{"id":115191,"date":"2026-06-02T15:00:07","date_gmt":"2026-06-02T13:00:07","guid":{"rendered":"https:\/\/cultureelpersbureau.nl\/?p=115191"},"modified":"2026-06-02T15:00:11","modified_gmt":"2026-06-02T13:00:11","slug":"het-nieuwe-seizoen-van-theater-rotterdam-de-makerscommunity-trekt-met-9-producties-het-land-in","status":"publish","type":"post","link":"https:\/\/cultureelpersbureau.nl\/en\/2026\/06\/het-nieuwe-seizoen-van-theater-rotterdam-de-makerscommunity-trekt-met-9-producties-het-land-in\/","title":{"rendered":"Theatre Rotterdam's new season - the maker community travels the country with 9 productions\u00a0"},"content":{"rendered":"<h2 class=\"wp-block-heading\"><em>A season full of cross-pollinations, collaborations and the entire maker community on stage<\/em><\/h2>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>In the coming theatre season, Theatre Rotterdam will tour the country for the first time with all its makers from the makers' community. More than ever, the various makers of Theatre Rotterdam seek each other out, with collaborations in which they enhance each other's work, from co-creations to directing each other's work. Glen Faria joins next season as a guest maker and makes the performance <em>Malebox <\/em>at Theatre Rotterdam. The performances, projects and exhibitions can be seen in Rotterdam and go on tour throughout the country.<\/strong>\u00a0<br \/><br \/><br \/><img decoding=\"async\" src=\"https:\/\/res.cloudinary.com\/pressmailings\/image\/fetch\/q_auto:best,dpr_auto,w_534,c_limit\/https:\/\/files.pressmailings.com\/68\/df51540ed5458cbf6fbb62d4c27b79\/Producties-makerscommunity-2627-Theater-Rotterdam-low-res.png\" alt=\"image\"\/><br \/><br \/><br \/>With this season, Theatre Rotterdam underlines its choice to work with a community of makers, in which a diverse group of makers together represent the full breadth of the performing arts. What unites them is a strong commitment to current social issues and to each other's work. This translates into a season full of cross-pollinations, collaborations and new artistic forms - inside and outside the theatre.\u00a0\u00a0<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>\u201cFor me, theatre is where worlds touch. Where stories that sometimes seem too big, too painful or too complex for everyday conversation can exist together. Next season, we show the full breadth of our community of makers, in all its polyphony and multiplicity. An important thematic line is family relationships and how they affect the larger world around us.\u201d - artistic director Alida Dors<\/em>\u00a0<\/p>\n\n\n\n<h2 class=\"wp-block-heading\"><strong>Glen Faria<\/strong>\u00a0<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">This season, Theatre Rotterdam welcomes Glen Faria. This versatile creator, known for his personal and musical signature, will next season produce the performance <em>Malebox<\/em>. In doing so, he is assisted both musically and theatrically by the ZO! Gospel Choir, in a cheeky, fast-mounted direction by Priscilla Vaudelle. His arrival further enriches the community with a voice that explores current themes around identity, masculinity and fatherhood.\u00a0<\/p>\n\n\n\n<h2 class=\"wp-block-heading\"><strong>Productions from the maker community<\/strong>\u00a0<\/h2>\n\n\n\n<h3 class=\"wp-block-heading\"><strong>Alida Dors - (Sur)render - Explore Spaces<\/strong>\u00a0<\/h3>\n\n\n\n<p class=\"wp-block-paragraph\">Alida Dors, artistic director of Theatre Rotterdam, is creating this season's exhibition (<em>Sur)render - Explore Spaces. <\/em>An immersive route at the intersection of visual art and performance. Who dares to descend into themselves to admit new worlds from there?