Rotterdam and theatre, quite tricky. I should know, I was born there and it was a subject of several working groups during my Theatre Science studies in the 1980s. Since the last theatre reform, a merger in which independent performers would work together to provide all the special theatre in Rotterdam, but...
When Jeffrey Meulman (52) took office as director of the Theatre Festival in 2005, it needed to become more audience-friendly. Instead of a presentation of 'the most important theatre', the board that appointed him wanted to make a celebration of the most beautiful theatre. Meulman went to work, successfully, but the most important thing he did was to establish a 'fringe': an alternative...
Titled "Keep the theatre on the square!", the PLEIN THEATER has started a petition! And calls on culture lovers, visitors, local residents and anyone with a heart for PLEIN THEATER to sign for the survival of the theatre
Let's just start with the good news: De Staat is a regular fixture in the Netherlands from now on. And so we are talking about the band De Staat. Who make fantastic music videos these days. They have been promoted from a four-year grant with the Performing Arts Fund to a four-year grant according to the Cultural Basic Infrastructure (BIS). With 55 other newcomers. All weighed...
'If you can put only a quarter, or even less, in a hall that normally holds 600 people, then the tickets do become very expensive, because your costs don't change. Then my popular heart starts beating again: should we really want something so elitist?' Bernard van Gellekom is an important figure in the Amersfoort pop scene. In his home...
'The world around us is changing, after this period we will speak about a period BC and AC'. Words from a wise dance maker from the Hofstad, referring to the period before and after the Coronavirus. However, you can also relate it to the news from the Hague dance world. What is the news? Sol Léon and Paul Lightfoot decided that...
'Heinz' and 'Buñuel in the Labyrinth of the Turtles', both out on 18 April, signal an important development in the field of feature-length Dutch animation. A breakthrough is in the air. On stubbornness and co-productions, Anne Frank and Miss Moxy. And what else is on the horizon.
The heritage sector is not the sexiest sector of the Dutch cultural world. Even though nude exhibitions are flying around your ears this season, you're more likely to think of obscure museums, monuments, stamp collections, old stuff. This is how it happened that the Digital Heritage Netherlands Foundation could exist for almost 25 years without anyone in the 'more popular' arts (stage, film, literature)...
Water and dance have agility in common. Yet there is much more to be gained from this interface. Two choreographies in the New Adventures series give audiences a water experience that is both playful and reflective. Under the title New Adventures, Dansmakers Amsterdam presents work by selected dancers and choreographers that they created during a four-week study residency at the production house,...
Is production house Dansmakers Amsterdam losing its housing? Together with other institutions in the dance sector, it has made every effort to align and further develop the whole spectrum of dance facilities in Amsterdam. In 2018, for example, the joint plan Danswerf was developed and submitted as an application for a two-year development grant to the Amsterdam Fund for the Arts (AFK)...
'Culture is about stimulating, fraternising, challenging. Then there is no difference between corso and ballet.' Says Thierry Aartsen on Friday 16 November in the Volkskrant. Thierry who? Thierry Aartsen, the one who will be speaking on culture at the VVD in the coming months. In the coming months? Yes, because VVD culture spokesmen are usually appointed for one or two debates, after which...
Whether the artists performing on DWDD got paid for their performance. Esther Ouwehand of the PvdD did not know. She was not the only one, at the roundtable session on Wednesday 25 April on the labour market in the cultural sector. None of the MPs, fund managers, trade unionists present knew. So we asked on facebook and twitter how it was even done....
'I once performed in front of a hall somewhere in the middle of nowhere, with a lot of old people. The performance was announced as cabaret. But my work does not fall within one particular genre. Because of the designation 'cabaret', the audience had expectations that I did not meet. People wanted a fun, entertaining evening. My performance was rebellious, energetic. I jumped all...
In contemporary dance, artistic leaders are often in place for decades, at least in the Netherlands. This week, Leo Spreksel announced his departure from Korzo, as of September 2017. After 29 years, the director and programmer of dance at the theatre and production house in The Hague is calling it a day, because "in the Netherlands, commercialisation pushes away the voice of artists: procedures and formats are...
Het Veem is a small but important theatre and unofficial production house overlooking the Houthavens in Amsterdam. The house has long been home to internationally operating contemporary performing arts. A place where the artist and his or her experimental work are still central. Since Anne Breure became director in 2014, it bears the addition House of Performance. With...
