With text, movement, actors, sets.
Topicality is back in the Dutch acting scene for a while, and that is quite nice. De Verleiders, once started as a one-off play about fraudulent bosses by George van Houts, is now growing into a voluminous series. On TV, we have the series De Fractie, which manages to recreate the news of the day every episode in...
In early March, The Great War Machine, the new play by director Joachim Robbrecht, premiered at Theater Frascati. A week earlier, at the Rotterdam Schouwburg Swamp Club to be seen, by French director Philippe Quesne. Both performances address the current political climate. Whereas Swamp Club is explicitly silent about the world it calls into question, The Great War Machine is instead a rhetorical spectacle, constructed from quotes from TEDtalks. Both performances make mechanisms felt, rather than pointing out culprits. Voluntarily withdrawing or being shut out, the neoliberal order does not seem to allow much more choice. There is no question of resistance.
Will Ivo and Jan join this impressive list? Laurence Olivier, Ralph Richardson, Joan Littlewood, John Gielgud, Alec Guinness, Peggy Ashcroft, Harold Pinter, Peter Hall, Judi Dench, Alan Bennett, Andrew Lloyd Webber, Alan Ayckbourn, Maggie Smith, Gillian Lynne and Michael Frayn. All big names of British theatre. International celebrities, all of whom have been awarded an Olivier, say the British...
100 Dutch plays were presented to them, the 224 Dutch heavy users of our theatre seats who took part in a survey by the Amsterdam Institute for Theatre Studies. Plays that ranged from fairly well-known, such as Herman Heijermans' 'Op Hoop van Zegen' from the beginning of the last century and Joost van den Vondel's 460-year-old tragedy 'Lucifer', to completely unknown, such as...
To call the epic about America in the AIDS era a modern classic is an understatement. Since 1993, the play has been performed all over the world with great success. HBO turned it into a disappointing miniseries, Péter Eötvös a completely unsuccessful opera. Toneelgroep Amsterdam recently celebrated triumphs as far away as New York with a five-hour version stripped to the bone, partly prompting 'Meppel-gate'. Director Marcus Azzin has been waiting 20 years to give his vision of this theatrical epic, and at Oostpool he now gets the chance, with a cast that includes only top actors.
The play 'Heart' is one for your bucket list. In other words, the play 'Heart', created by Matzer Theatre Productions as an adaptation of Lisette Lewin's book 'Heart of Barbed Wire', is a play you really must have seen. Why? I'll give you 4 reasons why. 1: The book is no longer on sale Lisette Lewin wrote a book in 1992 that...
Homer's epic Odyssey tells of Odysseus' journey home. For centuries, the story has roamed the world. Each time it was different people who heard or read it. The story took on new colours, accents, interpretations that Homer could not have imagined. And now there is My Private Odyssey by Club Guy & Roni and tanzmainz. This dance and...
There will be another Bambierambam. Every few years, the two core members of theatre group Bambie (Jochem Stavenuiter and Paul van der Laan) and guest actors move into a theatre in the Netherlands for a few days to re-enact some old shows.
The children introduce themselves one by one. They build sets, make music and play scenes. A catastrophe is imminent. They speculate loosely: will it be a nuclear or biological attack, a plane or a missile, a tsunami or a bombing? In Next Day, shown last weekend at Theatre Frascati, they rehearse an attack by 'aliens'. That...
Toneelgroep Centrum, Utrechtse Theater Inititatieven, Jeugdtheaterplatform Utrecht, Theaterplatform Utrecht, De Paardenkathedraal, De Nieuwe Paardenkathedraal, De Utrechtse Spelen. The ostentatious names for Utrecht theatre companies had run out of steam over the past 30 years. Not entirely unexpected, then, that the city theatre company of the Netherlands' fourth city opts for sobriety and clarity. Since Sunday 11 January, 5pm, De Utrechtse Spelen has been called...
After the annual lists, the recommendations for the new year. All dailies participate in it. Problem: much is not yet known. Festivals and companies present their programmes sometime in February, March. So we cannot yet give the tips for the whole of 2015. But we do have the tips for the coming month, in chronological order, because ranking performances we still have to...
It's raining annual lists and we're merrily joining in. As subjective as anyone, after all, no one sees everything, and opinions on taste can always differ. Of course, also in this list many performances in or from the Randstad, but half of them were not yet shown there. And all genres mixed together. As long as it is theatre. With the only limitation: no repeats, apologies Ring and Lohengrin (DNO), St John Passion (NRO). And no dance, because for that our partner dance audience.
