{"id":96967,"date":"2025-04-02T10:49:21","date_gmt":"2025-04-02T08:49:21","guid":{"rendered":"https:\/\/cultureelpersbureau.nl\/?p=96967"},"modified":"2025-04-02T10:49:24","modified_gmt":"2025-04-02T08:49:24","slug":"wisselwerking-tussen-boulez-en-tenney-geeft-nieuwe-dimensie-aan-iconisch-repons","status":"publish","type":"post","link":"https:\/\/cultureelpersbureau.nl\/en\/2025\/04\/wisselwerking-tussen-boulez-en-tenney-geeft-nieuwe-dimensie-aan-iconisch-repons\/","title":{"rendered":"Interaction between Boulez and Tenney gives new dimension to iconic R\u00e9pons"},"content":{"rendered":"<p class=\"wp-block-paragraph\">Asko|Sch\u00f6nberg and the Belgian wind ensemble I SOLISTI turn music into a spatial experience in a performance of <em>R\u00e9pons<\/em> by Pierre Boulez and James Tenney's <em>In a Large Open Space<\/em>.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Pierre Boulez is an icon of the musical avant-garde of the 20<sup>ste<\/sup> century. As a composer and conductor, he left his mark on the new musical practice. His monumental <em>R\u00e9pons<\/em> is rarely performed, so this is a unique opportunity to experience this work live. 100 years after his birth, is Boulez's work still as iconic as it was in 1985?<\/p>\n\n\n\n<h2 class=\"wp-block-heading\"><strong>Interplay between Tenney and Boulez<\/strong><\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">By playing Boulez's work on an evening with <em>In a Large Open Space <\/em>by James Tenney, both works take on a deeper layer. Both composers seek ways to broaden and challenge our listening.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">At <em>R\u00e9pons <\/em>Pierre Boulez turns the age-old idea of question and answer on its head. He literally places the audience in the middle of it: in a circle between the ensemble and the six soloists. Computers allow the sound of the musicians to change and swirl through the hall.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">No complex score then again for <em>In a Large Open Space<\/em> by James Tenney: the free but carefully spaced tones elicit a more nuanced listening. Tenney gives the musicians great freedom in long tones and chords. By moving around the space, the audience hears changes and shifts in the soundscape.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\"><strong>International cooperation<\/strong><\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">Boulez100 was created through the efforts of several partners from the Netherlands and Belgium; a unique collaboration. Asko|Sch\u00f6nberg and I SOLISTI join forces to bring this little-played work to the concert halls of the Netherlands and Flanders. The concert is made in co-production with Muziekgebouw Amsterdam, PerPodium vzw and Muziekcentrum De Bijloke.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\"><strong>Asko|Sch\u00f6nberg<\/strong><\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">Asko|Sch\u00f6nberg presents bold concerts and performances of composed music from the 20th and 21st centuries in a variety of settings, from concert stages and open-air festivals to theatres. The ensemble develops research projects and educational activities. The emphasis is on stimulating and creating new work by contemporary creators. All with the aim of inspiring Dutch and international audiences and discovering new sounds.&nbsp;&nbsp;<strong><\/strong><\/p>\n\n\n\n<h2 class=\"wp-block-heading\"><strong>I SOLISTI<\/strong><\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">What started more than 30 years ago as a traditional wind octet has grown, under the inspired leadership of artistic director and founding father Francis Pollet, into an ensemble and music production house with international recognition. The musical heritage of 250 years of wind music|r|evolution from Mozart to the present day is the common thread and is devotedly propagated but also constantly questioned and renewed.