{"id":96486,"date":"2025-02-04T15:20:21","date_gmt":"2025-02-04T14:20:21","guid":{"rendered":"https:\/\/cultureelpersbureau.nl\/?p=96486"},"modified":"2025-02-04T15:31:40","modified_gmt":"2025-02-04T14:31:40","slug":"het-tsjechov-moment-waar-je-niet-op-gerekend-had","status":"publish","type":"post","link":"https:\/\/cultureelpersbureau.nl\/en\/2025\/02\/het-tsjechov-moment-waar-je-niet-op-gerekend-had\/","title":{"rendered":"The Chekhov moment you hadn't counted on."},"content":{"rendered":"<p>The picture was a bit Da Vinci. At a long table they sat in beautiful light and it was about melancholy and menace. This was the scene of Last Supper at Amsterdam's De Balie debate centre on 1 February 2025. To crucify: some theatre groups I grew up with. 't Barre Land fraternally next to De Warme Winkel, Orkater next to Discordia, Ita next to Rast. They sat in front of an auditorium, not quite full of colleagues. The scripture reading consisted of a condensed summary of The Cherry Garden. That last play Anton Chekhov wrote, before he was to die in 1904. 44 years old, younger than most of the people in the room.&nbsp;<\/p>\n\n\n\n<p>They had all failed to get through the latest round of subsidies under the new arts plan, had exhausted all avenues of appeal. There was nothing left for them but to pick up the bullocks again, move to new places and leave the old servant behind in the locked house.&nbsp;<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Uncle Wanja?<\/h2>\n\n\n\n<p>The emotion was imaginable, the occasion sad enough. The underlying anger came out in the form of a constantly sputtering Neil Young biographer in the front row, who, like some kind of old Serebryakov, kept hammering on at the well-coming former state secretary G\u00fcnay Uslu, who was just not responsible for all this misery. However, she was blamed for everything, like some kind of Jelena of Troy.&nbsp;<\/p>\n\n\n\n<p>But Serebryakov belongs in another Chekhov play. In his Uncle Vanya, it is the old professor who has just returned to his estate to sell it away under his lame cousin's rump. Because he needs the money for his latest masterpiece. Which should be ready in a fortnight, by the way.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Status Quo<\/h2>\n\n\n\n<p>The <a href=\"https:\/\/debalie.nl\/programma\/de-warme-winkel-ita-discordia-t-barre-land-en-wunderbaum-presenteren-de-kersentuin-01-02-2025\/\">stream<\/a> of the evening can be seen on De Balie's site and you can watch it. So it is a play in itself, but without the relatable irony of Chekhov himself. Yes, it is bad that a number of companies with little to criticise have been shot out of existence in full flight, but no one in the auditorium or on stage knew how to say otherwise.&nbsp;<\/p>\n\n\n\n<p>Or, yes, there needed to be art philosophers between politics and art to mediate and advise. Or people had to be given money for longer. In fact, everyone was asking for continuations of the status quo, which neatly stipulates that politics does not interfere in the content of art and artists assess each other's applications, all at the express request of the art world itself. But with more money and permanent security for those once in.&nbsp;&nbsp;&nbsp;<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Throne<\/h2>\n\n\n\n<p>\"Just knock me off the throne,\" it sounded around the turn of the millennium from the mouth of former young and up-and-coming talent Theu Boermans to the people of \u00b4t Barre Land, when they were up-and-coming and Boermans was established. It was a Ruttian '<a href=\"https:\/\/www.volkskrant.nl\/nieuws-achtergrond\/rutte-je-moet-niet-in-een-hoekje-gaan-zitten-janken~b5b454cb\/\">fight your way in<\/a> as a minority', and the Barre Landers were rightly angry at the time.  You can call it sardonic that they are in exactly the same position now, but let's stick to a painful irony of fate.