\u00a0<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>On view between 17 Oct - 17 Jan at Kunsthal Rotterdam<\/em><\/p>\n\n\n\n<h3 class=\"wp-block-heading\"><strong>Dalton Jansen \/ BLACKBIRDS - Fear Me<\/strong>\u00a0<\/h3>\n\n\n\n<p class=\"wp-block-paragraph\">Dalton Jansen makes this season's show <em>Fear Me, <\/em>a physical performance about fear.\u00a0<br \/>Fear settling in and taking over you. About wanting to stay in control when in your body all the alarm bells are already going off. About a system that is constantly on edge. About thoughts that keep intruding.<em> Fear Me<\/em> does not romanticise fear. It shows the exhaustion. But also the strength that comes from keeping moving - even when everything inside you tells you to stop. A powerful urban contemporary dance language creates a physical dialogue, where bodies speak where language fails.\u00a0<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>Premiere 4 Dec<\/em>\u00a0 <em>On tour from December to February<\/em>\u00a0<\/p>\n\n\n\n<h3 class=\"wp-block-heading\"><strong>Erik Whien - Mary Jane<\/strong>\u00a0<\/h3>\n\n\n\n<p class=\"wp-block-paragraph\">Erik Whien makes this season's show <em>Mary Jane<\/em>, a loving portrait of parenthood and hope.\u00a0<br \/>After the acclaimed performances <em>A Case for the Existence of God<\/em> and<em> Hamlet<\/em> Director Erik Whien brings the acclaimed play <em>Mary Jane<\/em> to the theatre, translated by Kim van Kooten, starring Charlie-Chan Dagelet. A single mother, Mary Jane, cares for her chronically ill son Alex. Between the beeping monitors, sleepless nights and hospital visits, she endures their daily reality with unwavering dedication. A performance about resilience, unconditional care and the importance of compassion.\u00a0<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>Premiere 13 Mar<\/em>\u00a0 <em>On tour from March to May<\/em>\u00a0<\/p>\n\n\n\n<h3 class=\"wp-block-heading\"><strong>Glen Faria \/ Priscilla Vaudelle \/ ZO! Gospel Choir - Malebox<\/strong>\u00a0<\/h3>\n\n\n\n<p class=\"wp-block-paragraph\">The show <em>Malebox <\/em>by Glen Faria is about the question: what do you pass on as a man?\u00a0\u00a0<br \/>Glen Faria was shaped by the city, a strong mother, an impressive brother, tough cousins, adventurous friends and well-spoken girls. And always there was the shadow of the flats where you could take shelter from the sun or accidentally find yourself in a nasty situation. Glen's father gave him a box on his path, filled with the mindsets, life lessons and experiences you need to be a man. When his own son turned 21, Glen wanted to pass the box on to him. But he took another look and thought: \u2018this box needs to be cleaned up\u2019. <em>Malebox <\/em>takes you on a rhythmic journey through the choices Glen Faria made - choices that shape him into the man he is today.\u00a0\u00a0<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>Premiere 27 Dec<\/em>\u00a0<em>On tour from December to February<\/em>\u00a0<\/p>\n\n\n\n<h3 class=\"wp-block-heading\"><strong>Grande Loge - AZC Golden Mountains<\/strong>\u00a0<\/h3>\n\n\n\n<p class=\"wp-block-paragraph\">Grande Loge makes this season <em>AZC Golden Mountains<\/em> At Brutus, Rotterdam.\u00a0<br \/><em>AZC Golden Mountains<\/em> is a large-scale immersive theatre experience by Grande Loge, in co-production with Theatre Rotterdam. The performance is set in a pop-up departure-AZC where people are waiting to be admitted to a new country. In this upside-down world, it is not people who want to come to Europe, but rather people who want to leave the horror of Europe.\u00a0<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>On view from 16 to 20 September<\/em>\u00a0<\/p>\n\n\n\n<h3 class=\"wp-block-heading\"><strong>Mathieu Wijdeven - Helstone in The Pledge of the Gods<\/strong>\u00a0<\/h3>\n\n\n\n<p class=\"wp-block-paragraph\">Mathieu Wijdeven tells in his performance <em>Helstone in The Pledge of the Gods <\/em>The story behind Suriname's first opera.