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"https:\/\/askoschoenberg.nl\/performances\/boulez-100\/\">Boulez100 - Asko|Sch\u00f6nberg in collaboration with I SOLISTI<\/a><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>24 April: Muziekgebouw, Amsterdam<\/li>\n\n\n\n<li>26 April: Florali\u00ebnhal, Ghent (BE)<\/li>\n\n\n\n<li>27 April: De Doelen, Rotterdam<\/li>\n\n\n\n<li>29 April: De Singel, Antwerp (BE)<\/li>\n<\/ul>\n\n\n\n<p class=\"wp-block-paragraph\"><em>Performed by Asko|Sch\u00f6nberg and I SOLISTI<\/em><br \/><strong>Bas Wiegers<\/strong> conductor<br \/><strong>Miriam Overlach<\/strong> harp<br \/><strong>Pauline Post<\/strong> piano<br \/><strong>Jan Michiels<\/strong> piano<br \/><strong>Jan Rokyta <\/strong>cimbalom<br \/><strong>Joey Marijs<\/strong> percussion<br \/><strong>Tom De Cock<\/strong> percussion<br \/><strong>Koen Keevel (PME-Technica Group) <\/strong>audio engineering<br \/><strong>Oscar Bouwmans (PME-Technica Group) <\/strong>electronics<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>Supported by the Ministry of OCW, the Flemish Government, the Amsterdam Fund for the Arts and the Belgian Taxshelter.<\/em><\/p>","protected":false},"excerpt":{"rendered":"<p>Asko|Sch\u00f6nberg en het Belgische blazersensemble I SOLISTI maken van muziek een ruimtelijke belevenis in een uitvoering van R\u00e9pons van Pierre Boulez en James Tenney\u2019s In a Large Open Space. Pierre Boulez is een icoon van de muzikale avant-garde van de 20ste eeuw. Als componist en dirigent drukte hij zijn stempel op de nieuwe muziekpraktijk. Zijn [&hellip;]<\/p>\n","protected":false},"author":13,"featured_media":96968,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_eb_attr":"","_themeisle_gutenberg_block_has_review":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":true,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"activitypub_content_warning":null,"activitypub_content_visibility":"","activitypub_max_image_attachments":3,"activitypub_interaction_policy_quote":"anyone","activitypub_status":"federated","footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","enabled":false},"version":2},"jetpack_post_was_ever_published":false},"categories":[4760,11917],"tags":[7819,16376],"class_list":["post-96967","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-muziek-podiumkunst-2","category-persberichten","tag-askoschonberg","tag-boulez"],"featured_image_url":{"thumbnail":"https:\/\/cultureelpersbureau.nl\/wp-content\/uploads\/2025\/04\/boulezasko-150x150.jpg","medium":"https:\/\/cultureelpersbureau.nl\/wp-content\/uploads\/2025\/04\/boulezasko-300x186.jpg","medium_large":"https:\/\/cultureelpersbureau.nl\/wp-content\/uploads\/2025\/04\/boulezasko-768x475.jpg","large":"https:\/\/cultureelpersbureau.nl\/wp-content\/uploads\/2025\/04\/boulezasko-1024x633.jpg","1536x1536":"https:\/\/cultureelpersbureau.nl\/wp-content\/uploads\/2025\/04\/boulezasko.jpg","2048x2048":"https:\/\/cultureelpersbureau.nl\/wp-content\/uploads\/2025\/04\/boulezasko.jpg","trp-custom-language-flag":"https:\/\/cultureelpersbureau.nl\/wp-content\/uploads\/2025\/04\/boulezasko-18x12.jpg"},"post_author":"een van onze leden","assigned_categories":"MUZIEK, PERSBERICHTEN","jetpack_publicize_connections":[],"jetpack-related-posts":[{"id":140332,"url":"https:\/\/cultureelpersbureau.nl\/en\/2026\/09\/straks-moeten-we-nog-bewijzen-dat-we-mensen-zijn-een-dialoog-over-journalistiek-en-ai\/","url_meta":{"origin":96967,"position":0},"title":"Soon we\u2019ll have to prove we\u2019re human: a dialogue on journalism and AI","author":"Guido van Nispen","date":"25 September 2026","format":false,"excerpt":"We read a novel, appreciate an opinion piece and rely on our own judgement, until an AI detector attaches a suspicious percentage to it. The work hasn\u2019t changed, but our perspective has. What will happen when the machine ultimately determines what we, as humans, still trust?","rel":"","context":"In &quot;LITERAIR&quot;","block_context":{"text":"LITERAIR","link":"https:\/\/cultureelpersbureau.nl\/en\/genre\/literatuur-2\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":137614,"url":"https:\/\/cultureelpersbureau.nl\/en\/2026\/09\/mijn-hart-in-vijftig-stukken-el-corazon-de-ester\/","url_meta":{"origin":96967,"position":1},"title":"My Heart in Fifty Pieces: El coraz\u00f3n de Ester","author":"Alessia De Santis","date":"7 September 2026","format":false,"excerpt":"In *El coraz\u00f3n de Ester*, which had its Italian national premiere at the Teatro Vittoria as part of Short Theatre 2026, the Spanish artist Alberto Cort\u00e9s takes on the role of Ester, a 19th-century woman who slowly fades away as she surrenders herself to her lovers. There are only fifty performances\u2026","rel":"","context":"In &quot;FAITS DIVERS&quot;","block_context":{"text":"FAITS DIVERS","link":"https:\/\/cultureelpersbureau.nl\/en\/genre\/faits-divers\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":137595,"url":"https:\/\/cultureelpersbureau.nl\/en\/2026\/09\/na-het-paradisodebat-we-moeten-anders-gaan-denken-over-auteursrecht\/","url_meta":{"origin":96967,"position":2},"title":"Following the #Paradiso debate: We need to start thinking differently about copyright","author":"Nan van Houte","date":"6 September 2026","format":false,"excerpt":"I\u2019ve just left Paradiso, where this year\u2019s annual Kunsten\u201992 debate was devoted to AI. What struck me was that, apart from the question or comment from the balcony at Paradiso \u2013 which, unfortunately, was impossible to hear without amplification \u2013 no attention was paid to the extremely interesting observations and recommendations made by Payal Arora, Professor of Inclusive\u2026","rel":"","context":"In &quot;ACTUEEL&quot;","block_context":{"text":"ACTUEEL","link":"https:\/\/cultureelpersbureau.nl\/en\/genre\/nieuws\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":90533,"url":"https:\/\/cultureelpersbureau.nl\/en\/2023\/04\/stairway-to-music-scala-for-ernestine-zaterdag-27-mei\/","url_meta":{"origin":96967,"position":3},"title":"Stairway to Music - Scala for Ernestine - Saturday 27 May","author":"een van onze leden","date":"26 April 2023","format":false,"excerpt":"Stairway to Music, a programme by Asko|Sch\u00f6nberg and the Muziekgebouw, is an intimate listening experience of about 45 minutes on the steps of the Muziekgebouw. This time the program also has a personal touch. Harpist Ernestine Stoop says goodbye to Asko|Sch\u00f6nberg after more than 40 years and has put together...","rel":"","context":"In &quot;MUZIEK&quot;","block_context":{"text":"MUZIEK","link":"https:\/\/cultureelpersbureau.nl\/en\/genre\/podiumkunst\/muziek-podiumkunst-2\/"},"img":{"alt_text":"Ernestine Stoop - beeld geleverd door Asko|Sch\u00f6nberg","src":"https:\/\/i0.wp.com\/cultureelpersbureau.nl\/wp-content\/uploads\/2023\/04\/image002.png?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/cultureelpersbureau.nl\/wp-content\/uploads\/2023\/04\/image002.png?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/cultureelpersbureau.nl\/wp-content\/uploads\/2023\/04\/image002.png?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/cultureelpersbureau.nl\/wp-content\/uploads\/2023\/04\/image002.png?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":90844,"url":"https:\/\/cultureelpersbureau.nl\/en\/2023\/06\/streamingdiensten-gaan-5-omzet-investeren-in-nederlandse-producties\/","url_meta":{"origin":96967,"position":4},"title":"Streaming services to invest 5% turnover in Dutch productions","author":"een van onze leden","date":"6 June 2023","format":false,"excerpt":"Major streaming services operating in the Netherlands will start investing 5% of their Dutch annual turnover in Dutch productions. The House of Representatives has agreed to a bill by state secretary Gunay Uslu (Culture and Media). Thanks to this investment, more money will be available for making Dutch offerings. 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