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Female poets dominate unprecedentedly captivating Night of Poetry #night16

'Have you really been listening to poems for three hours?' Asaf Avidan had not yet experienced anything like it. The musical headliner of the 34th Night of Poetry has yet another story to take with him on his tour. In the Netherlands, you can quiet a full house by reading a poem. This year succeeded even better than last year. Even at the very last poet, at a quarter past three at night, the Grote Zaal of TivoliVredenburg was still at least half full. That has not always been the case.

Of course, it is also unique. A TivoliVredenburg filled to the brim with poetry lovers. The organisers of the 'Night' would almost forget how unique it is. 2000 people listening to poems at the same time: almost as many as the entire circulation of all published Dutch poetry works in the last year, maybe even more. This immediately demonstrates what the 'Night', as the Night of Poetry is called for friends, has managed to achieve over the past 34 years. Stage poetry is no longer the underdog of poetry, which it was for a long time. Logical, of course. Poetry was recited rather than written down.

Even 3000 years after Homer, it is still at least as pleasant to listen and watch poets as it is to read their work. Glad that even the greats of the poetic world now recognise that. The evening's glorious, 'Catholic' lighting scheme, the reason why the hall was filled with a constant fog from as early as eight o'clock, will certainly have contributed. Sometimes you just don't need a set to be impressive.

And a lot of big things were on show this year. Big statements, too. Poet Laureate Anne Vegter was perhaps the most powerful on the subject. After an extremely hilarious 'programme of demands' for her successor, who will be appointed in 2017, she went into depth with a disturbing poem about a Netherlands where the population itself has to flee and is not welcome anywhere. With a compelling rhythm and genuine emotion, she had the packed audience by the throat. And that while before Astrid Roemer had already alarmed people with her most recent, rather paranoid work.

Significance and topicality were also present at the reading by Belgium's former Poet Laureate, Charles Ducal: again, focus on refugees and the shameless way our civilised society treats them.

The whole evening was a succession of small and big highlights. Edward van de Vendel, Eva Gerlach: wonderful. The young Fleming Mustafa Kör: one of the big surprises of the evening.

And then had to Hans Dorrestijn yet to come. His poetic response to the death of Joost Zwagerman was throat-splitting, as only someone who himself once stood on a rickety chair can manage. Poet of Death F. Starik then showed his extremely cheerful, grass-green side again. Even one of his most impressive 'lonely funeral' poems got another grass joke from him.

So remarkably many female poets, this edition, and especially many very good women. Anna Enquist wiped the floor with Amsterdam, the city this convinced Feyenoord fan had crowned city poet out of masochism. The South African Marlene van Niekerk did something wonderful with sound that can only be done in South Africa, and made the audience clamour for more.

Tjitske Jansen with her inimitable pace now has star status and the carefully androgynously dressed Marieke Rijneveld is a fast-rising stage wonder.

Big surprise was Roos Rebergen, who in her performance finally managed to get rid of her reputation of being that sheltered, perpetually childish millennial with that cute accent. Her departure for Antwerp did her good: here was a solid poet with a sound of her own. Too bad love is taking her to Kentucky next year: we are really going to miss her. And what on earth should she do among the Rednecks in the land of Trump! Someone backstage whispered that America was just waiting for someone like Rebergen.

We are going to see it. On a stage, somewhere overseas.

Wijbrand Schaap

Cultural journalist since 1996. Worked as theatre critic, columnist and reporter for Algemeen Dagblad, Utrechts Nieuwsblad, Rotterdams Dagblad, Parool and regional newspapers through Associated Press Services. Interviews for TheaterMaker, Theatererkrant Magazine, Ons Erfdeel, Boekman. Podcast maker, likes to experiment with new media. Culture Press is called the brainchild I gave birth to in 2009. Life partner of Suzanne Brink roommate of Edje, Fonzie and Rufus. Search and find me on Mastodon.View Author posts

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