&nbsp;<\/p>\n\n\n\n<p>It must also feel humiliating and powerless to sit there, declared old far too young by the self-desired subsidy system, and now forced to reinvent yourself and your craft. 'The artist's existence is simply unsafe,' Andrea Voets retorted, when she dared to speak at the very end as the only representative of the young and new guard that does now receive subsidies at the expense of the veterans on stage.&nbsp;<\/p>\n\n\n\n<p>Reason for a few attendees to mention the war, without immediately running into the shelter. Someone still called out that maybe they should admire themselves a little less.&nbsp;<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Every four years<\/h2>\n\n\n\n<p>Chekhov-enthusiasts can take heart from this evening, which will be able to be held every four years, with ever-new groups, as long as the government's budget for the arts does not continue to grow as exponentially as the number of art college graduates.&nbsp;<\/p>\n\n\n\n<p>In the Cherry Garden, it is the former serf Lopachin who devises a rescue plan for the languishing Cherry Orchard, while the landowner Lyubov hustles her money through on the French Riviera. Everyone identified so intensely with the entourage of that old landed gentry this evening that I developed vicarious sympathy for Lopachin, whom everyone in the room referred to with a dirty word as a 'property developer'. Everyone also thought the summer cottages he envisaged were so lacklustre. You could also think of all those poor people who would now have a roof over their heads.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">More distance<\/h2>\n\n\n\n<p>This was an evening without self-mockery. Imaginable, but you'd grant us a bit more distance. Also a bit more realism. The subsidy system is creaking, it could be better, but once in, your place is not guaranteed, and the whole sector has fought rock hard for that since the last war. As a result, it could be finished every four years. Or you won't have to admit anyone from now on.&nbsp;<\/p>\n\n\n\n<p>There was also some sputtering about 'tick boxes' without mentioning the word 'diversity' or 'inclusion', because that is sensitive. So it is inevitable that - under pressure from all those appeals and objections from the sector itself - applying for funding will take on increasingly formal and bureaucratic edges. And we want a diverse and inclusive society, don't we? Musk is not yet in power here.&nbsp;&nbsp;<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Big Capital&nbsp;&nbsp;<\/h2>\n\n\n\n<p>How to do things differently? We need to agree on that, before something like Musk's coup in the US happens here too. The end of the subsidy is always hanging over your head, so always prepare for that moment. This is not a surrender to big business, but a necessary strengthening of your personal resilience. And if you do have to fly (don't have to), fly with the airline of the young woman who was so utterly unjustly constantly harassed by that screaming Serebryakov in the front row.&nbsp;<\/p>\n\n\n\n<p>And then on the next occasion, don't read The Cherry Garden or Uncle Vanya, but dare to put Chekhov's play-within-a-play Seagull on the table. In which a young actress is crushed between the ambition of a young playwright and the crushing arrogance of an old writer.&nbsp;<\/p>\n\n\n<div class=\"su-note\"  style=\"border-color:#e5e54c;border-radius:3px;-moz-border-radius:3px;-webkit-border-radius:3px;\"><div class=\"su-note-inner su-u-clearfix su-u-trim\" style=\"background-color:#FFFF66;border-color:#ffffff;color:#333333;border-radius:3px;-moz-border-radius:3px;-webkit-border-radius:3px;\">Seen: the stream of The Cherry Garden at De Balie<br \/>\n<span class=\"embed-youtube\" style=\"text-align:center; display: block;\"><iframe loading=\"lazy\" class=\"youtube-player\" width=\"720\" height=\"405\" src=\"https:\/\/www.youtube.com\/embed\/4Q9amCEtYIM?version=3&#038;rel=1&#038;showsearch=0&#038;showinfo=1&#038;iv_load_policy=1&#038;fs=1&#038;hl=en-GB&#038;autohide=2&#038;start=3&#038;wmode=transparent\" allowfullscreen=\"true\" style=\"border:0;\" sandbox=\"allow-scripts