{"id":97279,"date":"2025-05-12T17:22:45","date_gmt":"2025-05-12T15:22:45","guid":{"rendered":"https:\/\/cultureelpersbureau.nl\/?p=97279"},"modified":"2025-05-14T11:46:10","modified_gmt":"2025-05-14T09:46:10","slug":"bianchis-brotherhood-is-een-geniale-ontkleding-van-mannelijke-zelfoverschatting","status":"publish","type":"post","link":"https:\/\/cultureelpersbureau.nl\/en\/2025\/05\/bianchis-brotherhood-is-een-geniale-ontkleding-van-mannelijke-zelfoverschatting\/","title":{"rendered":"Bianchi's 'Brotherhood' is a brilliant undressing of male self-aggrandisement"},"content":{"rendered":"<p class=\"wp-block-paragraph\">This edition of the Holland Festival contains at least 1 performance that will make you feel extremely uncomfortable as a man. Nevertheless, I challenge the male brethren reading this to go and see it. I did it too, went all the way to Brussels for it and got brain food for years to come in return. That's because the creator is a genius.&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Now you can already expect the first brain cramp here, because Carolina Bianchi is a woman. And women are never called 'genius'. A genius is always a man. A woman may be 'smart', possibly 'intelligent' and in an occasional case 'wise', but these are rarely recommendations.&nbsp;<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Pushing boundaries<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">A genius possesses God-given qualities that elevate him above the competition. Such a man, because of genius, may also cross boundaries. A genius may say things like 'Move Fast and Break Things'. Mark Zuckerberg is considered a genius by many people. Elon Musk is called a genius. Geniuses like to call each other genius, because alone is just alone and together you are more genius. Being a genius together is less scary for geniuses. That is why we have surrendered to the 'broligarchy'.&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">&nbsp;A lot of artists are also called geniuses. Quite a few of those genius artists cross boundaries. Usually together with people who know about it. Or who could know about it. Fine, perhaps, for art, which is supposed to be groundbreaking, less fine for the people whose boundaries are also quite often crossed 'en passant'.&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">All this comes along in Carolina Bianchi's performance The Brotherhood, which I saw in Brussels on 10 May, a day after its premiere. The Brotherhood is part two of what is to be a trilogy. The first part premiered at the prestigious Avignon festival in 2023 and was dedicated to femicide. Quite a few heroic stories in our history are about men killing women.&nbsp;<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Tangible<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">Femicide is a sought-after theme in theatre and opera. In her performance, Bianchi eventually made that fact very tangible by being drugged with the party drug that men use to render a woman unconscious, after which she can be abused. (How common that is also shows<a href=\"https:\/\/cultureelpersbureau.nl\/2024\/03\/verkrachting-onder-het-tapijt\/\"> this story <\/a>see).<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Part two of the trilogy begins with the awakening of Carolina Bianchi. From then on, it goes for a good three hours on how sexual abuse is an integral part of theatrical practice. An indictment it is, but also an analysis, a self-accusation. The genius of Carolina Bianchi lies in that she exposes the mechanism by which women are systematically humiliated and interrupted as something well-nigh necessary for 'great' art.&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">From the programme book: <em>\"Theatre is not innocent, it is a place of power. We are in the middle of it. We are shaped by masters. We resist them and we carry them with us.\"<\/em>&nbsp;<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Not just men<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">The brotherhood the show is about does not only include men. The mechanism by which people support each other and work upwards is bigger than just patriarchy. Women are just as much a part of it. As <em>enablers<\/em> and collaborators, but also as fellow and adversaries.&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">And that's where the grey cells in the upper chamber really go wild, after three hours in which scenes passed by that will stay with you for a long time. Scenes made up of a lot of text.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">500 pages<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">Central to this is the 500-page account of Bianchi's research into the subject over the past few years, which gave her a lot of knowledge but even more confusion. Nowhere does it get boring. Because she moves little, this creates something I would call 'sit-down comedy'.&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">When she herself is not on stage, a group of men of very diverse backgrounds take over.  