Things we do for members and partners.
He is the greatest director in the Netherlands. But also the least honourable theatre-maker we know: Johan Simons. The man whose star has been rising since the 1980s is now in Munich. But he is not staying there. After putting the local company Kammerspiele even more firmly on the map internationally, he is looking for new challenges. Den Bosch earlier reported...
We are talking about the summer of 2015. Then Benedict Cumberbatch will play the title role in Hamlet, to be seen at the Barbican Centre in London. For the show, which plays for 12 weeks, 214% more tickets have already been sold in the first few hours after ticket sales opened yesterday than for Jay Z and Beyoncé's tour, which is on the same...
Er is al heel veel gezegd over Robin Williams. En waarom het erg is dat hij dood is. Blijft over het beeld dat de beste humor niet zonder een inktzwarte achtergrond kan bestaan. Humor is dan een ideaal middel om je duistere kant de baas te kunnen. Hoe duisterder, hoe meer humor, dus. Stephen Fry spreekt over de extremiteiten van…
Flemish actors can speak. Flemish actors usually don't need microphones to make themselves understood over a storm, or from 100 metres away in the open air. Charlotte Caeckaert is one such actress who can do all that, and such technique is a joy to witness. She also writes lyrics, and that's where things go a little wrong....
Two actors who, together with their director, want to create a performance about loss. Or rather: our fear of losing things, or people. The makers are not quite there yet, it turns out at Theatre Festival Boulevard. From numerous conversations with thinkers and (experiential) experts, they have distilled characters while improvising, which they - separated by a thick...
Nerd theatre with electric dings and funny little mechanisms. I love it. Seen something on a construction scaffold in the last century with a starring role for taunting bench sanders and droning derricks. I was hoping for something like this with Studio Gebroed's 'Days', but was a little disappointed. The premise is fun, of course: we follow a creator who, in a few days like this, creates a very nice...
There were people who simply looked in the kitchen cupboards even though the guide expressly forbade it. That type of person, who probably also asks for ketchup at every meal, was one of the more interesting discoveries during the walk you could take in den Bosch, titled 'Peeping'. The performance is an example of 'experiential theatre': theatre without a clear storyline or message,...
It is the most ambitious summer festival in the Netherlands: Festival Boulevard in Den Bosch aims to showcase not only the finest theatre theatre theatre in the low countries, but also the fattest shows, and youngest new creators and the merriest bus drivers. And all that in 10 days, in once tad where the local newspaper does its best to promote culture as scary as possible to make. We briefly summarise it for you in eight enticing words.
The difference is just an 'h'. But confusing it is. This week, the rock opera 'Oh That Sea' premieres in Zeeland. In a month's time, the spherical location performance 'Oh Die Zee' will launch in The Hague, just as the Zeeland show is having its final weekend. The performances are both also about the Odyssey, the classic Greek epic about a Greek hero who, after destroying the city of Troy, takes 10 years to return to his own city, where he then has to kill 100 more lovers of his wife.
Being able to write nicely is fine, but the journalists at Culture Press can do more. They have studied to be art experts, spent thousands of hours in rooms and halls that even you didn't know existed, and possess enormous drive. How else could this website exist?
He could have become an important director, but was at the wrong time, in the wrong place. In the end, his illness fatally bothered Matthias Mooij. Yesterday, this still young theatre-maker died of lung cancer, more than a year and a half after the premiere of his first large-venue production: Mogadishu. With that performance, of a play written by the English writer Vivienne Franzmann, Mooij put a new tone in the theatre: no longer did he fall back on theatre-familiar, mainly German and Austrian repertoire, opting instead for British authors.
About the same time as the train from Donietsk to Kharkov arrived in my mailbox yesterday, a press release from the Manifesta. Our cultural pride in St Petersburg. These weeks, the Dutch festival is organising an audio tour of Rimini Protokoll, the renowned highly political company from Germany. Oh. And, as a third item: there is a conversation tonight about what the Biennale is capable of in times of political turmoil.
