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'The decision to underpay freelancers is incomprehensible and a blot on the record' - 'Leaders in Culture' call for fair payment of freelancers

'How many more talented creators do we have to lose to other sectors because they cannot reconcile the undervaluation with the quality of their product? People choose eggs for their money in the long run, when children need to be fed or mortgages paid. The sector is hollowing itself out if we don't take better care of our talent.' Thirty leaders in the cultural sector speak out 

If no one comes up with a Plan B... 

On 23 October, website Theaterkrant.nl wrote a piece on the future of the performing arts. A future that is black and gloomy when you, as a creator, count on growth, or even survival at all. In short: so much money is going away from the Performing Arts Fund, that from next year only between 50 and 60 applications can be honoured, in... 

Dutch youth film in dire straits too? Plenty to talk about during the Cinekid festival

The Cinekid youth film festival opens this week with Binti, a catchy, highly topical youth film brimming with optimism. That sounds good, because optimism is what the Dutch youth film can use right now. Too bad, then, that Binti, about a girl from Congo who does everything in her power to be allowed to stay in Belgium with her father, is a largely Belgian production.... 

Music from anger and powerlessness - Extra focus on sensational composer Georg Friedrich Haas in November Music

Last year, Austrian Georg Friedrich Haas caused a stir at the Holland Festival by openly talking about his master-slave relationship with his wife Mollena. If possible, even more startling was their joint production Hyena. Mollena Williams-Haas told a blood-curdling tale of how she rehabbed from her alcohol addiction, her husband providing the hypnotic music. This year, Haas is one of the central... 

'I decided to make an unabashedly grand romantic gesture and blow people away' - Mathilde Wantenaar writes new piece for Rotterdam Philharmonic Orchestra

Being creative on demand? That's impossible, you would think. Yet it is the reality for composers and artists who work on commission. Mathilde Wantenaar (1993) therefore got acute choice stress when the Rotterdam Philharmonic Orchestra asked her for a new piece. She was just working on a commission from De Nationale Opera. 'I felt like a rabbit in the... 

We are nowhere near crazy enough. Why theatre desperately needs a little more Crazy Wisdom.

'We will never be 'the same' enough, we fringe characters: bipolar, borderline, gay, lesbian, indeterminate, narcissistic, autistic, hysterical - and we are all fatally insecure and we all need a hug.' Permanent, seemingly inevitable insecurity is peculiar to the theatre industry. Ramsey Nasr hit that sharply in his speech on receiving his second Louis D'Or. The courage, or sometimes almost masochistic... 

We predicted it right: Swans for Conny Janssen Dances and Schuitemaker

Ruben Brugman predicted it on 22 June. So it was not a total surprise. On Friday 4 October, the VSCD Dance Awards, the Swans, were presented at The Dutch Dance Days Gala of Festival de Nederlandse Dansdagen 2019 at Theater aan het Vrijthof in Maastricht. Conny Janssen, artistic director of Conny Janssen Danst, received the Golden Swan from minister van Engelshoven.... 

'I am interested in situations or people that are overlooked in everyday life.' - Meriç Artaç two seasons guest composer of Day in the Fire.

'I always draw out my characters before I start composing. They are inspired by people I see on the street, personalities I admire, details that make someone special... I usually focus on one specific aspect of a character, a dominant mood that I then highlight in my composition.' Born in 1990 in Istanbul, Meriç Artaç was already... 

Zeitgeist and chance cannot be captured by an algorithm. Why a robot should not replace the music programmer.

Last Wednesday, 2 October, at the annual congress of the Vereniging Nederlandse Poppodia en Festivals in Tivoli/Vredenburg, I saw an interesting presentation by Jonas Kiesekoms, research coordinator at PXL-Music in Hasselt, Belgium, and musician. The question is now classic: can a robot replace the music programmer? With his research group, Kiesekoms is working on several applications that use data science to improve ticket sales for concerts,... 

European Cultural Foundation seeks new imagination on anniversary.

'Nothing can make up for the past. But the real, enduring power of the past lies in how it affects our present and our future. What we can do is shape a future history in which we consciously and determinedly carry with us only the best of our past.' Not keep rooting, but cognitive behavioural therapy for the whole of Europe, you might... 

Red flags, pretty words and a resolute plan: Dogma 19. Turn a feature film like a documentary.

Following Denmark, the Netherlands now has its own Dogma manifesto. A modest but also ambitious statement from two young filmmakers who present a surprisingly clear plan after a season full of noise and concerns about Dutch cinema. Whether it is a pebble or a big pebble in the pond remains to be seen. In any case, they are going to do something,... 

Joy of life and icy constriction. Ensemble Modern performs striking world premieres by female composers during November Music

Ensemble Modern presents world premieres by German-Dutch Iris ter Schiphorst and Turkish Zeynep Gedizlioğlu in November Music. And that is good news, because the female composer remains too often invisible even in 2019. In the brochures of any Dutch orchestra, you will find none, or only a single work by a woman. On the new Heart & Soul list of... 

