{"id":100760,"date":"2026-02-20T12:12:09","date_gmt":"2026-02-20T11:12:09","guid":{"rendered":"https:\/\/cultureelpersbureau.nl\/?p=100760"},"modified":"2026-02-20T12:12:12","modified_gmt":"2026-02-20T11:12:12","slug":"spreidingsretoriek-is-ook-een-vorm-van-stilstand","status":"publish","type":"post","link":"https:\/\/cultureelpersbureau.nl\/en\/2026\/02\/spreidingsretoriek-is-ook-een-vorm-van-stilstand\/","title":{"rendered":"SPREADING RHETORIC IS ALSO A FORM OF STAGNATION"},"content":{"rendered":"<p class=\"wp-block-paragraph\">In the Netherlands, we love the word spreading. Especially when it comes to art and culture. Then it quickly sounds good: culture should not only be for the Randstad, but for the whole country. Totally true.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Except that something typically Dutch often happens afterwards: we put it in a policy document, nod in agreement, drink coffee - and then just continue on the same course.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">This is why spreading rhetoric is such a useful word. It sounds a bit vitriolic, but it is mostly precise. We have the language of dispersion in excellent order. Now we have the practice.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Talent<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">Because let's face it: the difference between Randstad and region in art is not about talent. In Twente is talent. In Groningen is talent. In Limburg there is talent. That's not where the problem is. The problem is where the infrastructure is. Where the institutions are, the networks, the media, the funds, the visibility. And also: where the people sit who determine what is called \u201cnationally important\u201d.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">In the Randstad, that's all close together. That's not a conspiracy, that's history. But it does have consequences. There, a good idea gets air under the wings faster. In the region, a good idea often gets a form first.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">That is the difference in one sense: in the Randstad, culture is mostly infrastructure, in the region it is too often project.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Camping<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">And then you get a familiar pattern. Great work is being made in the region, with audiences who are really there, makers who are rooted, venues that are in the middle of society. There is plenty of energy. But something is often missing in the chain: training, production, presentation, development, throughput. As a result, much remains dependent on temporary impulses. A regulation here, a pilot there, a programme for three years, applause, evaluation, end of project.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">That's not building. That's cultural camping.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">I don't say that to be sour about the government. I have been working with governments long enough to know that there is a lot of good will there too. But the government is not a speedboat on this issue. The government is an oil tanker. Big ship, slow turn. Everyone on the bridge sees that the course is a tad off, but you don't turn a thing like that with a memo and a sympathetic speech.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">And that is exactly why we need to be sharper in what we ask for. Not yet another \u201cextra attention for the region\u201d. Not another nice passage about outreach and accessibility. We have had that. That's the language. Now the structure.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">System change<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">If OCW really wants something, it should stop just talking about distribution and start with system change. Then it's not just about where performances play, but about where culture can grow sustainably. Then you have to treat regional culture not as a nice addition, but as a full-fledged part of the national base.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Every day in Twente, I see what is already there: makers, venues, audiences, education, cooperation, stories, identity, craftsmanship. The question is not whether the region is ready. The question is whether the system is finally ready to take the region seriously.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Because as long as the Randstad remains the place where structure is taken for granted, and the region the place where everything has to be requested over and over again, \u201cdispersion\u201d will remain a neat word for a skewed reality.