Skip to content

youtube

Rembo & Rembo verbroederen in ‘Sex Sells’

Theo Wesselo en Maxim Hartman maakten zich onsterfelijk met hun iconische tv-programma Rembo & Rembo. De twee komen nader tot elkaar in hun tentoonstelling Sex Sells. Nu te zien in de Amsterdamse galerie Vriend van Bavink, tot en met 12 oktober. Lucas van Eck en Daniël Bertina spraken ze, vlak voor de opening…
http://www.youtube.com/watch?v=OK98QxUbF1w
...

You can now log in to continue reading!

Welcome to the Culture Press archive! As a member, you have access to all, over 4,000 posts we have made since our inception in 2009!

(Recent posts (less than three months old) are available for all to read, thanks to our members!)

Become a member, or log in below:

Art: alternative to mistrust and violence in Guatemala. #vvu

Theatre-maker Anouk de Bruijn (32) has been to Guatemala seven times since 1999. For the Treaty of Utrecht, she entered into an exchange project with the Guatemalan group Caja Lúdica. Together, they are committed to giving people a positive experience through art. Their project 'Hidden War' is about the lives of young people in Guatemala. 

Drama awards party in year of gloom

Het moest feest worden, want er is al genoeg geschreeuwd en geklaagd en het helpt toch niks. Na een jaar waarin vooral de theatersector de harde hand van Mark Ruttes blije crisisbeleid voelde moesten er toch weer prijzen worden uitgereikt. De toch al niet zo enorm grote crème de la crème van de Nederlandse theaterwereld kwam dus weer bij elkaar voor het gala in de Amsterdamse Stadsschouwburg. Het was een dappere poging tot optimisme, terwijl in de wandelgangen ook weer even bleek dat het geen ko...

You can now log in to continue reading!

Welcome to the Culture Press archive! As a member, you have access to all, over 4,000 posts we have made since our inception in 2009!

(Recent posts (less than three months old) are available for all to read, thanks to our members!)

Become a member, or log in below:

Der Schatzgräber II: Van Hove exposes core and weaknesses

“Die sprookjeswereld is nooit zo mijn wereld geweest,” verklaarde regisseur Ivo van Hove voor de première van Schrekers sprookjesopera Der Schatzgräber. Opmerkelijk, want Van Hove en zijn vaste scenograaf Jan Versweyveld waren bij De Nederlandse Opera eerder verantwoordelijk voor Tsjaikovski’s Iolanta en Janáčeks De zaak Makropulos – ook eerder sprookjes dan grootse dramatische werken.

In Tsjaikovski’s laatste opera draait alles om prinses Iolanta. Iedereen weet dat ze blind is, maar houdt dit ...

You can now log in to continue reading!

Welcome to the Culture Press archive! As a member, you have access to all, over 4,000 posts we have made since our inception in 2009!

(Recent posts (less than three months old) are available for all to read, thanks to our members!)

Become a member, or log in below:

State-of-the-art robot dances to old reggae

Vanaf vrijdag 7 september te zien in de foyer van de Amsterdamse Stadsschouwburg: deze dansende kopie van de kunstenaar Leonard van Munster. Een mooie combi van dans, techniek, theater en kunst, leek ons.
Hij danst overigens alleen op traditionele Jamaicaanse Reggae, zo vertelde het origineel van de kunstenaar ons via de telefoon. Aan een dubstepversie wordt gewerkt.

...

You can now log in to continue reading!

Welcome to the Culture Press archive! As a member, you have access to all, over 4,000 posts we have made since our inception in 2009!

(Recent posts (less than three months old) are available for all to read, thanks to our members!)

Become a member, or log in below:

Eric de Vroedt: 'Eventually reached Obama too'

In één weekend twee prijzen winnen, dat overkomt een mens niet vaak, zelfs niet in de met prijsuitreikingen overladen kunstwereld. Eric de Vroedt is een theatermaker en schrijver die dat dus wel is overkomen. Bij het ingaan van zijn laatste seizoen 'MightySociety' kreeg hij de Amsterdam Prijs (35.000 euro) en de Prijs van de Kritiek (een beeldje), bepaald door een jury van dagbladrecensenten.
Hij spreekt in dit skype-interview over zijn drijfveren, en over hoe je met een voorstelling die soms ma...

You can now log in to continue reading!

Welcome to the Culture Press archive! As a member, you have access to all, over 4,000 posts we have made since our inception in 2009!

(Recent posts (less than three months old) are available for all to read, thanks to our members!)

