All about politics, policy, society and how those things relate to culture and art.
Dutch museums, partly due to the recent digital Museum Week, have been able to retain a large part of their audience. There is - reports the Museum Association on its website - a slight turnover though. And the hitherto loyal public will not find their way to museums automatically and to the same extent. But the picture is that the...
Many avid readers will dream of their favourite author sitting at their table one day, talking about her work. Perhaps just as many avid readers will take their dream author on a stroll, want to drink lamb on a café terrace or take them to a darkroom. Or to a classical concert at the Concertgebouw. All can be done. Some will even just...
TivoliVredenburg is a building like a festival. countless stages, bars, a café and a restaurant, hundreds of people at work, thousands inside on a night. I always came there too little. But when I did get there, it was a party. A building run by and attended by super-motivated people with only one goal: as much music as possible for as many people as possible. Until...
Recently, US geopolitician Joseph Nye1 drew attention once again to the fact that transnational culture is one of the great forces of the European project. For those looking at the European Union from the outside, this common culture is evident, but we, citizens of the Union, are less and less aware of it. Moreover, we tend to...
In the coming weeks, you can enjoy the following livestreams at Concordia: Storyteller, Shaffy, Next Generation, Most Beautiful Songs and Cameretten finalists. More information about the performances below. BOI AKIH - Storyteller Theatre programmer Ellen saw this band at Podium Witteman a while back and thought it was so cool that she immediately booked them. Especially for this evening, there will be a...
'We think we can think diversely, but ultimately there has to be an exchange in that thinking. Then you also have to let other perspectives come in. So you don't have to come up with it all by yourself.' Samora Bergtop has views on theatre criticism and how it could come out of its white bubble. Marijn lems and yours truly enter the conversation
A night walk where, for once, it is not about talking to each other, or exercising the muscles, but about being very aware of where you are. Mindfulness as a theatrical experience, then, and if all the coronagraph remains against us, the only part of the Holland Festival that can go on live because of sufficient distance and outside. It needs to be that bad...
From 3 to 27 June 2021, the 74th edition of the Holland Festival will take place in and around Amsterdam. This year's associate artists are American-Japanese composer Ryuichi Sakamoto and French-Austrian theatre-maker Gisèle Vienne - notable artists with broad interests, as evidenced by their collaborations with Hollywood directors, techno artists, visual artists and rock bands. During the...
Is the government generous and generous for once, it's no good again. You could say that after I received questions from various quarters about the corona grant for free productions announced by the Performing Arts Fund last week. The amount in question is €27 million, for a total of 251 producers, so an average of a tonne per application. With that...
A strong cultural sector has an important economic and social driving function. Culture not only contributes positively to mental health and well-being, but is also an important building block in the recovery from the current corona crisis. To maximise this booster function, almost 500 million extra per year is needed. This is the conclusion of the Council for Culture in a letter to informateur Tjeenk...
'The task force is critical of the costs and the course of events surrounding the assignment to the Open Netherlands Foundation. Parliamentary questions have now been asked about this; we await the minister's answers to these.' So it is somewhere at the bottom of Kunsten'92's weekly update, but it is clear. That whole pilot with quick tests evokes rather mixed feelings. The interest group...
Stage poetry is usually held in lower esteem than written poetry. While stage poets can touch so powerfully. Only during the Night of Poetry, every year in Utrecht, do we honour the performers among the poets. Then it's back to the 'jokers' who can rhyme, as was recently written about Ingmar Heytze in a podcast announcement. Spoken Word, the...
What we feared at the beginning of the coronasteun appears to have become reality. The generous support money for culture should also reach the small self-employed in the arts via the institutions, but that is now happening too little. Of course, there are fine examples, such as the large subsidised arts institutions in Groningen and festivals like Boulevard and Holland Festival that have self-employed...
Hundreds of people hosted, boozed and flirted in the Flevopolder this weekend. As of old, in fact. Were we witnessing a cautious advance for what awaits us later this year, or was the Back to Live experiment an ultra-short flare-up of a life that is far from within reach? Either way, some 3,000 people experienced a...
Dear outgoing Prime Minister Rutte, Dear Mark, In my capacity as a self-employed person working in the performing arts, I am writing you this letter. This is my first letter ever about the situation of the cultural sector, culminating in corona time. First by way of introduction: we met when I played a Scarlatti sonata especially for you at the TV programme Podium Witteman, and also...
The United States of America has spent $18 billion (€15 billion) on coronasteun for the arts. That is more than any other country in the world and quite remarkable for a country not famous for arts funding. France is second, with an aid package worth $8.3 billion (€6.9 billion). hefty sums, where the 1.8...
The party may be the biggest loser in the parliamentary elections, but Melody Deldjou Fard is not sitting back. Now that is a bit the standard response of politicians when they face defeat, but Melody's enthusiasm is convincing. We invited her to the podcast, as she was a contributor to Culture Press before she turned...
Even in corona time, there is plenty for a culture consumer to enjoy. Take last week. On Sunday (before the big snow started), my wife and I took a walk to downtown Amersfoort. There, a stall not only sells the city's tastiest Latte, but there are also a few....
On social media, and in mainstream media for that matter, it is not helpful to be overly clever. The adage of my father, who was a journalist and taught me not to be afraid to ask stupid questions, has been elevated to a code of honour. You only have to watch 15 minutes of Op1, or WNL on Sunday, and you make...
'There is no other sector in the Netherlands that is as controlled and regulated as the cultural sector.' D66 MP Salima Belhaj sighed this towards the end of the debate organised by the assembled cultural sector lobby clubs on Monday 8 February. 'It takes an incredible amount of work, time and especially money. And the basis is distrust.' The most culture-friendly party of...
We stelden hem een aantal vragen naar zijn ervaringen en invloeden. Wat is jouw ervaring met animatie tot nu toe? ‘Als kind tekende ik graag strips. Ik maakte met een vriend de strip Kaas-Trek, een soort persiflage op Star-Trek, en die verkochten we dan aan klasgenootjes en daar kochten we snoep van. Who framed Roger Rabbit herinner ik me als…
Critics by default have a different opinion than the average audience. That, says Marijn Lems, theatre journalist at NRC and Theaterkrant, is what this research shows. Reason for us to take a closer look at this in the Culture Press Nerd podcast on the deeper details of the art journalist's profession. Another three-quarters of an hour for anecdotes and exciting revelations about the private life of the...
News arrived this week that Andreas Fleischmann, the highly esteemed director of Amsterdam's DeLaMar Theatre, has now officially become director-director of Stichting MusicalMakers, the foundation he had set up last year, a day before the deadline for grant applications for four-year state funding. And that is not allowed.
People will not be eager (in large numbers) to go to packed halls again. Many 'old' culture visitors can be considered lost. The cultural sector faces a twofold challenge: to minimise this loss and to look for new audiences even more than usual.
To get a subsidy in the Netherlands, you have to jump through a lot of hoops. Every farmer knows that, and so does every artist. In the cultural sector, for instance, it is important that you have a form of organisation that is controllable and approachable. You cannot have a profit motive either. That is why you can usually only apply for funding as a foundation, so you have statutes, a board and a...
English (UK) 
Nederlands 
Français
You must be logged in to post a comment.