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'The European is an orphan' - Milo Rau on The Dark Ages #HF16

Swiss playwright Milo Rau created a theatrical trilogy about the demise of the European ideal. The second part The Dark Ages is now at the Holland Festival. Rau combined his actors' painful, personal life stories with themes from the works of Chekhov, Shakespeare and the Greek tragedies. With a Freudian sauce: 'Countless people who are The Dark Ages have seen ask me: 'Milo, is something wrong with your father?'

Ça Ira: political theatre with the allure of House of Cards #HF16

Over four hours long Ça ira (1) Fin de Louis, a performance by French director Joël Pommerat, to be seen this weekend at the Holland Festival. He reconstructed events in France between 1789 and 1794, better known as The French Revolution. What begins as a sometimes hard-to-follow, animated history lesson culminates in an impressive 'whodunnit', balancing between re-enactment and live television.

As long as the government sets a bad example, citizens will give nothing

Marketing strategist Halbe Zijlstra has failed. His valiant attempt to use a 'Giving Act' boosting donations from small individuals to arts institutions has backfired. Since 2011, contributions made by ordinary households to cultural institutions fell from 32 euros, to 28 euros on average in 2014. This is according to the survey 'Cultural institutions in the Netherlands: Changes in giving behaviour, donations, fundraising and income between 2011 and 2014', which was presented in a small gathering on Friday 10 June.

'Poetry is always political'. Poetry International explores 'framing'

Is the language of poetry still free from ideology and manipulation? Or is it nonsense to think that poetic language escapes framing, the ideological loading of words? That is the main theme of this year's Poetry International poetry festival, which kicks off on Tuesday 7 June.

Choreographer Jan Martens on Spring: 'I hold my heart every time, how it turns out'

Choreographer Jan Martens' new performance, The Common People, is on show in Utrecht this weekend during Spring. Dozens of volunteer performers have a blind date on the stage of the Stadsschouwburg's main auditorium. The audience can walk in and out between performances, drink a beer for the duration of one or more duets or browse on the back stage and... 

Interview Jiří Kylián on Free Fall in Korzo

Jiří Kylián: 'The silence of a photograph, I love that'

With Free Fall, Jiří Kylián shows his photographic works for the first time. He talks enthusiastically about his discoveries, his inspiration, and Sabine. The house in The Hague where Jiří Kylián has lived for more than 30 years radiates joy of life. Warm colour tones, fragrant flowers, classicist furnishings yet cosy. Unmistakably the 'touch of a woman.' That woman is Sabine Kupferberg, the life partner and... 

Movies that Matter: 'feel bad' films make a 'feel good' festival together

These are bleak times. A few days after the opening night of the Movies that Matter festival (MTM) in The Hague, the world was rocked by the attacks in Brussels. For an event that focuses on human rights issues, a sign that the violent consequences of international conflicts seem to be getting closer. This raises the question of whether an audience that is... 

NRC in error: Daan Roosegaarde is not a thief because Ger van Elk is not unique

This Daan Roosegaarde is said to have made a huge fool of himself again. In any case, NRC Handelsblad reported that the man, who is under fire for not naming sources, has again committed plagiarism. For his contribution to the DWDD pop-up museum, a wildly successful thing by the world's fastest culture programme, he hung a whole row of seascapes in a room,... 

What is the relevance of contemporary dance?

Last weekend's workshop The Relevance of Dance, organised by Dansmakers Amsterdam and the European Dance House Network, sought to answer the question: What is the relevance of contemporary dance art for audiences? Suzy Blok, general director of Dansmakers Amsterdam, opened the atelier by talking about the desire of production houses to bring dance more to the... 

Still a shame about those critics! 1 reason to buy the new Boekman.

Is there any reason to buy the magazine 'Boekman 106′? For me, yes, although I should immediately throw a magazine that claims to be the Dutch forum for art, culture and policy into the dustbin for displayed arrogance. After all, with a circulation of only 1400 copies, and appearing four times a year, how can you give yourself such a... 

#OscarsSoWhite? Yes. But Europe is no better.

Things have been rumbling in the film world for some time: Why is the silver screen so, er, white? And where are all the women anyway? #OscarsSoWhite but also #OscarIsADude! Many people in the industry have already expressed their displeasure at this. At the previous Oscar ceremony, actresses aimed their arrows at equal pay, or rather, the lack of it. This year, many an African-American actor and... 

Hieronymus Bosch: five hundred years dead and alive at the same time

Hieronymus Bosch is back. With a special exhibition in Den Bosch - in case anyone has forgotten - and with enormous attention. The exhibition is widely acclaimed and star-studded. It is already being called 'the exhibition of the year'. Newspapers were full of it, documentaries filled the TV screen and the opening was... 

Musicians pay to save their orchestra. TV programme Maestro helps a little.

The Orchestra of the East is cutting its coat of arms, focusing primarily on Overijssel and has applied for collective redundancy. This - and a whole lot more - can be read in the new business plan. It is enough for the province to release a one-off €1.1 million and make 3.5 tonnes of annual subsidy available again from now on. The... 

One hundred artists exhibit art for low prices in Enschede

The world of art buyers is the world of 'somewhat older buyers'. The national art initiative We Like Art - a website that informs about buying art - wants to change that and tries to reach a different audience. It wants to get younger art buyers interested in buying art. Since many people do want to buy art,... 

Greeks at Rijksmuseum of Antiquities, photo Mike Bink

Mere masterpieces at reopened National Museum of Antiquities

The Rijksmuseum van Oudheden (RMO) in Leiden reopens on Tuesday 15 December after a major renovation and asbestos remediation. The museum immediately unpacks with a completely revamped Classics department: Greeks, Romans and Etruscans. There are also three small temporary exhibitions. Anyone entering the hall of the museum will not immediately notice any difference: fortunately, the Egyptian Taffeta temple is still just standing on... 

Theatre sector: "Municipalities, stop building theatres!"

Always nice when someone sets up a committee to solve all the problems. The Dutch theatre sector did just that a few months ago. Led by former minister Guusje Ter Horst, Rinda den Besten (former Utrecht alderman), Sadik Harchaoui (Forum) and Ryclef Rienstra (VandenEnde Foundation) examined what could be better in the relationship between theatre and the... 

'Give the people a say in arts policy'

Since the financial crisis and subsequent cuts, the cultural sector has been forced to legitimise itself. Scientific research has to demonstrate the social outcome of art and culture. To assist the cultural sector in this, the Landelijk Kennisinstituut voor Cultuureducatie en Amateurkunst (LKCA) therefore started the so-called 'fact factory', a numerical overview of key data and developments in the... 

Orchestra of the East reinstated: HET Symphony Orchestra has 'new' name

From Dutch Symphony Orchestra with international ambitions back to provincial orchestra with as yet nothing at all. Now, except for the ironclad original name. It could be a commercial for Telfort. In between are many lost lawsuits, the grotesque protest name *****Symphony Orchestra and the equally garish HET Symphony Orchestra. It is the ultimate capitulation of the once by just about everything and everyone... 

The disaster surrounding the eastern orchestras only intensifies. A reconstruction

A damning report by organisational consultancy Berenschot, the voluntary or involuntary departure of director Harm Mannak, repeated bickering in the State Assembly and panting reports of high salaries for directors and artistic directors, all the way to the national newspapers. It marks the chaos at HET Symfonieorkest and the lack of any form of direction, not only at the orchestra itself,... 

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