"'Well nice' is not good enough, that falls right off." Film critic Jan Pieter Ekker on possibly the last Directors' Forum at the Dutch Film Festival

The Dutch Film Festival is about to erupt. A spacious week with a broad overview of everything moving on Dutch screens, from public film to short student film. Last year was noisy: directors, editors and cameramen expressed gloom about the quality and guts of patriotic film. Visitor numbers don't seem to be overblown either, although... 

'I hope we will all slip into another world.' Calliope Tsoupaki writes Bosch Requiem 'Liknon' for November Music

In 1988, Calliope Tsoupaki (1963) came to the Netherlands from Greece to study composition with Louis Andriessen. Exactly 30 years later, she was appointed 'Composer of the Fatherland'. In that capacity, she has already composed some highly topical pieces. When Notre Dame de Paris caught fire on 15 April, Tsoupaki immediately climbed into the pen. Five days later... 

Why does the fair practice code really only apply to the arts?

Our administrators and elected representatives will not openly admit it, but they do not really care about a healthy cultural sector, let alone the position of individual creators and artists. Indeed, making a Fair Practice Code compulsory without increasing the budget for culture is a slap in the face for everyone working in the arts sector. 'Then be... 

'Art tax cuts and a cultural fund will be created as an incentive for homeowners to invest in works of art.' (How we think the throne speech should have read)

Members of the States General, This year about 72 years ago we had the first Holland Festival. After years of enslavement and tyranny, hope for a better future literally came from above, in the form of Maria Callas. Eyewitnesses who saw the lights in the Stadsschouwburg turn red that day would never forget that image. 72 years later, it seems... 

Who said modern music was humourless and cerebral again? American Kelley Sheehan wins in Music Week full of humour and reflection

For a moment, the envelope seems unopenable but then Minister Ingrid van Engelshoven conjures up the redeeming paper after all. 'The winner of the 2019 Gaudeamus Award is Kelley Sheehan!' The little American almost falls off her stool in amazement. Probably not entirely by chance, the new music organisation has positioned her right in the middle of her four fellow candidates. - She herself would... 

TipiToe Festival: Texel grounding for gliders and non-gliders in beautiful surroundings.

'I know what you're banging on about!' The tattooed athlete who is still chilling after her pole dance workshop playfully shouts it at her friend, who has landed a solid left direct on my boxing glove. 'Well and truly,' she calls back. She smiles kindly at it. I know I don't have to take her slaps personally.... 

Art cannot be exclusive enough. At Festival Noorderzon, everyone can experience it for themselves 

Police sirens sound less frequently in Groningen than in a city like Amsterdam. When they sounded last Wednesday night, it was because residents of the premises behind the local art academy, Minerva, raised the alarm. Standing on the roof was not an owl, but an almost naked man shouting that he was going to rob the Coop. Mads Wittermans, the actor in question, had forgotten the... 

'Groningen has an open arts climate'

An artist creates something - but for whom and why? How does the created thing relate to society and what role does that creation want to play in it? Besides all the theatre performances at Noorderzon, there is also the critical question: 'What is actually the point of theatre?' Can art fraternise people? That's not so easy. Take theatre-goers. They are rather alike.... 

Why Noorderzon's opening performance is a gem

Some critics thought the opening performance of Festival Noorderzon in Groningen was so bad it made you cry. Others were less negative. Those certainly have a point. But then you have to look beyond what you are used to. When Bear, the hero of Noorderzon 2019's opening show, is imprisoned in a tower, he laments his fate through an eloquent yet sad... 

'Playing a game is fun, especially if it's a sneaky game.' What is Yan Duyvendak doing at Noorderzon with his audience?

Armed only with instructions, consisting of a short scenario and witness accounts from previous participants, you and up to 11 others carry out a number of sneaky tasks. On the street. Exactly what these subtle disruptions of the everyday are will remain a secret until the performance begins. It promises to be one of the most special projects at Festival Noorderzon, which runs from 15 to... 

Bring on that fair! 7 established facts that make an ever-younger festival Boulevard unique.

Theatre Festival Boulevard is a highlight of the festival summer every year. Because there are no barriers and because it carries the casual atmosphere of the city in every fibre. But it goes even further. Here are my seven learning moments: 1: Boulevard is more accessible than the city itself Some people find it verging on the hysterical, but... 

Impressive Minaret shows at Theatre Festival Boulevard that art survives disasters. (And check out what Miet Warlop pulls off with Dervishes)

Miet Warlop has exciting ideas, and carries them out. Now she is not unique in that. More artists do that. What makes Miet Warlop special is that it invariably leads to really special work. Take her latest creation, to be seen at Theatre Festival Boulevard, 'Ghost Writer and the Broken Hand Brake': she puts three people on stage and... 

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