\u00a0<br \/>What does it mean to make an opera on Surinamese soil, shaped by European classical traditions and rooted in Surinamese stories? Theatre-maker Mathieu Wijdeven dives into <em>The Pledge of the Gods<\/em> (1906), the first Surinamese opera by J.N. Helstone. Wijdeven's own great-great-grandfather G.G.T. Rustwijk designed the scenography for the work at the time. After its premiere, the opera disappeared from view for more than a century, until a rerun evoked diverse reactions.\u00a0<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>Premiere 13 Jun on Oerol<\/em>\u00a0 <em>Rotterdam premiere 11 Sep<\/em>\u00a0<em>On tour from September to October\u00a0<\/em>\u00a0<\/p>\n\n\n\n<h3 class=\"wp-block-heading\"><strong>Nastaran Razawi Khorasani - Heartbeats (reprise)<\/strong>\u00a0<\/h3>\n\n\n\n<p class=\"wp-block-paragraph\">Nastaran Razawi Khorasani goes into reprise with the performance <em>Heartbeats:<\/em> \u201cA ritualistic celebration of life.\u201d - Theatre newspaper\u00a0\u00a0<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">With her performance <em>Heartbeats<\/em> Nastaran Razawi Khorasani brings an intimate and poignant story about life and parting. A performance that touches and upsets, but also offers space for comfort, imagination and what makes life valuable. At the centre is the story of Dian Sahertian-Boers, a young woman who was told in the middle of life that she was incurably ill. Her words resonate with openness and a zest for life. A performance that does not shy away from death, but rather shows what gives life meaning.\u00a0\u00a0<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>On tour in October and February<\/em>\u00a0<\/p>\n\n\n\n<h3 class=\"wp-block-heading\"><strong>Romana Peace \/ Bureau Vergezicht - A Bigger Story<\/strong>\u00a0<\/h3>\n\n\n\n<p class=\"wp-block-paragraph\">This season, in co-production with Theatre Rotterdam, Erik Whien directs the performance for Bureau Vergezicht <em>A Bigger Story, a<\/em>n theatre solo with the peerless Romana Peace.\u00a0<br \/>What do our history of slavery and melting ice caps have to do with each other? The answer is: everything. During colonialism, it was about exploitation of people, animals, lands, seas and skies. And although slavery has been officially abolished, it lives on in our culture. As the shelves empty, we try to preserve our lifestyle with technological solutions.<em> A Bigger Story <\/em>searches for what a decolonised earth looks like. Not through outrage, but with humour, imagination and rich language.\u00a0<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>Premiere 31 Oct<\/em>\u00a0 <em>Tour dates to follow later<\/em>\u00a0<\/p>\n\n\n\n<h3 class=\"wp-block-heading\"><strong>Wunderbaum &amp; Nastaran Razawi Khorasani - To Do<\/strong>\u00a0<\/h3>\n\n\n\n<p class=\"wp-block-paragraph\">Wunderbaum and Nastaran Razawi Khorasani, both part of the maker community, are joining forces. Together they will make the play <em>To Do, <\/em>About love in times of control anxiety and about holding on in an increasingly demanding world.\u00a0\u00a0<br \/>Theatre-makers Nastaran Razawi Khorasani and Matijs Jansen write a long and candid to-do list through which they try to make sense of their lives, optimise their happiness, balance their relationships, take care of the children as best they can, reflect on the zeitgeist and not alienate themselves from the country they live in.\u00a0<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>Premiere 9 Jan<\/em>\u00a0<em>Tour dates to follow later<\/em>\u00a0<\/p>\n\n\n\n<h3 class=\"wp-block-heading\"><strong>Wunderbaum \/ NTGent - People with problems<\/strong>\u00a0<\/h3>\n\n\n\n<p class=\"wp-block-paragraph\">Wunderbaum, together with NTGent, makes a tragicomic attempt to live life in four acts in the performance <em>People with problems.