Rosas away from Brussels? The political game has begun.

by Fransien van der Putt
17 December 201430 March 2022
2 min read
ACTUAL, For members only, DANS

Choreografe Anne Teresa De Keersmaeker stuurt een alarmerend persbericht de wereld in. Naar aanleiding van de beslissing van het Brusselse theater De Munt/La Monnaie om geen dans meer te programmeren, vraagt zij zich af of Rosas nog wel welkom is in Brussel.
“Het bericht dat de directie van De Munt alle dans schrapt, vervult mij met ongeloof. Historisch gezien maakt dans deel uit van de opdracht van De Munt. Na de glorietijd van het duo Béjart/Huisman werd het budget voor dans stelselmatig gekor...

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Fransien van der Putt

Fransien van der Putt is a dramaturge and critic. She works with Lana Coporda, Vera Sofia Mota, Roberto de Jonge, João Dinis Pinho & Julia Barrios de la Mora and Branka Zgonjanin, among others. She writes about dance and theatre for Cultural Press Agency, Theatererkrant and Dansmagazine. Between 1989 and 2001, she mixed text as sound at Radio 100. Between 2011 and 2015, she developed a minor for the BA Dance, Artez, Arnhem - on artistic processes and own research in dance. Within her work, she pays special attention to the significance of archives, notation, discourse and theatre history in relation to dance in the Netherlands. Together with Vera Sofia Mota, she researches the work of video, installation and peformance artist Nan Hoover on behalf of www.li-ma.nl.View Author posts

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