John de Mol is doing good business in the Arab world. He acts rather dismissively about this, according to Hassnae Bouazza. According to her, the television producer talks publicly mostly about the many restrictions on his formats because of Islam and the sentimentalism of TV in the Middle East in general. That De Mol's success number The Voice of Arabia during the final in
Fifteen years after Peter Delpeuts Felice, Felice the International Film Festival Rotterdam gets another Dutch opening. The 42nd edition of this leading event will kick off on 23 January with the world premiere of The resurrection of an asshole by Guido van Driel, festival director Rutger Wolfson announced this afternoon.
Amsterdam, 26-11-2012 - Last Saturday died Moniek Toebosch (1948-2012), the sparkling multi-artist who startled our country from the 1970s onwards with contrary performances. Some of you may remember her scandalous performance in the 1983 Holland Festival. Toebosch presented the programme 'Attacks of Extremes' live for VPRO television from Theater Carré. After half the Broadcasting Orchestra had quit in protest,...
Classical music on television always has something boring about it. Often a short introduction by a neat gentleman or lady, followed by the concert itself. Close-ups of the conductor and soloist, a longshot of the entire orchestra and applause afterwards. As if the medium is trying to emulate concert hall etiquette as scrupulously as possible. Even the webstreams that more and more large orchestras are increasingly turning to barely deviate from this formula.
The Film Academy can be satisfied. The two juries that handed out the three student awards at the Netherlands Film Festival on Monday night had also looked at graduation work from other Dutch academies with a film section. But in the end, all the lucky ones were students from the Netherlands Film and Television Academy, as the Amsterdam programme is called in full. Magnesium again. The Tuschinski Award for best graduation film, this...
Iedere avond vindt er op het Nederlands Film Festival een belangrijke première plaats, en zondag was dat de nieuwe documentaire van Robert Oey, over boodschappers en nabestaanden. Gesneuveld laat een kant van onze militaire missie in Afghanistan zien die weinig in beeld kwam. 25 Nederlandse militairen zijn daar gesneuveld. De film is in zekere zin een eerbetoon aan hen, maar…
I did it just like that. Proclaimed a show as the most important theatre innovation for 20 years. That's daring. Even though I made the term a bit more vague in a subsequent tweet, because, yes, there has been quite a lot of innovation in recent years, left and right in theatres. So let's stick to 'the last few years'. And then...
Lots of bobbing on boards. That's what drama on television is mostly. And actors with weird reverberations in intimate scenes. That too. It is easy to shoot at attempts to bring successful performances to the TV or cinema screen. They almost always make viewers feel that their medium is shooting back 80 years in development. This is also why every attempt by the Dutch Public Broadcasting Corporation to make our fairly highly regarded stage art attractive to a wider audience via TV fails. Theatre or opera on screen is especially suitable for
EYE is pulling out all the stops. This year, the final exam papers of the students of the Netherlands Film and Television Academy will get an ideal presentation in the largest auditorium of this new film centre. What is also new is that yesterday, immediately after the screening for press and relations, awards were handed out for best commercial (The End, Soon), best documentary (A Twist in...
Or: the familiar becomes utterly alien here. Or: embracing meaninglessness as the first principle. One hundred years after his birth, John Cage takes centre stage in HF weekend.
Ever since Reinbert de Leeuw played it in the fastest talk show on Dutch television, John Cage's 4'33" has been a well-known composition in our country. For exactly four minutes and thirty-three seconds, the musician does not play a single note and the audience hears nothing but the ambient sounds.
Johan Nijenhuis' Foeksia de miniheks has become the big audience favourite of Cinekid, the festival for film, television and new media for young people. Friday evening, it was announced at the awards ceremony that Foeksia had won both the general audience award (Z@pp Cinekid Lion) and the audience award for best Dutch children's film. Foeksia the Mini-Witch, based on the book of the same name by Paul van Z...
The Marathon Effect is well known: put spectators together in a theatre for half a day or more, preferably on uncomfortable seats, and hand them over to a couple of actors with a play. Success seems assured, and the ancient Greeks already knew that. So that there would be no discord around the monster project I Demoni, the Dostoevsky adaptation of Peter...
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