Become a member, or log in below:

Theatre on demand offers British quality

Veel geklos op planken. Dat is wat toneel op televisie vooral is. En acteurs met een rare nagalm in intieme scenes. Ook dat. Het is makkelijk schieten op de pogingen om succesvolle voorstellingen op het tv of bioscoopscherm te brengen. Ze geven kijkers bijna altijd het gevoel dat hun medium 80 jaar in de ontwikkeling terug schiet. Daarom faalt ook iedere poging van de Nederlandse Publieke Omroep om onze tamelijk hoog aangeschreven toneelkunst via de tv voor een breder publiek aantrekkelijk te ma...

You can now log in to continue reading!

Welcome to the Culture Press archive! As a member, you have access to all, over 4,000 posts we have made since our inception in 2009!

(Recent posts (less than three months old) are available for all to read, thanks to our members!)

Become a member, or log in below:

Edelkoort signals development of animation art better than she thinks

On 12 August 2012, during the worst watched Summer guests-broadcast of all time (343,000 viewers) told trend forecaster Lidewij Edelkoort about The Johnny Cash Project. A great example of what crowdsourcing can do for creativity: in 2010, everyone was invited to add a drawing to an animated music video to Johnny Cash's latest song. We now know what and who is behind this:

Nobody likes a critic

Al YouTubesurfend stuitte ik op deze messcherpe sketches van Stephen Fry en Hugh Laurie. Afkomstig uit de hoogtijdagen van hun geniale programma A Bit Of Fry & Laurie. Bij het zien van deze prachtig gepersifleerde windbuilerij, overviel me het akelige gevoel dat er sinds de uitzending van  deze sketch verdomd weinig is veranderd in de mentaliteit van de kunstcritici. De zelfgenoegzaamheid ligt altijd op de loer.
Critici zijn rare snuiters, ook wij bij CultuurPers. Want, ondanks het feit dat...

You can now log in to continue reading!

Welcome to the Culture Press archive! As a member, you have access to all, over 4,000 posts we have made since our inception in 2009!

(Recent posts (less than three months old) are available for all to read, thanks to our members!)

Become a member, or log in below:

Paradiso full of dance energy at I Like To Watch Too

I Like To Watch Too: abundance of performances shows that dance and performance are powerfully connected to modern society. The dance moves rain down on you even before you have entered Paradiso. Tim Boerlijst tap-dances on the pavement. This infectious welcome immediately draws visitors into the atmosphere of 'I Like To Watch Too'. This festival showcases dance and performance from... 

William Kentridge & the dress rehearsal for the Holocaust

Met Black Box / Chambre Noire presenteert het Joods Historisch Museum de eerste tentoonstelling van de Zuid-Afrikaanse kunstenaar William Kentridge in Nederland. Een multimediakunstwerk over de eerste volkerenmoord van de twintigste eeuw. Nu te zien in het Joods Historisch Museum.

Gewapend met knuppels slaan twee donkere schimmenfiguurtjes elkaar de hersens in. En vervolgens een derde slachtoffer, knielend en ongewapend, die na de klappen in stukken uiteenspat. Op de achtergrond is muziek van M...

You can now log in to continue reading!

Welcome to the Culture Press archive! As a member, you have access to all, over 4,000 posts we have made since our inception in 2009!

(Recent posts (less than three months old) are available for all to read, thanks to our members!)

Become a member, or log in below:

Strauss with muscle by Gustavo Dudamel, the sizzling South American. #hf12

The young conductor of Venezuelan descent brought his Simón Bolívar Symphony Orchestra to the Concertgebouw for the final concert of the Holland Festival last night for the first time. While Hollanders braved the tropical weather in the corridors, Venezuelan beauties walked to the stage vivaciously on their stilettos. After Máxima and Willem-Alexander had also taken their seats on the balcony, Gustavo Dudamel came dancing down the stairs.

Talk to our reporters. Exclusive: spot in the #hf12 hangout for our most loyal followers

Er zijn dagen bij geweest dat we 1500 pageviews hadden. Jullie, 2500 van onze trouwste bezoekers, kwamen tot nu toe zorgen voor 14000 kijkjes op dedodo.nl, en jullie bleven gemiddeld drie minuten rondkijken. Gemiddeld. Daar zijn we trots op. Kennelijk wisten we jullie aandacht te trekken en vast te houden. Dat zijn dus goede cijfers voor een online festivaldagkrant als De Dodo, die het moet redden zonder schreeuwlelijks, zonder marketingbudget maar met een overdosis enthousiasme en professionele...

You can now log in to continue reading!

Welcome to the Culture Press archive! As a member, you have access to all, over 4,000 posts we have made since our inception in 2009!

(Recent posts (less than three months old) are available for all to read, thanks to our members!)

Become a member, or log in below:

The Second Detail

Shock and awe ballet in Bill & Mr. B overflows with quality on all sides; there is no stalling

In the production Bill & Mr B, the Dutch National Ballet dives thematically into history with reprises of works by George Balanchine and William Forsythe. Balanchine's Symphony in Three Movements (1972) is considered the breeding ground for Forsythe, who then went 'the extra mile' with Steptext (1985) and The Second Detail (1991). From protocol to photocall: dance as a photo session. Movement - click,... 

