{"id":115717,"date":"2026-06-04T11:41:34","date_gmt":"2026-06-04T09:41:34","guid":{"rendered":"https:\/\/cultureelpersbureau.nl\/?p=115717"},"modified":"2026-06-04T11:41:39","modified_gmt":"2026-06-04T09:41:39","slug":"holland-festival-2026-opent-met-nogal-feestelijke-wandeling","status":"publish","type":"post","link":"https:\/\/cultureelpersbureau.nl\/en\/2026\/06\/holland-festival-2026-opent-met-nogal-feestelijke-wandeling\/","title":{"rendered":"Holland Festival 2026 opens with rather festive stroll"},"content":{"rendered":"<p class=\"wp-block-paragraph\">In terms of expectation management, I could have done better last night at the opening of the 79th Holland Festival. Rain showers would be defensible, and in any case did extraordinary things to the footwear of the hundred or so visitors who had gathered, with me, in Amsterdam's Wertheim Park: not a pump in sight. There, on the lawn in front of the Auschwitz memorial, we set up the app with which we were to form a live orchestra work, in a long march to Royal Theatre Carr\u00e9.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">This Holland Festival is all about \u2019empathetic listening\u2019, and I was all set for that. Our phones loaded to the last ridge with fresh power, the gentle buzzing of individual instruments on the dozens of phones in our group began at precisely 7.30pm. Those sounds could be heard at seven different starting points around Carr\u00e9. Notes, composed by American-Chinese composer and performer Huang Ruo, that were about to merge with the sound of the city. On this rainy day, the sun seemed to break through the clouds just for a moment. Mindful to the max, I joined those making their way to Carr\u00e9.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Beregezellig<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">What could have been a silent march from the Auschwitz memorial through the historically charged Plantation neighbourhood, accompanied by a carried musical <em>drone<\/em>, became a thoroughly enjoyable walk where everyone enthusiastically saw the friends from the previous opening again, which necessitated lively conversation about the last holiday, the new job, the fresh grandchild. It got so loud that only tight to the ear was your own instrument audible.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Of course, you can't blame anyone that reuniting with friends was more important than a <em>mindful<\/em> walk to sacred music past the hundreds of stumbling stones with which the route is paved, but it gnawed a bit. Once in line at the entrance to Carr\u00e9, most visitors had already turned off their phones.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Possibly it would work better at a regular performance: festival openings, of which I have now experienced almost 30 at the Holland Festival, are usually not the occasions where people come for the content. Many guests are there because they can play their role as invitee.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Surround<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">The programme itself, which began with the orchestral performance of the work we had been able to hear during the walk, was beautiful enough, to command silence. The arrangement of the orchestra, not only on the Carr\u00e9 stage, but also in a few spots in the stands, created a nice surround effect, which would not have been possible on the street.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">It was all a bit woolly and full on at the dramatic climax, more of a <em>wall of sound<\/em> then f<em>loating sounds<\/em> shall we say. The individual instruments went down in the din. So maybe my experience of the walk had been just the thing? Could just be. After all, Huang Ruo is quite a genius.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">This was evident during the finale, which consisted of a wacky piece full of Asian sounds and an appearance by the composer himself as a jolly harlequin with unintelligible lyrics.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Laurie Anderson<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">The warmest memory, however, is of Laurie Anderson's tiny surprise performance. She only had a few minutes for her entr'acte after Emily Ansenk's opening speech, but that's all she needed to keep the audience glued to her with her electronics and empathetic humour. So clear, so pure, so listenable, that after enduring the horribly noisy opening drinks, I floated via the metro to the train and forgot to check in between.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">The conductor listened empathetically.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><div class=\"su-note\"  style=\"border-color:#e5e54c;border-radius:3px;-moz-border-radius:3px;-webkit-border-radius:3px;\"><div class=\"su-note-inner su-u-clearfix su-u-trim\" style=\"background-color:#FFFF66;border-color:#ffffff;color:#333333;border-radius:3px;-moz-border-radius:3px;-webkit-border-radius:3px;\">Attended: Opening Holland Festival with City of Floating Sounds by Huang Ruo. Laurie Anderson is featured in the installation Your Eyes in my Head, at the Mill of West. <a href=\"https:\/\/hollandfestival.nl\/nl\/your-eyes-in-my-head-sunday-without-love\">Information<\/a>.