It has been eagerly awaited for weeks: the Night of Poetry. For the thirty-fourth time next month, poets and audience gather around the stage for a night of verses and music. Regular presenter Piet Piryns, now fused with the event, looks back and ahead. He remembers it well, his first...
Woody Allen made sure in 1972 that his fans could not watch Star Wars with dry eyes years later. The final scene of his film 'Everything You Always Wanted To Know About Sex, But Were Afraid To Ask' shows us the male brain as the bridge of a Star Cruiser where the crew is hard at work to bring a date to a successful conclusion. The spermatozoa in the front are a bickering gang of take-off runners, on their way to an uncertain descent towards beating egg.
You don't have to go to Terschelling at all for an atmospheric location performance. COURAGE by Conny Janssen Danst is an exciting experience on a totally, totally neglected place.
In the 1980s she started choreographing with Djazzex, years later she performed for Obama. Now Conny Janssen (interview here) with her ensemble at the Ferro Dome. A dilapidated venue you wouldn't expect much from the outside. Plans to turn it into a Rotterdam Heineken Music Hall are according to the AD cancelled. It's as if the city of Rotterdam said to Conny: here's a place we can't do anything with, you do something with it. Dut succeeded her wonderfully: thanks to a creative approach, the entire industrial entourage has a underground-appearance.
When we think of 'The Dark Ages', we think of the rough raw dark Middle Ages, with church and king and no hygiene. However, Swiss director Milo Rau's performance, now at the Holland Festival, refers to a much more recent piece of European history. In a recent interview With the Culture Press, he said:
This way from row nine, it is like being knee-deep in carnations yourself. The heads of the audience in front of me merge silently into a forest of stems crowned with pink, through which dancers carefully step back and forth like leggy chickens.
The find is great: Nelken by Pina Bausch depicts paradise as a place where you have to be careful or things will go wrong. The carnations force the dancers to be careful. As a spectator, you go along with them, without all the underlying thoughts immediately coming through to you.
There I am. Next to Holland Festival director Ruth Mackenzie, on a grave, as part of the installation Gardens Speak on the stage of the main hall of Theatre Bellevue in Amsterdam. There is nothing to see, little to hear. Tone lights suggest a rising sun after a few minutes. I get up together with the ten other visitors. Quite a shame, because I was actually quite comfortable lying there.
The programme booklet sounded promising:
Austrian politician Jörg Haider labelled its work Weltkatzenmusik. When his far-right Freiheitliche Partei Österreichs joined the government in 2000, it led to mass protests. At one such rally, Olga Neuwirth (Graz, 1968), under the title 'Ich lass mich nicht wegjodeln', denounced his anti-intellectual and anti-cultural agenda. The rest is history: Haider drove himself to pieces in 2008, Neuwirth...
We are all going to die! We already have that certainty in. And since the dawn of mankind, every new generation invariably knows that it is going to happen to them now. After all: their successors have never prospered anywhere like today's youth. Nice premise for a concert, thought German director Sebastian Nübling[hints]Nuling was a guest at the Holland Festival last year with an adaptation of Hebbel's play Nibelungen, read the review and a interview.[/hints], good idea to programme, thought the Holland Festival. I seriously wonder why.
There are countries in the world, where the boundaries between art disciplines are not as sharply drawn as they are here. The Holland Festival, under the new leadership of Ruth MacKenzie, is catching us up. She is bringing events here where the boundaries between visual art, performance, video, film and performing arts can no longer be drawn. Events that generate meaning in ways that are quite new to us, such as The Encounter, last week, and Gardens Speak, later this week.
Maarten Baanders saw an opera that remained an island. An omnivore was Athanasius Kircher (1602 - 1680). No phenomenon in the universe could escape his urge to investigate. A universal scholar he was, but also a fantasist. Hence, he did not count in science. But for a grotesque opera, you can hardly imagine a more attractive protagonist. Louis...
Joost Galema, journalist and programme maker, was called one day by Bastiaan Everink. The baritone and ex-marine wanted to make a book about his personal struggles and how music changed his life. Not being a writer, he started looking for a ghostwriter. Joost was third on his list. A few days later, Bastiaan was standing in Joost's Hilversum living room telling his story. The singer talked about marines, survival, violence, Iraq, Wagner's music and a quest. Not a one-dimensional chronicle, Joost thought, and he decided to start working with Bastiaan. After three years
Good news for anyone who also thinks the Dutch film world could use a bit more spice. On 29 September, film theatre Springhaver in Utrecht will host the Evening of the Burning Calf organised. Rounded off with the presentation of the Brandend Kalf, the new film award for the most sensational, daring, cheeky or inspired Dutch film initiative. At least, if enough crowdfunders are those who want to support this project by film journalist Karin Wolfs and writer A.H.J. Dautzenberg.
