{"id":101096,"date":"2026-03-31T15:41:59","date_gmt":"2026-03-31T13:41:59","guid":{"rendered":"https:\/\/cultureelpersbureau.nl\/?p=101096"},"modified":"2026-03-31T15:44:34","modified_gmt":"2026-03-31T13:44:34","slug":"wij-zijn-er-altijd-al-geweest-djuwa-mroivili-brengt-vergeten-queergeschiedenissen-tot-leven-in-mx-coelacunt-will-live-forever","status":"publish","type":"post","link":"https:\/\/cultureelpersbureau.nl\/en\/2026\/03\/wij-zijn-er-altijd-al-geweest-djuwa-mroivili-brengt-vergeten-queergeschiedenissen-tot-leven-in-mx-coelacunt-will-live-forever\/","title":{"rendered":"We've always been there: Djuwa Mroivili brings forgotten queer histories to life in Mx. CoelaCunt will live forever"},"content":{"rendered":"<p class=\"wp-block-paragraph\">On Thursday 16 April, Mx. CoelaCunt will live forever by creator and performer Djuwa Mroivili will premiere during Motel Moza\u00efque Festival at Theater Rotterdam. In this musical theatre performance, Djuwa explores what never disappeared: fluid identities and queer histories erased by colonial norms.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Inspired by the coelacanth - an ancient fish long considered extinct but still alive - a performance about survival, transformation and resistance unfolds. With a mix of music, choreography, fashion and performance, Mroivili draws lines between Comorian traditions, the contemporary queers scene and life in the deep sea - a world people know little about. Musically, she draws inspiration from traditional Comorian genres such as Mangouta, Twaarab and Mayimbiyo, among others, as well as Comorian resistance music from the 1970s.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">The Comoros, where Djuwa has a family history, is the starting point: a place where rituals, music and matriarchal structures converge, but where lives and identities have also been erased under colonial influence. Mx. CoelaCunt will live forever reclaims these histories and makes their erasure visible. \u201cWe have always been there -<br \/>this performance is about taking back that history\u201d says Mroivili.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Djuwa Mroivili<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">Djuwa Mroivili is an interdisciplinary maker and performer based in Amsterdam. From her background as a classical pianist, she develops a practice in which music, text, performance and fashion come together. Her work explores themes of gender, history and colonial legacies.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Since 2023, Djuwa has been attached to Productiehuis Theater Rotterdam, where she previously made I Vow To Distract Forever (2025). In Mx. CoelaCunt will live forever (2026), she shares the stage with musician Damani Leidsman and performer and choreographer Naomie Pieter.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Playlist<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">- Theatre Rotterdam - 15 Apr<br \/>- Motel Moza\u00efque Festival, Rotterdam (premiere) - 16 Apr<br \/>- Theatre Kikker, Utrecht - 21 Apr<br \/>- Bijlmer Parktheater, Amsterdam - 23 Apr<br \/>- Het Nationale Theater, The Hague - 7 May<br \/>- Frascati, Amsterdam - 15 &amp; 16 May<br \/>- Theatre Rotterdam (derni\u00e8re) - 17 May<\/p>","protected":false},"excerpt":{"rendered":"<p>Op donderdag 16 april gaat Mx. CoelaCunt will live forever van maker en performer Djuwa Mroivili in premi\u00e8re tijdens Motel Moza\u00efque Festival in Theater Rotterdam. In deze muziektheatervoorstelling onderzoekt Djuwa wat nooit verdwenen is: flu\u00efde identiteiten en queer geschiedenissen die door koloniale normen zijn uitgewist. Ge\u00efnspireerd door de coelacanth \u2013 een oeroude vis die lang [&hellip;]<\/p>\n","protected":false},"author":13,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_eb_attr":"","_themeisle_gutenberg_block_has_review":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"activitypub_content_warning":"","activitypub_content_visibility":"","activitypub_max_image_attachments":3,"activitypub_interaction_policy_quote":"anyone","activitypub_status":"federated","wpai_meta_description":"","footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2},"jetpack_post_was_ever_published":false},"categories":[11917,8843,4759],"tags":[15722,15141,8105],"class_list":["post-101096","post","type-post","status-publish","format-standard","hentry","category-persberichten","category-podiumkunst","category-theater-podiumkunst-2","tag-lhbtqi","tag-queer","tag-theater-rotterdam"],"views":5771,"jetpack_publicize_connections":[],"jetpack-related-posts":[{"id":101227,"url":"https:\/\/cultureelpersbureau.nl\/en\/2026\/04\/spoken-word-en-dampende-beats-motel-mozaique-zet-stevig-in\/","url_meta":{"origin":101096,"position":0},"title":"Spoken word and steaming beats: Motel Moza\u00efque sets firmly in","author":"Wijbrand Schaap","date":"17 April 2026","format":false,"excerpt":"have something in common. On Thursday 16 April, during the opening night of Motel Mozaique in Theater Rotterdam, this was once again evident. Not that the most impressive performance was necessarily Rotterdam, because Asmae Amaddaou studied Writing for Performance in Utrecht. She has been making","rel":"","context":"In &quot;Culture&quot;","block_context":{"text":"Culture","link":"https:\/\/cultureelpersbureau.nl\/en\/genre\/culture\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/cultureelpersbureau.nl\/wp-content\/uploads\/2026\/04\/signal-2026-04-17-111103.jpeg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/cultureelpersbureau.nl\/wp-content\/uploads\/2026\/04\/signal-2026-04-17-111103.jpeg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/cultureelpersbureau.nl\/wp-content\/uploads\/2026\/04\/signal-2026-04-17-111103.jpeg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/cultureelpersbureau.nl\/wp-content\/uploads\/2026\/04\/signal-2026-04-17-111103.jpeg?resize=700%2C400&ssl=1 2x, https:\/\/i0.wp.com\/cultureelpersbureau.nl\/wp-content\/uploads\/2026\/04\/signal-2026-04-17-111103.jpeg?resize=1050%2C600&ssl=1 3x, https:\/\/i0.wp.com\/cultureelpersbureau.nl\/wp-content\/uploads\/2026\/04\/signal-2026-04-17-111103.jpeg?resize=1400%2C800&ssl=1 4x"},"classes":[]},{"id":123576,"url":"https:\/\/cultureelpersbureau.nl\/en\/2026\/07\/rene-geerlings-en-maas-theater-en-dans-nemen-afscheid-van-elkaar\/","url_meta":{"origin":101096,"position":1},"title":"REN\u00c9 GEERLINGS AND MAAS THEATER EN DANS ARE GOING THEIR SEPARATE WAYS","author":"Maas Theater en Dans","date":"2 July 2026","format":false,"excerpt":"ROTTERDAM - After years together, Ren\u00e9 Geerlings and Maas theatre and dance are parting ways. Since taking up his position as artistic director-manager in 2020, Geerlings has set the artistic direction, bringing together youth theatre, social engagement, experimentation, and multiplicity of voices. 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More than ever, the various creators at Theater Rotterdam are coming together, with collaborations in which they enhance each other\u2019s work, from co-creations\u2026","rel":"","context":"In &quot;PERSBERICHTEN&quot;","block_context":{"text":"PERSBERICHTEN","link":"https:\/\/cultureelpersbureau.nl\/en\/genre\/service\/persberichten\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":121089,"url":"https:\/\/cultureelpersbureau.nl\/en\/2026\/06\/theatercolleges-bij-holland-festival-en-theater-rotterdam-hoe-wordt-kennis-echt-opwindend\/","url_meta":{"origin":101096,"position":3},"title":"Theatre lectures at the Holland Festival and Theater Rotterdam: how can knowledge be made truly exciting?","author":"Wijbrand Schaap","date":"23 June 2026","format":false,"excerpt":"The newspaper reports that the theatre lecture, also known in proper Dutch as a Lecture Performance, is on the rise. It is therefore no coincidence that I had the opportunity to attend two such lecture-with-slideshows this week. First, there was 'A Bigger Story' by Bureau Vergezicht and Theater Rotterdam, yesterday came...","rel":"","context":"In &quot;BEELDEND&quot;","block_context":{"text":"BEELDEND","link":"https:\/\/cultureelpersbureau.nl\/en\/genre\/beeldende-kunst-2\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":100578,"url":"https:\/\/cultureelpersbureau.nl\/en\/2026\/02\/zwaaien-blijven-en-weer-terugkomen-nieuwe-jeugdvoorstelling-zeg-maar-dag-is-een-poetische-muzikale-ode-aan-afscheid\/","url_meta":{"origin":101096,"position":4},"title":"WAVE, STAY AND COME BACK AGAIN: NEW YOUTH PERFORMANCE SAY HELLO IS A POETIC, MUSICAL ODE TO GOODBYE","author":"een van onze leden","date":"1 February 2026","format":false,"excerpt":"On Sunday 19 April 2026, Zeg maar dag (4+) by Maas theatre and dance will premiere at the Maaspodium in Rotterdam. In this musical and physical youth performance, creator Sara Giampaolo explores what saying goodbye and being left behind feels like. With few words and lots of movement and music, Zeg maar dag gives space to...","rel":"","context":"In &quot;PERSBERICHTEN&quot;","block_context":{"text":"PERSBERICHTEN","link":"https:\/\/cultureelpersbureau.nl\/en\/genre\/service\/persberichten\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/cultureelpersbureau.nl\/wp-content\/uploads\/2026\/02\/HR_zeg-maar-dag-final-zonder-text-2-scaled.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/cultureelpersbureau.nl\/wp-content\/uploads\/2026\/02\/HR_zeg-maar-dag-final-zonder-text-2-scaled.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/cultureelpersbureau.nl\/wp-content\/uploads\/2026\/02\/HR_zeg-maar-dag-final-zonder-text-2-scaled.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/cultureelpersbureau.nl\/wp-content\/uploads\/2026\/02\/HR_zeg-maar-dag-final-zonder-text-2-scaled.jpg?resize=700%2C400&ssl=1 2x, https:\/\/i0.wp.com\/cultureelpersbureau.nl\/wp-content\/uploads\/2026\/02\/HR_zeg-maar-dag-final-zonder-text-2-scaled.jpg?resize=1050%2C600&ssl=1 3x, https:\/\/i0.wp.com\/cultureelpersbureau.nl\/wp-content\/uploads\/2026\/02\/HR_zeg-maar-dag-final-zonder-text-2-scaled.jpg?resize=1400%2C800&ssl=1 4x"},"classes":[]},{"id":108687,"url":"https:\/\/cultureelpersbureau.nl\/en\/2026\/05\/theatermaker-mathieu-wijdeven-onderzoekt-het-verhaal-achter-de-eerste-surinaamse-opera\/","url_meta":{"origin":101096,"position":5},"title":"Theatre-maker Mathieu Wijdeven explores the story behind Suriname's first opera\u00a0\u00a0","author":"Theater Rotterdam","date":"13 May 2026","format":false,"excerpt":"What does it mean to make an opera in colonial Suriname, shaped by European classical traditions and rooted in Surinamese stories? In Helstone in The Pledge of the Gods, theatre-maker Mathieu Wijdeven explores what the first Surinamese opera still has to tell us today. 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