They do what men do: tone down her sometimes very explicit texts, add 'nuances', correct here and there, all on their own initiative, of course. That's how men are, after all. That it only makes Bianchi's text more incisive is a stroke of genius by the writer.&nbsp;<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Bizarre light<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">The performance is light in a bizarre way, while the theme weighs heavily on the evening: the unconsciously abused woman is also robbed of her deepest dreams as a sex object, after which suicide is almost a logical option.&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Thus, Bianchi draws a penetrating line from shackled and abused women like Persephone, through the violence in Shakespeare's Titus Andronicus to the young actress Nina in Chekhov's Seagull to writer Sarah Kane, who joined the Club of 27 by suicide in 1999: artists who have to take their lives at 27, like Jim Morrison, Jimi Hendrix, Janis Joplin and Amy Winehouse.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">And then it turns out that even in that ultimate act of desperate violence, men claim victory. For in art, it is men for whom suicide is an Act with capital letters, while women usually step out because of weakness. Thus the lore.&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Such theatre, which leaves you thinking for a long time about what genius is capable of, I prefer to see more often. So we are already looking forward to part 3.&nbsp;<\/p>\n\n\n<div class=\"su-note\"  style=\"border-color:#e5e54c;border-radius:3px;-moz-border-radius:3px;-webkit-border-radius:3px;\"><div class=\"su-note-inner su-u-clearfix su-u-trim\" style=\"background-color:#FFFF66;border-color:#ffffff;color:#333333;border-radius:3px;-moz-border-radius:3px;-webkit-border-radius:3px;\">The performance Brotherhood, a co-production with the Holland Festival and Theatre Utrecht, among others, will be shown at the Holland Festival. <a href=\"https:\/\/www.hollandfestival.nl\/en\/trilogia-cadela-forca-capitulo-ii-the-brotherhood\" style=\"text-decoration:none;\"><span style=\"font-size:11pt;font-family:Arial,sans-serif;color:#1155cc;background-color:transparent;font-weight:400;font-style:normal;font-variant:normal;text-decoration:underline;-webkit-text-decoration-skip:none;text-decoration-skip-ink:none;vertical-align:baseline;white-space:pre;white-space:pre-wrap;\">Tickets and information<\/span><\/a><span style=\"font-size:11pt;font-family:Arial,sans-serif;color:#000000;background-color:transparent;font-weight:400;font-style:normal;font-variant:normal;text-decoration:none;vertical-align:baseline;white-space:pre;white-space:pre-wrap;\">. <\/div><\/div>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n<\/span>","protected":false},"excerpt":{"rendered":"<p>Deze editie van het Holland Festival bevat minstens 1 voorstelling waarvan je je als man uiterst ongemakkelijk gaat voelen. Toch daag ik de mannenbroeders die dit lezen, uit om te gaan kijken. Ik heb het ook gedaan, ben ervoor helemaal naar Brussel gegaan en heb er breinvoer voor de komende jaren voor terug gekregen. Dat [&hellip;]<\/p>\n","protected":false},"author":4,"featured_media":97280,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_eb_attr":"","_themeisle_gutenberg_block_has_review":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"activitypub_content_warning":null,"activitypub_content_visibility":"","activitypub_max_image_attachments":3,"activitypub_interaction_policy_quote":"anyone","activitypub_status":"federated","wpai_meta_description":"","footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","enabled":false},"version":2},"jetpack_post_was_ever_published":false},"categories":[38,8843,3059,4759,11688],"tags":[16000,6776,11013],"class_list":["post-97279","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-holland-festival","category-podiumkunst","category-specials","category-theater-podiumkunst-2","category-word-lid","tag-hf25","tag-holland-festival","tag-ita"],"views":655,"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/cultureelpersbureau.nl\/wp-content\/uploads\/2025\/05\/a1PSZ000001Tvrx2AC_1024x673.jpg","jetpack-related-posts":[{"id":115717,"url":"https:\/\/cultureelpersbureau.nl\/en\/2026\/06\/holland-festival-2026-opent-met-nogal-feestelijke-wandeling\/","url_meta":{"origin":97279,"position":0},"title":"Holland Festival 2026 opens with rather festive stroll","author":"Wijbrand Schaap","date":"4 June 2026","format":false,"excerpt":"In terms of managing expectations, I could have done better last night at the opening of the 79th Holland Festival. The rain showers were to be braved, and certainly had a rather unusual effect on the footwear of the hundred or so visitors who, along with me, had gathered in Amsterdam\u2019s Wertheim Park: not a single pair of pumps to be seen\u2026","rel":"","context":"In &quot;featured&quot;","block_context":{"text":"featured","link":"https:\/\/cultureelpersbureau.nl\/en\/genre\/featured\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":12394,"url":"https:\/\/cultureelpersbureau.nl\/en\/2013\/06\/l-a-dance-project-verliefd-worden-op-dans-al-is-het-voor-een-avond\/","url_meta":{"origin":97279,"position":1},"title":"L.A. Dance