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">And we are really, after all these years, done with that.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">The oil tanker must run.<br \/>Not on paper.<br \/>In practice.<\/p>","protected":false},"excerpt":{"rendered":"<p>Gerard Cornelisse writes: \"In Twente, I see every day what is already there: makers, venues, audiences, education, cooperation, stories, identity, craftsmanship. The question is not whether the region is ready. The question is whether the system is finally ready to take the region seriously.\"<\/p>","protected":false},"author":1051,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_eb_attr":"","_themeisle_gutenberg_block_has_review":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"activitypub_content_warning":"","activitypub_content_visibility":"","activitypub_max_image_attachments":3,"activitypub_interaction_policy_quote":"anyone","activitypub_status":"federated","footnotes":"","jetpack_publicize_message":"Gerard Cornelisse schrijft: \"In Twente zie ik elke dag wat er al w\u00e9l is: makers, podia, publiek, onderwijs, samenwerking, verhalen, identiteit, vakmanschap. De vraag is niet of de regio er klaar voor is. De vraag is of het systeem eindelijk bereid is de regio serieus te nemen.\"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2},"jetpack_post_was_ever_published":false},"categories":[15614,11687],"tags":[1379,15949,16436,11686,923],"class_list":["post-100760","post","type-post","status-publish","format-standard","hentry","category-beleid","category-donatie-gevraagd","tag-basisinfrastructuur","tag-raad-voor-cuiltuur","tag-regio","tag-spreiding","tag-subsidie"],"featured_image_url":[],"post_author":"Gerard Cornelisse","assigned_categories":"beleid, WAARDEER &amp; DONEER!","jetpack_publicize_connections":[],"jetpack-related-posts":[{"id":137595,"url":"https:\/\/cultureelpersbureau.nl\/en\/2026\/09\/na-het-paradisodebat-we-moeten-anders-gaan-denken-over-auteursrecht\/","url_meta":{"origin":100760,"position":0},"title":"Following the #Paradiso debate: We need to start thinking differently about copyright","author":"Nan van Houte","date":"6 September 2026","format":false,"excerpt":"Zojuist verliet ik Paradiso waar het jaarlijkse Kunsten\u201992 debat deze keer gewijd was aan AI. Wat me opviel: behalve de vraag\/het commentaar vanaf het balkon van Paradiso, dat onversterkt helaas niet te volgen was, werd er niet ingegaan op de uiterst interessante observaties en adviezen van Payal Arora, Hoogleraar Inclusieve\u2026","rel":"","context":"In &quot;ACTUEEL&quot;","block_context":{"text":"ACTUEEL","link":"https:\/\/cultureelpersbureau.nl\/en\/genre\/nieuws\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":137614,"url":"https:\/\/cultureelpersbureau.nl\/en\/2026\/09\/mijn-hart-in-vijftig-stukken-el-corazon-de-ester\/","url_meta":{"origin":100760,"position":1},"title":"My Heart in Fifty Pieces: El coraz\u00f3n de Ester","author":"Alessia De Santis","date":"7 September 2026","format":false,"excerpt":"In *El coraz\u00f3n de Ester*, dat in het Teatro Vittoria zijn Italiaanse nationale premi\u00e8re beleefde als onderdeel van Short Theatre 2026, kruipt de Spaanse kunstenaar Alberto Cort\u00e9s in de huid van Ester, een 19e-eeuwse vrouw die langzaam verdwijnt naarmate ze zich aan haar minnaars overgeeft. Er staan slechts vijftig voorstellingen\u2026","rel":"","context":"In &quot;FAITS DIVERS&quot;","block_context":{"text":"FAITS DIVERS","link":"https:\/\/cultureelpersbureau.nl\/en\/genre\/faits-divers\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":90844,"url":"https:\/\/cultureelpersbureau.nl\/en\/2023\/06\/streamingdiensten-gaan-5-omzet-investeren-in-nederlandse-producties\/","url_meta":{"origin":100760,"position":2},"title":"Streaming services to invest 5% turnover in Dutch productions","author":"een van onze leden","date":"6 June 2023","format":false,"excerpt":"Major streaming services operating in the Netherlands will start investing 5% of their Dutch annual turnover in Dutch productions. The House of Representatives has agreed to a bill by state secretary Gunay Uslu (Culture and Media). Thanks to this investment, more money will be available for making Dutch offerings. With...","rel":"","context":"In &quot;beleid&quot;","block_context":{"text":"beleid","link":"https:\/\/cultureelpersbureau.nl\/en\/genre\/beleid\/"},"img":{"alt_text":"Logo van het ministerie van OCW","src":"https:\/\/i0.wp.com\/cultureelpersbureau.nl\/wp-content\/uploads\/2020\/05\/Logo_ministerie_OCW.svg_.png?