'Not only work has disappeared, but also knowledge and craft - the whole perspective is disappearing. While the Netherlands as a dance country was renowned in the world precisely because it had the luxury to research, to build, to stimulate.' Ronald Wintjes, the brand-new director of De Nederlandse Dansdagen, worries. What about the future of dance?....
This play is going to cost me a lot of friends, but it needs to get out. After all, the theatre industry is doing badly. And I can see more and more clearly where that is due to. And for once it's not Halbe Zijlstra. Or the VVD, or the population, or the Netherlands in general, or the zeitgeist. And it's not because of Netflix either...
Today, Amsterdam Dance City sent a fire letter to funds and policymakers. Because things are going hard in the wrong direction with talent development. Especially independent choreographers lose out in the new subsidy plans. While these artists are already struggling to survive. Their own economic situation is hopeless and there are no good independent facilities to stage performances.
While things are rumbling in the Amsterdam dance and performance world due to a total lack of solid support for development and experimentation (see Alarm Letter), choreographer Ola Maciejewska is showing the impressive Bombyx Mori at Veem House of Performance this weekend. Maciejewska is a fine example of a talented maker who has taken refuge elsewhere because of the crumbling art climate in the Netherlands. After...
When you go to a concert, you think about the music, the ensemble, the soloist and/or the conductor. Maybe you look up something about the composer but you never think about the programmer who made the concert possible. Astrid in 't Veld is someone who thinks about the range of concerts on offer years in advance in order to help you with...
The Amsterdam Fund for the Arts would love a central 'vibrant dance venue' in Amsterdam. But surely such a Dance House has just been torpedoed? It was striking: in the Introduction to Dance to the grants awarded by the Amsterdam Fund for the Arts (AFK) for the 2017-2020 grant awards, they note an "ardent need" for a "dance house": a central place for development, production and the...
Diversity in the Amsterdam art world is not yet flourishing. The Amsterdam Fund for the Arts, which announced its grant awards today, is getting a bit tired of it: "Across most disciplines, committees note that cultural diversity of audiences, staff and governance is disappointing, as are efforts to change this. Outside specialised organisations for which cultural diversity is a core business, ambitions are still not high, despite two decades of cultural policy in this area. If the ambitions are there, organisations do not always manage to give them hands and feet. There often seems to be a certain discomfort or 'not knowing how'."
So to start with the good news: Marmoucha grows 398 per cent compared to the previous grant round. The capital's producer and promoter of performing arts in the field of North African and Middle Eastern arts and culture in the Netherlands was severely cut back in 2013, but the Amsterdam Fund for the Arts found its work over the past four years to be so good that the grant has been more than deserved. In the new round of awards which became known on 1 August they rise from 25,070 euros to a tonne, adding that perhaps they should not be so ambitious.
Go ahead and express Nietzsche's book Also sprach Zarathustra in dance. But Brazilian choreographer Samir Calixto can do it. By focusing on a poem from the complex book: the Song of Midnight. This is immediately the reason for the title M: Midnight. Or Mensch, or Myth. Or Mahler. Or Metaphysical. You...
Champagne at BAK in Utrecht, deep disappointment at The New Institute in Rotterdam: the Council for Culture has spoken. Today, Thursday 19 May 2016, the first advice after the draconian art cuts by the first Rutte cabinet came out, and heads are rolling. Amsterdam loses prestigious presentation institution De Appel, in The Hague fellow institution Stroom has to redo its homework. The Orkest van het Oosten and the Gelders Orkest have to come up with merger plans within two years. In Utrecht, the city company Theater Utrecht will no longer receive funding despite artistic appreciation. Het Zuidelijk Toneel in Eindhoven Tilburg must make new plans and Opera Zuid must quickly raise its artistic quality. These are the main conclusions of the Culture Council's opinion.
As dramatic as some of this may sound, the advice is actually not, when you look over the whole battlefield. Thanks in part to
On Monday 14 March, Theatre Rotterdam will present its plans for the upcoming arts plan period. On Thursday 10 March, Bianca van der Schoot already told about it during a public meeting with a class of Utrecht theatre scholars. What became clear from her story is that she has little desire to start bringing world repertoire with the old Ro theatre share in Theatre Rotterdam. She has a lot of...
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