<\/em>\u00a0<br \/>Acting group Wunderbaum and NTGent present a translated cycle by German-Swiss author Sibylle Berg for the first time in the Netherlands and Belgium. <em>People with problems<\/em> follows in four parts the lives of four women at different stages of their lives. They are young. Their hopes are high, their actions stormy. They are no longer so young. Their bodies and adolescents protest. Nature disappoints. Things are suddenly moving at breakneck speed. They seek an alternative, at any cost. A tragicomic cycle about four women at different stages of life. A sharp and witty reflection on expectations, ageing and failure.\u00a0<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>Premiere 12 Dec NTGent Schouwburg<\/em>\u00a0<em>On tour from December to March, May and June<\/em>\u00a0<\/p>\n\n\n\n<h2 class=\"wp-block-heading\"><strong>About Theatre Rotterdam<\/strong>\u00a0<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">Theatre Rotterdam stands for leading and multi-voiced theatre. Through storytelling, Theatre Rotterdam brings people, perspectives and ideas together. With \u2018I am because of you\u2019 as its motto, it is fully committed to connecting. A place is created where people see and hear each other. A place for dreams and comfort, beauty and enrichment. Together, people celebrate, try, and visitors and makers make each other think. And while that is happening, everything comes to life. Theatre Rotterdam gladly invites you to this dance.\u00a0<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>","protected":false},"excerpt":{"rendered":"<p>Een seizoen vol kruisbestuivingen, samenwerkingen en de volledige makerscommunity op de planken Theater Rotterdam trekt komend theaterseizoen voor het eerst met alle makers uit de makerscommunity het land in. Meer dan ooit zoeken de verschillende makers van Theater Rotterdam elkaar op, met samenwerkingen waarin ze elkaars werk versterken, van co-creaties tot het regisseren van elkaars [&hellip;]<\/p>\n","protected":false},"author":1285,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_eb_attr":"","_themeisle_gutenberg_block_has_review":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"activitypub_content_warning":"","activitypub_content_visibility":"","activitypub_max_image_attachments":3,"activitypub_interaction_policy_quote":"anyone","activitypub_status":"federated","wpai_meta_description":"","footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2},"jetpack_post_was_ever_published":false},"categories":[11917,8843,4759],"tags":[75],"class_list":["post-115191","post","type-post","status-publish","format-standard","hentry","category-persberichten","category-podiumkunst","category-theater-podiumkunst-2","tag-rotterdam"],"views":2615,"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack-related-posts":[{"id":101096,"url":"https:\/\/cultureelpersbureau.nl\/en\/2026\/03\/wij-zijn-er-altijd-al-geweest-djuwa-mroivili-brengt-vergeten-queergeschiedenissen-tot-leven-in-mx-coelacunt-will-live-forever\/","url_meta":{"origin":115191,"position":0},"title":"We've always been there: Djuwa Mroivili brings forgotten queer histories to life in Mx. CoelaCunt will live forever","author":"een van onze leden","date":"31 March 2026","format":false,"excerpt":"On Thursday 16 April, Mx. CoelaCunt will live forever by creator and performer Djuwa Mroivili will premiere during Motel Moza\u00efque Festival at Theater Rotterdam. In this musical theatre performance, Djuwa explores what never disappeared: fluid identities and queer histories erased by colonial norms. Inspired by the coelacanth -...","rel":"","context":"In &quot;PERSBERICHTEN&quot;","block_context":{"text":"PERSBERICHTEN","link":"https:\/\/cultureelpersbureau.nl\/en\/genre\/service\/persberichten\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":100578,"url":"https:\/\/cultureelpersbureau.nl\/en\/2026\/02\/zwaaien-blijven-en-weer-terugkomen-nieuwe-jeugdvoorstelling-zeg-maar-dag-is-een-poetische-muzikale-ode-aan-afscheid\/","url_meta":{"origin":115191,"position":1},"title":"WAVE, STAY AND COME BACK AGAIN: NEW YOUTH PERFORMANCE SAY HELLO IS A POETIC, MUSICAL ODE TO GOODBYE","author":"een van onze leden","date":"1 February 2026","format":false,"excerpt":"On Sunday 19 April 2026, Zeg maar dag (4+) by Maas theatre and dance will premiere at the Maaspodium in Rotterdam. In this musical and physical youth performance, creator Sara Giampaolo explores what saying goodbye and being left behind feels like. With few words and lots of movement and music, Zeg maar dag gives space to...","rel":"","context":"In &quot;PERSBERICHTEN&quot;","block_context":{"text":"PERSBERICHTEN","link":"https:\/\/cultureelpersbureau.nl\/en\/genre\/service\/persberichten\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/cultureelpersbureau.nl\/wp-content\/uploads\/2026\/02\/HR_zeg-maar-dag-final-zonder-text-2-scaled.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/cultureelpersbureau.nl\/wp-content\/uploads\/2026\/02\/HR_zeg-maar-dag-final-zonder-text-2-scaled.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/cultureelpersbureau.nl\/wp-content\/uploads\/2026\/02\/HR_zeg-maar-dag-final-zonder-text-2-scaled.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/cultureelpersbureau.nl\/wp-content\/uploads\/2026\/02\/HR_zeg-maar-dag-final-zonder-text-2-scaled.jpg?resize=700%2C400&ssl=1 2x, https:\/\/i0.wp.com\/cultureelpersbureau.nl\/wp-content\/uploads\/2026\/02\/HR_zeg-maar-dag-final-zonder-text-2-scaled.jpg?resize=1050%2C600&ssl=1 3x, https:\/\/i0.wp.com\/cultureelpersbureau.nl\/wp-content\/uploads\/2026\/02\/HR_zeg-maar-dag-final-zonder-text-2-scaled.jpg?resize=1400%2C800&ssl=1 4x"},"classes":[]},{"id":108687,"url":"https:\/\/cultureelpersbureau.nl\/en\/2026\/05\/theatermaker-mathieu-wijdeven-onderzoekt-het-verhaal-achter-de-eerste-surinaamse-opera\/","url_meta":{"origin":115191,"position":2},"title":"Theatre-maker Mathieu Wijdeven explores the story behind Suriname's first opera\u00a0\u00a0","author":"Theater Rotterdam","date":"13 May 2026","format":false,"excerpt":"What does it mean to make an opera in colonial Suriname, shaped by European classical traditions and rooted in Surinamese stories? In Helstone in The Pledge of the Gods, theatre-maker Mathieu Wijdeven explores what the first Surinamese opera still has to tell us today. Wijdeven's new show goes on 13 June,...","rel":"","context":"In &quot;OPERA&quot;","block_context":{"text":"OPERA","link":"https:\/\/cultureelpersbureau.nl\/en\/genre\/podiumkunst\/opera-podiumkunst-2\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/cultureelpersbureau.nl\/wp-content\/uploads\/2026\/05\/Campagnebeeld-Helstone-liggend-V2-low-res_-c-Amanda-Harput-1-.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/cultureelpersbureau.nl\/wp-content\/uploads\/2026\/05\/Campagnebeeld-Helstone-liggend-V2-low-res_-c-Amanda-Harput-1-.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/cultureelpersbureau.nl\/wp-content\/uploads\/2026\/05\/Campagnebeeld-Helstone-liggend-V2-low-res_-c-Amanda-Harput-1-.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":121089,"url":"https:\/\/cultureelpersbureau.nl\/en\/2026\/06\/theatercolleges-bij-holland-festival-en-theater-rotterdam-hoe-wordt-kennis-echt-opwindend\/","url_meta":{"origin":115191,"position":3},"title":"Theatre lectures at the Holland Festival and Theater Rotterdam: how can knowledge be made truly exciting?","author":"Wijbrand Schaap","date":"23 June 2026","format":false,"excerpt":"In de krant kun je lezen dat het theatercollege, in goed Nederlands ook wel Lecture Performance genoemd, in opkomst is. Het is dus geen toeval dat ik deze week twee van zulke hoorcolleges-met-lichtbeelden mee