich each other.'

Chinese musician Wu Wei plays sheng. For him, the four-thousand-year-old instrument encompasses more than just music. 'Sheng means hope and hope is life,' he says during the dress rehearsal on the eve of the Saturday Matinee on 31 January where he performed with the RFO conducted by Edo de Waart. Confucius ' "A human being has two... 

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Singing Gustav Mahler and stammering Beat Furrer touch the soul

Mahler on a programme by Asko|Schönberg - the face of avant-garde atonality, is that possible? For regular guest conductor Etienne Siebens, this is no question: in his programmes, he likes to explore the boundaries between beloved classics and composers still alive. On Thursday, 4 February, he places the ensemble version of Mahler's romantically singing Fourth Symphony - performed with... 

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susan neiman

The Access. Winternachten chief guest Susan Neiman on David Bowie (among others) #wn16

The last bit is always the most exciting. After a nice conversation with festival presenter Francis Broekhuizen, chief guest Susan Neiman suddenly joined us. It was nearing twelve, quite a bit of wine had actually already been poured into presenter and guest, but still. Suddenly you find yourself talking to a great philosopher and writer about David Bowie. This was the last session at Winternachten.... 

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Storioni Festival: champagne bottle whose cork almost pops off

Thursday 21 January sees the start of the ninth edition of the Storioni Festival, dedicated to the five-hundredth anniversary of Hieronymus Bosch's death. Free after his famous triptych Garden of Earthly Delights, the musicians of the Storioni Trio and Frank Veenstra, artistic manager of Muziekgebouw Eindhoven, chose the theme 'Dreams and Demons'. Composer in residence is Poland's Krzysztof Penderecki, who became famous... 

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winternachten op blab

On the sofa with The Signature Hunter, The Translator and Abdelkader Benali

Three and a half hours of streaming video from a seating area at The Hague's Winternachten festival. I won't blame you if you didn't follow everything. I wasn't quite there myself at the end. Still, it was a success. If only because it hasn't been done here in the country before. Blab is so new that... 

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The 10 theatre performances you wish you had seen in 2015

Although the supply has been declining for years, there are still more new shows than a person can see. So nobody sees everything, everybody misses a lot, which was the case in 2014. But these performances no one would have wanted to miss, even if two of them were not even seen in a theatre. And no dance, for that our partner was dance audiences this year too. #1... 

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Nieuwpoort 05 © Sanne Peper _ Flickr - Photo Sharing!

Alum plays "1600, Battle of Nieuwpoort": promising start to historical series

Today it was announced that the Gijsbrecht tradition, revived since five years, will end again due to lack of subsidy. A shame, of course, although we don't have to mourn the end of this Amsterdam custom, which has existed since 1638. After all, the play is totally unplayable, historically completely off the mark and all in all a rather pretentious representation of the history of... 

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Violinist Daniel Rowland: 'One spontaneous action can change the world'

The healing power of music, some firmly believe in it - in 2013, it was even the premise of the City of London Festival. Believing that music can connect people and have a healing effect on conflictual societies, festival director Ian Ritchie asked the Brodsky Quartet to commission a composition around this theme. Thus was born the by... 

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'So Anyway'. A political Christmas column

But then. A day before Christmas, the prime minister experiences a sleepless night. He has no appetite for the Glühwein provided by the housekeeping service. The Christmas pastry, delivered by a friendly VVD baker, remains untouched. The security guards see their object sitting upright in his bed... Read and shudder That summer evening, Michelle de Kat sits smugly in a corner of the blood-hot studio 

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Legendary alto Aafje Heynis died

'So, that one is hanging again', the alto Aafje Heynis is said to have exclaimed after a performance of Bach's St Matthew Passion. The statement is probably apocryphal and has also been attributed to soprano Jo Vincent, but fits perfectly with her typically Dutch down-to-earthness*, which was at odds with her heartfelt performances of very diverse music. In 1983, she quit until... 

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One hundred artists exhibit art for low prices in Enschede

The world of art buyers is the world of 'somewhat older buyers'. The national art initiative We Like Art - a website that informs about buying art - wants to change that and tries to reach a different audience. It wants to get younger art buyers interested in buying art. Since many people do want to buy art,... 

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Firma Mes - BOT (foto Joris Jan Bos)

BOT by Firma MES: delightful theatre for laughers and thinkers

'KUT TONEEL' has been spray-painted over BOT's poster. Another features penises and a clown's nose. Does Firma MES' new show arouse so much aggression? In any case, the young theatre company from The Hague promises us a play about "unkind people". But that doesn't quite pan out. On the flat floor of Theater aan... 

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Welcome back to Amsterdam Huang Ruo!

Saturday 13 December, the NTR Saturday matinee presents the world premiere of Unscrolled for piano and orchestra by Chinese-American composer Huang Ruo (Hainan, 1976), with pianist Emanuele Arciuli and the Residentie Orkest conducted by Emilio Pomàrico. This kicks off his three-month stay as composer in residence of the Amsterdam Concertgebouw. Ruo is the first to receive this honour,... 

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Nederlandse Reisopera, Orkest van het Oosten, Consensus Vocalis ánd 600 sing-alongs give lessons in the capital: connecting is how you do it!

Tight and razor-sharp? No. But that's not what this afternoon is about at all. Here the feast of singing together is celebrated, the end result being a performance of Handel's oratorio that you wouldn't want on CD, but which is of a surprisingly high standard and, above all, one you wouldn't have wanted to miss for the world. Much has been written about the problems... 

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Opera Eichmann without Eichmann

You have to dare to do it: name an opera after the main organiser behind the mass deportations and extermination camps of Jews in World War II and then not perform him as a character. Composer Alejandra Castro Espejo and librettist Bo Tarenskeen did it: their opera Eichmann, a production of the Diamond Factory, will premiere at the Muziekgebouw aan 't IJ on Wednesday 9 December. Adolf Eichmann was... 

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Pierre Boulez turns 90 yet again

This year was a celebration of two composers from two seemingly completely different planets. The Estonian Arvo Pärt (b 1935) turned eighty, the Frenchman Pierre Boulez (b 1925) ninety. One is unparalleled among a wide audience for his eloquent 'tintinnabulist style', the other is applauded by a select group of insiders for his avant-garde compositions, which the general public, however, experiences as incomprehensible... 

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The five shows you must see in December

The National Opera, Hänsel und Gretel (opera) It is the best-known fairy tale opera of all time. Not surprisingly, as Humperdinck's adaptation of Hansel and Gretel is overtly rooted in folk music as in almost Wagnerian orchestration. It was bound to be a success. Richard Strauss conducted the world premiere; Amsterdam features International Opera Award Winner Lotte de Beer's version. She moves... 

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