project at @hollandfestival: falling in love with dance, if only for an evening","author":"Ruben Brugman","date":"3 June 2013","format":false,"excerpt":"Benjamin Millepied is a glamour boy who conquers everything in his path: from actress Natalie Portman to the Paris Opera ballet. In reality, after the premiere in Amsterdam, the Frenchman looks like a tired lover with responsibilities. Here, evidently, is someone who is passionate and dedicated to...","rel":"","context":"In &quot;DANS&quot;","block_context":{"text":"DANS","link":"https:\/\/cultureelpersbureau.nl\/en\/genre\/podiumkunst\/dans\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/cultureelpersbureau.nl\/wp-content\/uploads\/2013\/06\/L.A.-Dance-Project_03-Quintett-%C2%A9-Ryan-Schude1.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/cultureelpersbureau.nl\/wp-content\/uploads\/2013\/06\/L.A.-Dance-Project_03-Quintett-%C2%A9-Ryan-Schude1.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/cultureelpersbureau.nl\/wp-content\/uploads\/2013\/06\/L.A.-Dance-Project_03-Quintett-%C2%A9-Ryan-Schude1.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":100832,"url":"https:\/\/cultureelpersbureau.nl\/en\/2026\/03\/echt-luisteren-empathie-en-veranderende-perspectieven-in-het-79e-holland-festival\/","url_meta":{"origin":97279,"position":2},"title":"True listening, empathy and changing perspectives in 79th Holland Festival","author":"een van onze leden","date":"4 March 2026","format":false,"excerpt":"The Holland Festival opens on 3 June with City of Floating Sounds by Huang Ruo, a concert in two parts. The first part is a musical walk to Carr\u00e9, with visitors using an app to sound an orchestral work through the city. In the auditorium, the full composition is then...","rel":"","context":"In &quot;beleid&quot;","block_context":{"text":"beleid","link":"https:\/\/cultureelpersbureau.nl\/en\/genre\/beleid\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/img.youtube.com\/vi\/Jba1BC32zE4\/0.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":108710,"url":"https:\/\/cultureelpersbureau.nl\/en\/2026\/05\/koning-willem-alexander-en-koningin-maxima-aanwezig-bij-opening-holland-festival-2\/","url_meta":{"origin":97279,"position":3},"title":"King Willem-Alexander and Queen M\u00e1xima present at opening of Holland Festival","author":"Holland Festival","date":"13 May 2026","format":false,"excerpt":"His Majesty the King and Her Majesty Queen M\u00e1xima will attend the opening performance of the 79th edition of the Holland Festival on Wednesday evening 3 June in Amsterdam. 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Even less often have I returned from a Holland Festival performance feeling as happy, cheerful, joyful, and intellectually enlightened as I did from Brecht's First Play, on Thursday, June 18th, 2026. 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An app game called \"Airb'n'bhost\", in which you always choose from three...","rel":"","context":"In &quot;INTERNET&quot;","block_context":{"text":"INTERNET","link":"https:\/\/cultureelpersbureau.nl\/en\/genre\/media\/internet\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/cultureelpersbureau.nl\/wp-content\/uploads\/2017\/03\/Modulab-_-%C2%A9-Willie-Kerkhof-_-STRP-Eindhoven-_-Flickr.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/cultureelpersbureau.nl\/wp-content\/uploads\/2017\/03\/Modulab-_-%C2%A9-Willie-Kerkhof-_-STRP-Eindhoven-_-Flickr.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/cultureelpersbureau.nl\/wp-content\/uploads\/2017\/03\/Modulab-_-%C2%A9-Willie-Kerkhof-_-STRP-Eindhoven-_-Flickr.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]}],"jetpack_shortlink":"https:\/\/wp.me\/p3yKke-pj1","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/cultureelpersbureau.nl\/en\/wp-json\/wp\/v2\/posts\/97279","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/cultureelpersbureau.nl\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/cultureelpersbureau.nl\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/cultureelpersbureau.nl\/en\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/cultureelpersbureau.nl\/en\/wp-json\/wp\/v2\/comments?post=97279"}],"version-history":[{"count":3,"href":"https:\/\/cultureelpersbureau.nl\/en\/wp-json\/wp\/v2\/posts\/97279\/revisions"}],"predecessor-version":[{"id":97292,"href":"https:\/\/cultureelpersbureau.nl\/en\/wp-json\/wp\/v2\/posts\/97279\/revisions\/97292"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/cultureelpersbureau.nl\/en\/wp-json\/wp\/v2\/media\/97280"}],"wp:attachment":[{"href":"https:\/\/cultureelpersbureau.nl\/en\/wp-json\/wp\/v2\/media?parent=97279"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/cultureelpersbureau.nl\/en\/wp-json\/wp\/v2\/categories?post=97279"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/cultureelpersbureau.nl\/en\/wp-json\/wp\/v2\/tags?post=97279"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}