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The permanent site of Boulevard's festival centre has largely turned into a construction site this year. This forced the organisers to move to Zuiderpark. Although this is a bit outside the city centre, it is much more spacious and green than the Parade square. It gives the festival a nice feeling of air, space and proximity to the...
The vast majority of Dutch adults never go to the theatre. Interestingly enough, the question among theatre people is never really about why people don't go to the theatre. After all, our arts sector is a supply market. At an art school, you are not trained to please the public, but to express your most individual emotion. And then preferably...
Bosses start to look like their dogs. Or vice versa. Or owners like dogs who look like them. Or vice versa. Either way. If you want proof of this statement, hurry to Theatre Festival Boulevard where John Buijsman plays the gem 'Cosmic Cowboy', assisted by Kees, a labradoodle. Or something that should pass for that. John Buijsman is one of the...
I have seen a lot of genre mash-ups in my lifetime. But I think a danced documentary about a musician was a first for me. The focus of choreographer Jan Martens in his new dance solo Elisabeth Gets Her Way is the famous harpsichordist Elisabeth Chojnacka. The Polish left for Paris at the age of 23. There she set her sights on...
There is a huge amount happening in theatre, this summer, as many summer festivals have special corona editions where they show a lot of what was made in attic rooms last year during the forced closure of theatres. One such show was Die Hexe, by Club Gewalt, a fresh point theatre band/theatre collective that is/was showing at Theatre Festival Boulevard this summer. Nerd...
Think Pussy Riot, think Rammstein, maybe think Nina Hagen before she found Jesus and mix that up nice and fierce. Then you get something that is basically an insane festival act. Raging female punk in a beer- and smoke-soaked nightclub, ferocious moshpits full of people who really have something to dance out of their souls. It's all in there...
We don't look upward enough. Maybe we do a quick glance at the horizon to see if that shower is really going to ruin our terrace afternoon, but that's not looking for the sake of looking. And I was able to do that thanks to the people of BLOOS. In Bossche Zuiderpark, they have a...
Guilherme Miotto is artistic director of Corpo Maquina, an extraordinary dance company based in Breda and Tilburg. This year, among other things, he is at Festival Boulevard in Den Bosch with the performance Tak. A performance, stemming from an earlier project in an urban district of Den Bosch. Six women he worked with there now form an ensemble with whom he...
For a year and a half, there was hardly any playing, festival tents remained in mothballs and artists were busy doing living room concerts or attic sessions on Zoom. Now everything is allowed out again and the discharge is just barely there. Unaccustomedness characterises the fresh start of Theatre Festival Boulevard, which has moved to a park south of downtown Bossche for the next few years,...
This podcast is recorded in English. For those who do not speak the language, or who do not have time to listen to the full podcast, here are some quotes. 'Originally I didn't have a title. Someone came up with 'Born to' and then I thought it would be nice to put 'manifesto' after it. After all, it is about appearing,...
The uncertainty of the events sector and cultural institutions, after 17 months of lockdowns and one-and-a-half-month openings, is not only disastrous for the mood of directors, artists and spectators. According to the Creative Sector Taskforce, much more is being lost. In fact, a 'Marshall Plan' is needed to get the cultural and creative sector back on its feet,...
Naomi Velissariou (1984) was actually supposed to be at the Bossche Festival Boulevard 2021 with more performances. This year, her entire trilogy 'Permanent Destruction' would be performed in a setting like club rave. Fierce musical theatre, based on playwrights Sarah Kane and Heiner Müller, and concluded with the more subdued work 'Pain against Fear'. All parts have received rave reviews from audiences and press, but...
Theatre festival Boulevard is going ahead this summer, just like last year. Everything is adapted to 'corona': safe at one-and-a-half metres, placarded, with registration for catering, but still just about a hundred performances. In this podcast, I speak to Nina Aalders and Tessa Smeulers, responsible for Boulevard's programming. They remained at the helm after the much-loved and...
Down to the union, the message was shared: outgoing culture minister Ingrid van Engelshoven had allegedly gone overboard with her diversity policy and now wants to ban non-diverse art from universities. It was big in the Telegraaf and former cabaret artist Hans Teeuwen got a few hundred thousand likes with it on Instagram. Meanwhile, it has also reached the columns of Het Parool thanks to 'artist'
On the day that Mark Zuckerberg, CEO of the world's Facebook, announced his launch to the 'Metaversum', in order to trounce his collegatechies Bezos, Musk and Branson, who had only had a little sniff of the Universe, I attended the performance 'Never work again' by the Nieuw Utrechts Toneel in Utrecht Leidsche Rijn. In these times of lockdown and...
With his opinion piece in the Volkskrant, he drew the ire of gein manufacturers like Bert Brussen and Hans Teeuwen. In no uncertain personal attacks, 'Suck My Dick Zijp' was accused of having a 'gender-neutral rotten head', which showed that 'woke' people had no humour. Reason for the woke nerds, Marijn Lems and I, aka the...
It is a great thing that there are comedians who keep a finger on the pulse of society. Hans Teeuwen, for instance, has once again made himself angry. He has joined the small chorus of (mostly) men who see the end of the world coming because of a rebuttal. That is the rebuttal that now comes via social media
Girl gangs and sugar dating - these are the themes of Bambi likes you raw. Caroline De Mulder (44) wanted to talk about the violence of women rather than against women. 'I could work out the dark, aggressive sides in myself without bashing someone's head in.' Bambi's protagonist, 16-year-old Hilda, or Bambi, as her...
In this podcast, I talk to Marjolein Verhallen and Paul Adriaanse from Public Administration, Nanna Verhoef from Media and Iris van der Tuin from Philosophy, and artistic directors Lars Ebert and Jente Hoogeveen about what that is: leadership. And we talk about how you can learn it.
It is not only healthier but also more effective if, in our social institutions, we start making the transition from rigid control to learning processes and training sensitivity to the signals of the autonomic nervous system, the signals of safety and danger. It is relevant to embed this socially, for example in educational and care institutions.
The total of eight festivals that were given a place in the Basic Cultural Infrastructure thanks to vigorous political lobbying are in the clear. They do not benefit from the extra millions released by the Cabinet on Budget Day to rescue the Performing Arts Fund, because they are not (or no longer) covered by it.
Men of colour in public spaces have no value. Their lives and well-being mean nothing. Muhammed Ali said something about this very early on: 'We are not second class citizens, that would actually be great. We are last class citizens, just not human enough.'
With an average of two novels a year, the Flemish writer has built up a huge and unique body of work in over thirty-five years - he turns 63 this week, but the number of books he has written far exceeds that number. Interview with the man who writes faster than his shadow, in ten quiz questions. 'Well, I don't appear to be a connoisseur of my own work, do I?'
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