allow-same-origin allow-popups allow-presentation allow-popups-to-escape-sandbox\"><\/iframe><\/span><br \/>\n<\/div><\/div>","protected":false},"excerpt":{"rendered":"<p>Het beeld was een beetje Da Vinci. Aan een lange tafel zaten ze in mooi licht en het ging over weemoed en dreiging. Dit was op 1 februari 2025 in het Amsterdamse Debatcentrum De Balie het toneel van Laatste Avondmaal. Ter kruisiging: een aantal theatergroepen waarmee ik ben groot gegroeid. \u2018t Barre Land gebroederlijk naast [&hellip;]<\/p>\n","protected":false},"author":4,"featured_media":96487,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_eb_attr":"","_themeisle_gutenberg_block_has_review":false,"_jetpack_memberships_contains_paid_content":false,"activitypub_content_warning":null,"activitypub_content_visibility":null,"activitypub_max_image_attachments":3,"activitypub_interaction_policy_quote":"anyone","activitypub_status":"federated","footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","enabled":false},"version":2}},"categories":[1,15614,10340,8843,11687],"tags":[1650,1380,11617,1148,923],"class_list":["post-96486","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-nieuws","category-beleid","category-erfgoed","category-podiumkunst","category-donatie-gevraagd","tag-de-balie","tag-fonds-podiumkunsten","tag-kaalslag","tag-raad-voor-cultuur","tag-subsidie"],"views":223,"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/cultureelpersbureau.nl\/wp-content\/uploads\/2025\/02\/Screenshot-From-2025-02-04-11-13-00.png","jetpack-related-posts":[{"id":100659,"url":"https:\/\/cultureelpersbureau.nl\/en\/2026\/02\/hoog-tijd-voor-obscure-onbegrijpelijke-kutkunst\/","url_meta":{"origin":96486,"position":0},"title":"High time for obscure, incomprehensible pussy art","author":"Wijbrand Schaap","date":"8 February 2026","format":false,"excerpt":"Before Mark Rutte professionally engaged in unprotected viewing of Donald J. Trump's rectum, he was the prime minister of the Netherlands who was sure that Dutch theatres only had 15 people sitting in the front row. It was 2011 and the beginning of a decade...","rel":"","context":"In &quot;BEELDEND&quot;","block_context":{"text":"BEELDEND","link":"https:\/\/cultureelpersbureau.nl\/en\/genre\/beeldende-kunst-2\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":61108,"url":"https:\/\/cultureelpersbureau.nl\/en\/2019\/06\/de-kersentuin-van-ita-levert-keurig-spel-in-theatraal-niemandsland\/","url_meta":{"origin":96486,"position":1},"title":"ITA's Cherry Garden delivers neat play in theatrical no man's land","author":"Wijbrand Schaap","date":"17 June 2019","format":false,"excerpt":"It must have started with a big plan in Simon McBurney's head. The Brit, a master of mathematically precise text theatre full of technical gadgets, saw the amazing floor of Amsterdam Stadsschouwburg's Rabozaal and his brain started working. Something about a backcloth across the full...","rel":"","context":"In &quot;Holland Festival&quot;","block_context":{"text":"Holland Festival","link":"https:\/\/cultureelpersbureau.nl\/en\/genre\/service\/specials\/holland-festival\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/cultureelpersbureau.nl\/wp-content\/uploads\/2019\/06\/de-kersentuin-jan-versweyveld-01.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/cultureelpersbureau.nl\/wp-content\/uploads\/2019\/06\/de-kersentuin-jan-versweyveld-01.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/cultureelpersbureau.nl\/wp-content\/uploads\/2019\/06\/de-kersentuin-jan-versweyveld-01.