mocht maken. Eerst was daar 'Een Groter Verhaal' van Bureau Vergezicht en Theater Rotterdam, gisteren kwam\u2026","rel":"","context":"In &quot;BEELDEND&quot;","block_context":{"text":"BEELDEND","link":"https:\/\/cultureelpersbureau.nl\/en\/genre\/beeldende-kunst-2\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":101246,"url":"https:\/\/cultureelpersbureau.nl\/en\/2026\/04\/maas-theater-en-dans-biedt-troost-bij-elk-afscheid\/","url_meta":{"origin":115191,"position":4},"title":"Maas Theatre and Dance offers comfort for any goodbye","author":"Wijbrand Schaap","date":"20 April 2026","format":false,"excerpt":"There are plenty of reasons to severely condemn Disney for Bambi. How many four-year-olds have had to sit through that cartoon in thick tears because of the saddest goodbye in the world? How much trauma has that caused and shouldn't it be included in the DSM-V? Reason enough for Maas Theatre and...","rel":"","context":"In &quot;DANS&quot;","block_context":{"text":"DANS","link":"https:\/\/cultureelpersbureau.nl\/en\/genre\/podiumkunst\/dans\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/img.youtube.com\/vi\/co9zps1DtlE\/0.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":101187,"url":"https:\/\/cultureelpersbureau.nl\/en\/2026\/04\/a-case-for-the-existence-of-god-bekroonde-voorstelling-over-hoop-en-vaderschap-keert-terug-in-de-theaters\/","url_meta":{"origin":115191,"position":5},"title":"A Case for the Existence of God: Award-winning show about hope and fatherhood returns to theatres","author":"een van onze leden","date":"13 April 2026","format":false,"excerpt":"Director Erik Whien's acclaimed production A Case for the Existence of God will be seen again in theatres in the Netherlands and Belgium from 12 May to 13 June. The production was unanimously praised by the press and selected for both the Nederlands Theater Festival and...","rel":"","context":"In &quot;PERSBERICHTEN&quot;","block_context":{"text":"PERSBERICHTEN","link":"https:\/\/cultureelpersbureau.nl\/en\/genre\/service\/persberichten\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/cultureelpersbureau.nl\/wp-content\/uploads\/2026\/04\/A-Case-for-the-Existence-of-God-Theater-Rotterdam-Thomas-Fjodor-c-Mark-Bolk-1-.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/cultureelpersbureau.nl\/wp-content\/uploads\/2026\/04\/A-Case-for-the-Existence-of-God-Theater-Rotterdam-Thomas-Fjodor-c-Mark-Bolk-1-.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/cultureelpersbureau.nl\/wp-content\/uploads\/2026\/04\/A-Case-for-the-Existence-of-God-Theater-Rotterdam-Thomas-Fjodor-c-Mark-Bolk-1-.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]}],"jetpack_shortlink":"https:\/\/wp.me\/p3yKke-tXV","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/cultureelpersbureau.nl\/en\/wp-json\/wp\/v2\/posts\/115191","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/cultureelpersbureau.nl\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/cultureelpersbureau.nl\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/cultureelpersbureau.nl\/en\/wp-json\/wp\/v2\/users\/1285"}],"replies":[{"embeddable":true,"href":"https:\/\/cultureelpersbureau.nl\/en\/wp-json\/wp\/v2\/comments?post=115191"}],"version-history":[{"count":1,"href":"https:\/\/cultureelpersbureau.nl\/en\/wp-json\/wp\/v2\/posts\/115191\/revisions"}],"predecessor-version":[{"id":115192,"href":"https:\/\/cultureelpersbureau.nl\/en\/wp-json\/wp\/v2\/posts\/115191\/revisions\/115192"}],"wp:attachment":[{"href":"https:\/\/cultureelpersbureau.nl\/en\/wp-json\/wp\/v2\/media?parent=115191"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/cultureelpersbureau.nl\/en\/wp-json\/wp\/v2\/categories?post=115191"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/cultureelpersbureau.nl\/en\/wp-json\/wp\/v2\/tags?post=115191"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}