<\/div><\/div>","protected":false},"excerpt":{"rendered":"<p>Qua verwachtingsmanagement had ik het beter kunnen doen, gisteravond bij de opening van het 79ste Holland Festival. Regenbuien zouden te trotseren zijn, en deden in ieder geval bijzondere dingen met het schoeisel van de kleine honderd bezoekers die zich, met mij, hadden verzameld in het Amsterdamse Wertheimpark: geen pump te zien. Daar, op het grasveld [&hellip;]<\/p>\n","protected":false},"author":4,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_eb_attr":"","_themeisle_gutenberg_block_has_review":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":true,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"activitypub_content_warning":"","activitypub_content_visibility":"","activitypub_max_image_attachments":3,"activitypub_interaction_policy_quote":"anyone","activitypub_status":"federated","footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2},"jetpack_post_was_ever_published":false},"categories":[4760,8843,11687],"tags":[15542,58],"class_list":["post-115717","post","type-post","status-publish","format-standard","hentry","category-muziek-podiumkunst-2","category-podiumkunst","category-donatie-gevraagd","tag-holland-feetival","tag-recensie"],"featured_image_url":[],"post_author":"Wijbrand Schaap","assigned_categories":"MUZIEK, PODIUMKUNST, WAARDEER &amp; DONEER!","jetpack_publicize_connections":[],"jetpack-related-posts":[{"id":142860,"url":"https:\/\/cultureelpersbureau.nl\/en\/2026\/10\/emily-ansenk-van-holland-festival-naar-filmmuseum\/","url_meta":{"origin":115717,"position":0},"title":"Emily Ansenk moves from the Holland Festival to the Film Museum","author":"Holland Festival","date":"26 October 2026","format":false,"excerpt":"The Supervisory Board of the Holland Festival hereby announces that Emily Ansenk has indicated her intention to step down as Director-Manager of the Holland Festival with effect from 1 February 2027. \u00a0 Emily Ansenk: \u201cIt is with a sense of pride and gratitude that, at the end of January 2027, after 7.5 fantastic and\u2026","rel":"","context":"In &quot;ACTUEEL&quot;","block_context":{"text":"ACTUEEL","link":"https:\/\/cultureelpersbureau.nl\/en\/genre\/nieuws\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":137595,"url":"https:\/\/cultureelpersbureau.nl\/en\/2026\/09\/na-het-paradisodebat-we-moeten-anders-gaan-denken-over-auteursrecht\/","url_meta":{"origin":115717,"position":1},"title":"Following the #Paradiso debate: We need to start thinking differently about copyright","author":"Nan van Houte","date":"6 September 2026","format":false,"excerpt":"I\u2019ve just left Paradiso, where this year\u2019s annual Kunsten\u201992 debate was devoted to AI. What struck me was that, apart from the question or comment from the balcony at Paradiso \u2013 which, unfortunately, was impossible to hear without amplification \u2013 no attention was paid to the extremely interesting observations and recommendations made by Payal Arora, Professor of Inclusive\u2026","rel":"","context":"In &quot;ACTUEEL&quot;","block_context":{"text":"ACTUEEL","link":"https:\/\/cultureelpersbureau.nl\/en\/genre\/nieuws\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":140332,"url":"https:\/\/cultureelpersbureau.nl\/en\/2026\/09\/straks-moeten-we-nog-bewijzen-dat-we-mensen-zijn-een-dialoog-over-journalistiek-en-ai\/","url_meta":{"origin":115717,"position":2},"title":"Soon we\u2019ll have to prove we\u2019re human: a dialogue on journalism and AI","author":"Guido van Nispen","date":"25 September 2026","format":false,"excerpt":"We read a novel, appreciate an opinion piece and rely on our own judgement, until an AI detector attaches a suspicious percentage to it. The work hasn\u2019t changed, but our perspective has. What will happen when the machine ultimately determines what we, as humans, still trust?","rel":"","context":"In &quot;LITERAIR&quot;","block_context":{"text":"LITERAIR","link":"https:\/\/cultureelpersbureau.nl\/en\/genre\/literatuur-2\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":137614,"url":"https:\/\/cultureelpersbureau.nl\/en\/2026\/09\/mijn-hart-in-vijftig-stukken-el-corazon-de-ester\/","url_meta":{"origin":115717,"position":3},"title":"My Heart in Fifty Pieces: El coraz\u00f3n de Ester","author":"Alessia De Santis","date":"7 September 2026","format":false,"excerpt":"In *El coraz\u00f3n de Ester*, which had its Italian national premiere at the Teatro Vittoria as part of Short Theatre 2026, the Spanish artist Alberto Cort\u00e9s takes on the role of Ester, a 19th-century woman who slowly fades away as she surrenders herself to her lovers. There are only fifty performances\u2026","rel":"","context":"In &quot;FAITS DIVERS&quot;","block_context":{"text":"FAITS DIVERS","link":"https:\/\/cultureelpersbureau.nl\/en\/genre\/faits-divers\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":90844,"url":"https:\/\/cultureelpersbureau.nl\/en\/2023\/06\/streamingdiensten-gaan-5-omzet-investeren-in-nederlandse-producties\/","url_meta":{"origin":115717,"position":4},"title":"Streaming services to invest 5% turnover in Dutch productions","author":"een van onze leden","date":"6 June 2023","format":false,"excerpt":"Major streaming services operating in the Netherlands will start investing 5% of their Dutch annual turnover in Dutch productions. The House of Representatives has agreed to a bill by state secretary Gunay Uslu (Culture and Media). Thanks to this investment, more money will be available for making Dutch offerings. 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And sings a new song","author":"Dani\u00ebl Bertina","date":"16 June 2012","format":false,"excerpt":"Multi-instrumentalist and singer-songwriter Shara Worden - also known as My Brightest Diamond - is waiting for me, armed with her ukulele. Just before the interview, she wrote a new song. Worden laughs: \"There are way too many videos on the internet of me playing the same songs over and over. 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