Eric de Vroedt will succeed Theu Boermans at the Nationale Toneel in The Hague in 2018. The company announced this in a press release today. This puts an end to speculation surrounding the future of theatre-maker De Vroedt. Indeed, he had long been mentioned as Alize Zandwijk's successor at the ro Theater in Rotterdam,...
What does the theatre of the future look like? That question Odeon De Spiegel Theatres posed to the FMT Workforce, the online brainstorming environment of our partner Fast Moving Targets. We also brought the message here. Odeon and De Spiegel are two theatres in Zwolle. Well-run theatres, but always looking for the new opportunities offered by new technologies and developments....
Georges Vermeersch comes home early from prison, where he was serving a sentence for incest with his daughter Christiane. In the meantime, his wife Jeanne has had a child by younger neighbour Erik. So how to move on? Casper Vandeputte directed an intense, haunting version of Hugo Claus' play Friday at the Nationale Toneel. Lead actors Stefan de...
Voor de meeste kunstenaars is het een ideaal. Vertegenwoordigd worden door een galerie. Schrijvers hebben hun zinnen gezet op een contract bij een uitgeverij. Muzikanten kijken verlekkerd naar labels en theatermakers staan in de rij voor een impresariaat. Makers hebben een haat-liefde verhouding met zulke bemiddelaars. Want hoewel de gemiddelde creatieve professional wel een teen zou willen missen in ruil…
Twenty-five per cent of people have a room they can no longer enter because it is too full of stuff. This is oppressive and it is no wonder that some resort to the other extreme: radical consumerism. In TROEP, theatre group Firma MES follows Barbara, a woman who wants to live with no more than eight objects. Just like Buddhist monks. This results in a delightful, witty play that is seriously thought-provoking and shows how giving up can become just as oppressive as keeping it.
First story. A naked king crawls at the feet of a woman. She is much taller than him, a goddess. High above him, she holds a bunch of grapes in her hand. Hungry he is! He wants those grapes, all of them. His body is vulnerable. It seems to shiver in the open air. But when it comes to the coveted food, he fetches...
You could wait for it. Meppelgate. Marieke Heebink, top actress with Toneelgroep Amsterdam, had the audacity to say in the newspaper that she is happy to be in a sold-out 'Angels in America' in New York. "Thank God I don't have to go to Meppel" she says. Aj. Aj. How dare she! That's guaranteed to get angry reactions. And not just from Meppel....
The National Theatre will premiere Blueprint for an Even Better Life on 8 November 2014, which addresses, among other things, the position of artists in society. A theme that also featured in their recent Tasso, and in Toneelgroep Amsterdam's successful The Fountainhead. Is the subject of art back on the theatre agenda due to the changed cultural politics of the past...
Previously, her performance allowed her to think heartbreakingly through love, infatuation and heartbreak. Now her performance is about love in the broadest possible sense. Earlier, she made theatre in which she wrestled with questions. Now she shows that struggle much less and shares the answers she has found with the audience. Earlier, she could still claim...
Wijbrand Schaap: 'Just one more point. Then we're almost through.' Joop Daalmeijer: 'Continue quietly, we have until half past five.' Wijbrand Schaap: 'We have a problem with real estate. A lot of inner cities are empty. Shop premises are empty, downtown office buildings are unrentable. What do the municipalities say? Put artists in them. Cost nothing, because for free rent they do...
Wijbrand Schaap: 'Now on the role of cities. One of the reactions on our site is about the role of the randstad in cultural policy. Melle Daamen puts the primacy in the randstad, and goes further than the council in this.' Joop Daalmeijer: 'The council has no position yet.' Wijbrand Schaap: 'But there is something in the Culture Outlook. Cities form...
This Friday break on Radio Futura members of Dood Paard and tg STAN are fretting over what art is, and how much it should cost.
Sunday is the Gala of Dutch Theatre. In a sober yet festive setting, the theatre sector celebrates the fact that it still exists. Quite an achievement, even if the minister doesn't think so. Be that as it may. We are going to present awards. And not Oscars, Olivers, or Césars, but Louis, Theo, Colombina and Arlecchino. How that came about? Tradition....
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