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/cultureelpersbureau.nl\/wp-content\/uploads\/2019\/06\/de-kersentuin-jan-versweyveld-01.jpg?resize=700%2C400&ssl=1 2x, https:\/\/i0.wp.com\/cultureelpersbureau.nl\/wp-content\/uploads\/2019\/06\/de-kersentuin-jan-versweyveld-01.jpg?resize=1050%2C600&ssl=1 3x, https:\/\/i0.wp.com\/cultureelpersbureau.nl\/wp-content\/uploads\/2019\/06\/de-kersentuin-jan-versweyveld-01.jpg?resize=1400%2C800&ssl=1 4x"},"classes":[]},{"id":55773,"url":"https:\/\/cultureelpersbureau.nl\/en\/2018\/03\/martine-dekker-cinedans-de-nieuwe-generatie-houdt-zich-helemaal-niet-aan-de-afbakening-tussen-de-kunsten-dat-is-voor-een-festival-als-cinedans-heel-leuk-en-interessant\/","url_meta":{"origin":96486,"position":2},"title":"Martine Dekker (Cinedans): 'The new generation does not respect the demarcation between the arts at all. That's very fun and interesting for a festival like Cinedans.'","author":"Wijbrand Schaap","date":"17 March 2018","format":false,"excerpt":"Cinedans has been around since 2003. Back then, it was a single evening, part of Amsterdam's Julidans festival. Pretty soon, it grew into something bigger. According to Martine Dekker, involved with the festival since the 2011 edition, this was due to the overwhelming offer of dance films: 'From the...","rel":"","context":"In &quot;ACTUEEL&quot;","block_context":{"text":"ACTUEEL","link":"https:\/\/cultureelpersbureau.nl\/en\/genre\/nieuws\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/cultureelpersbureau.nl\/wp-content\/uploads\/2018\/03\/IMG_20180315_161228.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/cultureelpersbureau.nl\/wp-content\/uploads\/2018\/03\/IMG_20180315_161228.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/cultureelpersbureau.nl\/wp-content\/uploads\/2018\/03\/IMG_20180315_161228.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/cultureelpersbureau.nl\/wp-content\/uploads\/2018\/03\/IMG_20180315_161228.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":22246,"url":"https:\/\/cultureelpersbureau.nl\/en\/2015\/05\/discussie-kleur-moet-ook-schouwburgen-woeden\/","url_meta":{"origin":96486,"position":3},"title":"Discussion on colour should also rage in theatre","author":"Wijbrand Schaap","date":"8 May 2015","format":false,"excerpt":"At Amsterdam's Stadsschouwburg, Hans Kesting will once again play the title role of Shakespeare's Othello, in a legendary version by top director Ivo van Hove, already 12 years ago. A stone's throw away, at De Balie, is the equally impressive actor Kenneth Herdigein in David Mamet's play Race. Why...","rel":"","context":"In &quot;ACTUEEL&quot;","block_context":{"text":"ACTUEEL","link":"https:\/\/cultureelpersbureau.nl\/en\/genre\/nieuws\/"},"img":{"alt_text":"Kenneth Herdigein, Vastert van Aardenne, Urmie Plein, Reinier Bulder in Race van David Mamet.","src":"https:\/\/i0.wp.com\/cultureelpersbureau.nl\/wp-content\/uploads\/2015\/05\/race-van-david-mamet-door-stichting-julius-leeftjohn-leerdam_foto-jean-van-lingen_liggend_hr.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/cultureelpersbureau.nl\/wp-content\/uploads\/2015\/05\/race-van-david-mamet-door-stichting-julius-leeftjohn-leerdam_foto-jean-van-lingen_liggend_hr.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/cultureelpersbureau.nl\/wp-content\/uploads\/2015\/05\/race-van-david-mamet-door-stichting-julius-leeftjohn-leerdam_foto-jean-van-lingen_liggend_hr.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/cultureelpersbureau.nl\/wp-content\/uploads\/2015\/05\/race-van-david-mamet-door-stichting-julius-leeftjohn-leerdam_foto-jean-van-lingen_liggend_hr.jpg?resize=700%2C400&ssl=1 2x, https:\/\/i0.wp.com\/cultureelpersbureau.nl\/wp-content\/uploads\/2015\/05\/race-van-david-mamet-door-stichting-julius-leeftjohn-leerdam_foto-jean-van-lingen_liggend_hr.jpg?resize=1050%2C600&ssl=1 3x, https:\/\/i0.wp.com\/cultureelpersbureau.nl\/wp-content\/uploads\/2015\/05\/race-van-david-mamet-door-stichting-julius-leeftjohn-leerdam_foto-jean-van-lingen_liggend_hr.jpg?resize=1400%2C800&ssl=1 4x"},"classes":[]},{"id":52618,"url":"https:\/\/cultureelpersbureau.nl\/en\/2017\/09\/snaartheorie-inspireert-orgelconcert-peter-eotvos-dirigeert-kco-multiversum\/","url_meta":{"origin":96486,"position":4},"title":"String theory inspires organ concert: Peter E\u00f6tv\u00f6s conducts KCO in Multiverse","author":"Thea Derks","date":"22 September 2017","format":false,"excerpt":"On Thursday 19 October, Peter E\u00f6tv\u00f6s conducts the Royal Concertgebouw Orchestra in the Dutch premiere of his organ concerto Multiversum, which he commissioned for the company. His brand new composition is flanked by works by Gy\u00f6rgy Ligeti and Claude Vivier. The rich musical tradition of Transylvania The Hungarian composer and conductor Peter...","rel":"","context":"In &quot;Alleen voor leden&quot;","block_context":{"text":"Alleen voor leden","link":"https:\/\/cultureelpersbureau.nl\/en\/genre\/service\/members-only\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/cultureelpersbureau.nl\/wp-content\/uploads\/2017\/09\/P%C3%A9ter_E%C3%B6tv%C3%B6s_by_Istvan_Huszti.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/cultureelpersbureau.nl\/wp-content\/uploads\/2017\/09\/P%C3%A9ter_E%C3%B6tv%C3%B6s_by_Istvan_Huszti.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/cultureelpersbureau.nl\/wp-content\/uploads\/2017\/09\/P%C3%A9ter_E%C3%B6tv%C3%B6s_by_Istvan_Huszti.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/cultureelpersbureau.nl\/wp-content\/uploads\/2017\/09\/P%C3%A9ter_E%C3%B6tv%C3%B6s_by_Istvan_Huszti.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":60595,"url":"https:\/\/cultureelpersbureau.nl\/en\/2019\/05\/faustin-linyekula-en-de-verscheurdheid-van-de-reizende-kunstenaar\/","url_meta":{"origin":96486,"position":5},"title":"Faustin Linyekula and the tearfulness of the travelling artist","author":"Wijbrand Schaap","date":"10 May 2019","format":false,"excerpt":"'Aid workers come to my city to leave again. I come there to stay.' You cannot get Faustin Linyekula any more concise. 'Aid workers do not create a bond with the people they want to help. Their work is gone as soon as they leave. I don't come to help, but...","rel":"","context":"In &quot;ACTUEEL&quot;","block_context":{"text":"ACTUEEL","link":"https:\/\/cultureelpersbureau.nl\/en\/genre\/nieuws\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/cultureelpersbureau.nl\/wp-content\/uploads\/2019\/05\/IMG_20190509_202207969_BURST000_COVER_TOP.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/cultureelpersbureau.nl\/wp-content\/uploads\/2019\/05\/IMG_20190509_202207969_BURST000_COVER_TOP.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/cultureelpersbureau.nl\/wp-content\/uploads\/2019\/05\/IMG_20190509_202207969_BURST000_COVER_TOP.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/cultureelpersbureau.nl\/wp-content\/uploads\/2019\/05\/IMG_20190509_202207969_BURST000_COVER_TOP.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]}],"jetpack_shortlink":"https:\/\/wp.me\/p3yKke-p6e","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/cultureelpersbureau.nl\/en\/wp-json\/wp\/v2\/posts\/96486","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/cultureelpersbureau.nl\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/cultureelpersbureau.nl\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/cultureelpersbureau.nl\/en\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/cultureelpersbureau.nl\/en\/wp-json\/wp\/v2\/comments?post=96486"}],"version-history":[{"count":3,"href":"https:\/\/cultureelpersbureau.nl\/en\/wp-json\/wp\/v2\/posts\/96486\/revisions"}],"predecessor-version":[{"id":96505,"href":"https:\/\/cultureelpersbureau.nl\/en\/wp-json\/wp\/v2\/posts\/96486\/revisions\/96505"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/cultureelpersbureau.nl\/en\/wp-json\/wp\/v2\/media\/96487"}],"wp:attachment":[{"href":"https:\/\/cultureelpersbureau.nl\/en\/wp-json\/wp\/v2\/media?parent=96486"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/cultureelpersbureau.nl\/en\/wp-json\/wp\/v2\/categories?post=96486"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/cultureelpersbureau.nl\/en\/wp-json\/wp\/v2\/tags?post=96486"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}