Yes, you see, this event takes place, not entirely coincidentally, on the evening preceding the presentation of the Golden Calf awards. And no, the Brandend Kalf is not a side-programme of the Dutch Film Festival. When we ask Karin Wolfs to explain, she first of all wants to emphasise that it is a completely independent project. Nor a private party of Wolfs and Dautzenberg. Hence also that crowdfunding. If it succeeds
Toneelschuur, Don Carlos (stage) Nina Spijkers brings Friedrich Schiller's classic play back to its essence. No lavish scenery depicting the Spanish court, but canvases peeled off layer by layer. playlist M31 Foundation, Nederlandse Reisopera, Theater na de Dam, Der Kaiser von Atlantis (opera) Forty years after its world premiere at Theater Bellevue, Victor Ullmann's Der Kaiser von Atlantis will be re...
That there is an extremist magazine about burnings and beheadings, and that rich Britons have four-storey basements built under their houses for a private cinema or bowling alley - we learned a lot last night at the International Literature Festival Utrecht (ILFU). The programme of the Saturday night of the ILFU was as richly varied as that of the first evening. The...
Jan Gielkens has won the Filter Translation Prize 2016 for his translation of The Words of Grimm by Günter Grass. The prize of ten thousand euros rewards the most exceptional translation achievement of the past year. Grass's novel, published last year by Meulenhoff, places high demands on the reader and the translator, the jury felt. 'Deftly navigates Gielkens'...
José Eduardo Agualusa, Elena Ferrante, Han Kang, Orhan Pamuk, Robert Seethaler and Yan Lianke have a chance to win the Man Booker International Prize 2016. The shortlist of six authors and titles was announced today. And, coincidence or not, we already interviewed one of the major contenders. Read that interview with José Eduardo Agualusa here, take in what he says about...
The Cinéma Arabe festival (from 19 April) is showing a rich palette of new work from the Arab World. Interview with director Hany Abu-Assad who sets a new tone with The Idol. And he has plans for a film about William of Orange. 'That will be my parting gift to the Netherlands.'
This write-up may begin somewhat strangely, but the end is going to evoke very different images: All sorts of things are set in motion internally when I find myself in the smallest room of my house. This is because - besides nice, sweet cards from friends and family - there are clippings hanging on the door, theatre guides, newspaper sections and smart magazines lying around. So...
Writing cost him his marriage, he is being shadowed by the secret service and risks being arrested in Angola. But José Eduardo Agualusa, who has a chance of winning the 2016 Man Booker International Prize with his new novel A General Theory of Forgetting, does not hesitate to put down his pen. 'I won't let myself...
Is there any reason to buy the magazine 'Boekman 106′? For me, yes, although I should immediately throw a magazine that claims to be the Dutch forum for art, culture and policy into the dustbin for displayed arrogance. After all, with a circulation of only 1400 copies, and appearing four times a year, how can you give yourself such a...
Things have been rumbling in the film world for some time: Why is the silver screen so, er, white? And where are all the women anyway? #OscarsSoWhite but also #OscarIsADude! Many people in the industry have already expressed their displeasure at this. At the previous Oscar ceremony, actresses aimed their arrows at equal pay, or rather, the lack of it. This year, many an African-American actor and...
Three mongols playing Mongols. Dschingis Khan, the opening performance of Something Raw, is provocative and consequential. With this performance by German theatre collective Monstertruck, or the also Berlin-based Man Power Mix by Sheena Mcgrandles and Zinzi Buchanan, the festival Something Raw lives up to its name. Something Raw is a festival in which Amsterdam theatres Frascati, De Brakke...
Sexual abuse, alienation and the emptiness of existence are the ingredients of Motel Mist by Thai debutant Prabda Yoon. A #IFFR Tiger Award worthy film. In tightly directed storylines, Yoon gently critiques Thailand's social and political climate. For instance, Motel Mist refers to the well-known paedophile sex tourism. Moreover, Yoon makes an attempt to capture the emptiness and alienation...
Erik Voermans (1958) is one of those people who writes down what you think yourself, but would never air publicly. The music editor of Het Parool likes to pose as your unsuspecting neighbour's boy, watching the music world with amazement. Take the phenomenon of opera: 'That's when someone with a knife in his taas walks around for half an hour singing that he's going to die.' If he...
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