For the past few weeks, academies across the country have been celebrating: a new batch of visual artists graduated and showed themselves to the world. Besides parents, grandparents and a few friends, a lot of art professionals descend on such a graduation presentation. Scouts, in the form of other artists, press, curators, collectors and gallery owners. All these people especially hope not to miss the new discovery and therefore try to be there as early as possible. In some cases, that is even before the artist graduates from the academy. If the talent does not develop as expected, it is a pity, but otherwise you are the discoverer. We join in for a moment, and sought out 22.
Who can tell the story of Deventer? Apply. And if you manage to convince the committee, you can touch a nice salary for three years. As director of the first museum production house in the world.
In just over two weeks, the NJO Music Summer, with more than sixty-five concerts performed by young musicians, spread across more and less obvious locations in the province of Gelderland. One hundred and sixty young people flocked from all over the world to show their skills from 1 to 17 August. Anyone staying in Gelderland at that time could not possibly miss their presence.
'The practice of payment by book voucher does not belong to a professional sector with substantial economic importance.' Jeffrey Meulman, director of the Dutch theatre festival, has learned to live with it. Against his will. As host of the annual Gala of Dutch Theatre, he has managed to organise that party again. Without money.
Because of my fascination with the complex relationship between listening and watching, I decided to visit three performances at the recent Holland Festival and experience what happened when I tried to pay equal attention to ears and eyes. The first was "Delusion of the Fury" (1966) by American composer Harry Partch, the second a concert performance of Philip Glass's opera "The CIVIL warS" (1983), the third a performance of Franz Schubert's "Die Winterreise" (1827) in which twenty-four short films by South African artist William Kentridge were shown.
Princess Beatrix can take a punch in contemporary theatre. Just two years ago, she was in the audience (as queen) at The Life & Death of Marina Abramovic, and this year at The Crimson House by Lemi Ponifasio / MAU. Just about one of the most radical - because loud, raw and rather unfathomable - performances of this edition of the Holland Festival. We didn't quite get there, by the way, but
Is a performance opera if not a note is sung? If the audience sits on a stand in a car park with headphones on their heads? Or if a man cries out like a dog with a tongue out of his mouth throughout the performance? The definitions of opera are stretched quite a bit at five Oerol performances. Interestingly, hardly anyone calls the performance opera. By necessity, musical theatre is often used, but that term does not really fall into a warm bath.
Ivo van Hove has not only a play made based on Ayn Roland's novel of ideas The Fountainhead. In 2006, the artistic director of Toneelgroep Amsterdam even wanted to base a whole new design of the theatre system on it. Eight years later, we can see that only the negative aspects of Van Hove's vision have been realised.
When someone speaks in sentences with words that repeatedly rhyme with 'art' or in which the syllable 'art' keeps popping up, you have to adjust to a different logic than that of everyday communication. If it is also a woman dressed in bright red who pronounces those words eloquently and with many mannerisms, suggesting that she is hyper-sensitive to anything to do with art, your thoughts balance between:
In Rome, they have known what good food is for 20 centuries or so. Bloodletting is everything. Seneca, a Roman of the better sort, wrote plays that elevated bloodshed to an art. Audiences feasted on them, just as they feasted on Seneca's recipes in Shakespeare's time, 1,500 years later, and as we feast on Game of Thrones on TV now. It can't be gory, can't be cruel enough. We like that.
From 2007, video artist Matthew Barney (The Cremaster Cycle) and composer Jonathan Bepler on a free adaptation of Norman Mailer's most maligned book Ancient Evenings. To Mailer's mythology of ancient Egypt, they added the equally mythical American automobile industry in an ambitious and operatesque film project with a demanding length of 5 hours 11 minutes.
From February River of Fundament on world tour and the Holland Festival
After impressive retrospectives dedicated to John Cage (2012) and Edgard Varèse (2009), the Holland Festival this year put Venetian composer Luigi Nono in the spotlight. Under the title 'Trilogy of the sublime', the imposing Gashouder was the epicentre of three full-length concerts, short 'Nono interventions' sounded in the Rijksmuseum's subway, a two-day symposium was organised around Nono, and his widow Nuria set up an exhibition entitled 'Maestro di suoni i silenzi'.
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