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/cultureelpersbureau.nl\/wp-content\/uploads\/2020\/05\/Logo_ministerie_OCW.svg_.png?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/cultureelpersbureau.nl\/wp-content\/uploads\/2020\/05\/Logo_ministerie_OCW.svg_.png?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/cultureelpersbureau.nl\/wp-content\/uploads\/2020\/05\/Logo_ministerie_OCW.svg_.png?resize=700%2C400&ssl=1 2x, https:\/\/i0.wp.com\/cultureelpersbureau.nl\/wp-content\/uploads\/2020\/05\/Logo_ministerie_OCW.svg_.png?resize=1050%2C600&ssl=1 3x"},"classes":[]},{"id":19297,"url":"https:\/\/cultureelpersbureau.nl\/en\/2015\/01\/another-black-day-for-independent-journalism\/","url_meta":{"origin":100760,"position":3},"title":"Another black day for independent journalism","author":"Thea Derks","date":"8 January 2015","format":false,"excerpt":"After the brutal attack on the staff of the French satirical weekly Charlie Hebdo in Paris yesterday, journalists, cartoonists, politicians and the general public rallied worldwide to defend the freedom of speech. Many a front page of today's newspapers showed the cartoons for which chief editor Charb (St\u00e9phane Charbonnier) and...","rel":"","context":"In &quot;ACTUEEL&quot;","block_context":{"text":"ACTUEEL","link":"https:\/\/cultureelpersbureau.nl\/en\/genre\/nieuws\/"},"img":{"alt_text":"tirannen","src":"https:\/\/i0.wp.com\/cultureelpersbureau.nl\/\/wp-content\/uploads\/2015\/01\/tirannen1.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":43577,"url":"https:\/\/cultureelpersbureau.nl\/en\/2017\/01\/salena-godden-this-city-is-a-pigeon-hobbling-with-one-mangled-foot\/","url_meta":{"origin":100760,"position":4},"title":"Salena Godden: 'This city is a pigeon, hobbling with one mangled foot'","author":"A Quattro Mani","date":"22 January 2017","format":false,"excerpt":"During the Winternachten festival this Saturday, seven writers shared their story about their 'Secret City'. Mircea Cartarescu, Rodigro Hasb\u00fan, Hanna Bervoets, Piotr Ibrahim Kalwas, Olga Grjasnowa, Maarten van der Graaff and Salena Godden wrote about the city they don't see when they walk out the door, but encounter once in...","rel":"","context":"In &quot;Alleen voor leden&quot;","block_context":{"text":"Alleen voor leden","link":"https:\/\/cultureelpersbureau.nl\/en\/genre\/service\/members-only\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/cultureelpersbureau.nl\/wp-content\/uploads\/2017\/01\/Salena-Godden-MR-%C2%A9Marc-Brester-2.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/cultureelpersbureau.nl\/wp-content\/uploads\/2017\/01\/Salena-Godden-MR-%C2%A9Marc-Brester-2.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/cultureelpersbureau.nl\/wp-content\/uploads\/2017\/01\/Salena-Godden-MR-%C2%A9Marc-Brester-2.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/cultureelpersbureau.nl\/wp-content\/uploads\/2017\/01\/Salena-Godden-MR-%C2%A9Marc-Brester-2.jpg?resize=700%2C400&ssl=1 2x, https:\/\/i0.wp.com\/cultureelpersbureau.nl\/wp-content\/uploads\/2017\/01\/Salena-Godden-MR-%C2%A9Marc-Brester-2.jpg?resize=1050%2C600&ssl=1 3x"},"classes":[]}],"jetpack_shortlink":"https:\/\/wp.me\/p3yKke-qda","jetpack_sharing_enabled":true,"jetpack_featured_media_url":"","_links":{"self":[{"href":"https:\/\/cultureelpersbureau.nl\/en\/wp-json\/wp\/v2\/posts\/100760","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/cultureelpersbureau.nl\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/cultureelpersbureau.nl\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/cultureelpersbureau.nl\/en\/wp-json\/wp\/v2\/users\/1051"}],"replies":[{"embeddable":true,"href":"https:\/\/cultureelpersbureau.nl\/en\/wp-json\/wp\/v2\/comments?post=100760"}],"version-history":[{"count":2,"href":"https:\/\/cultureelpersbureau.nl\/en\/wp-json\/wp\/v2\/posts\/100760\/revisions"}],"predecessor-version":[{"id":100765,"href":"https:\/\/cultureelpersbureau.nl\/en\/wp-json\/wp\/v2\/posts\/100760\/revisions\/100765"}],"wp:attachment":[{"href":"https:\/\/cultureelpersbureau.nl\/en\/wp-json\/wp\/v2\/media?parent=100760"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/cultureelpersbureau.nl\/en\/wp-json\/wp\/v2\/categories?post=100760"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/cultureelpersbureau.nl\/en\/wp-json\/wp\/v2\/tags?post=100760"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}