"Janine Dijkmeijer to National Ballet"

The message below has since been confirmed. But we like to cherish our firsts. Hence. Of course, the merger event in and around Amsterdam's Muziektheater, where ballet, opera and theatre will work in unison, also produced a game of musical chairs. Stijn Schoonderwoerd, for instance, announced a month or so ago that he was going to do something else, and so the Dutch National Ballet was looking... 

2001 is a film you should see again every 10 years. The sf epic even stands up to live orchestra

Does live accompaniment with choir and orchestra make Kubrick's 2001 a different or better film? Not necessarily, but as an homage and event, it is a wonderful gesture. Even on the hard bucket seats in the Gashouder, it is once again a breathtaking experience. Last night, at the Gashouder on Amsterdam's Westergasfabriek grounds, finally revisiting Kubrick's science fiction epic 2001: A Space Odyssey. This... 

Extremely imaginative Master and Margarita gets cheering reception on #HF12

Shakespeare had it, Oscar savage had it, Monty Python had it and Simon McBurney has trucks full of it. So it is British and it is called humour, or rather the ability to show the absurdity of life as simultaneously hilarious and deeply tragic. And let that also apply to Russian Mikhail Bulgakov. So his unfinished novel The Master and Margarita has now had to wait almost 75 years for a director like Simon McBurney to turn it into theatre.

In Accordion Wrestling, 10 Finnish wrestlers compete with 1 accordion player. The weirdest show on #hf12

One by one, Helsinki Nelson's wrestlers come running onto the stage of the City Theatre. On the mat is the biggest of the bunch, lying on his stomach, stretched out in a defensive position. Alternately, his opponent tries to tip him, pushing him flat on the mat with both his shoulders. In vain. Accordion punk rocker Kommi Pohjonen comes on, and... 

Less is more? No, less is FAR too much, by Michael Nyman's Potemkin. #hf12

Two days later... Sometimes you don't quite know what to write: even reviewers have writer's block from time to time. Fortunately, Jenny Diski of London Review of Books published a blog just Friday about the functionality of not being able to write (yet). Apparently, more time was needed. Anyway, at some point you have to tie the knot. ... 

With her heavenly voice, Shara Worden seems to transcend time and space #hf12

Shara Worden bounces lithely across the Bimhuis stage, dressed in a weird, multicoloured fairy outfit with plush balls. And she sings the stars from heaven, with insane timing and agility. Her heavenly voice seems to dance with amazing dynamics. From frighteningly subtle and rarefied, from warm and deeply resonant to shuddering high notes at hurricane force. She... 

Save a museum: make sure you make friends

In de manier waarop mensen soms proberen geen antwoord proberen te geven op een vraag, liggen grappige antwoorden besloten. Dirk van Delft wist als directeur van Museum Boerhaave een slordige 1 miljoen euro binnen te hengelen uit de markt. Daarmee werd hij meteen lieveling van Rutte's kabinet. Na twee keer doorvragen blijkt dat hij eigenlijk vindt dat er teveel wilde dingen in podiumkunsten gebeuren, en dat dat wel eens de reden zou kunnen zijn waarom ze zo hard zijn aangepakt. Maar we hebben da...

You can now log in to continue reading!

Welcome to the Culture Press archive! As a member, you have access to all, over 4,000 posts we have made since our inception in 2009!

(Recent posts (less than three months old) are available for all to read, thanks to our members!)

Become a member, or log in below:

Without electric guitars, Bryce Dessner's orchestral music sounds best; Greenwood's 'There Will Be Blood' a highlight of #HF12

It is not usual, but it must be said: the Amsterdam Symfonietta is a tremendously beautiful ensemble. The musicians all look beautiful, they handle their instruments beautifully and they play beautifully. They look alert, active. That helps with being liked, we all know, and that active look is down to their formula: they usually play without a conductor and so have to be incredibly attentive to what is going on around them. Looking dully at the conductor makes you ugly.

#hf12: Addio alla fine is matchless dance, but the boat trip there and back does not bring the message out strongly enough.

We live in destructive times. Nature, art and culture, the inner life: they are breaking down under the tyranny of money, commerce and efficiency. Emio Greco and Pieter C. Scholten take a stand against this. Addio alla fine is an all-in experience in the form of a boat trip to an unknown place, where the audience is immersed in dance, music and... 

Small Cultural Membership
175 / 12 Months
For turnover less than 250,000 per year.
Posting press releases yourself
Cultural Membership
360 / Year
For cultural organisations
Posting press releases yourself
Collaboration
Private Membership
50 / Year
For natural persons and self-employed persons.
Exclusive archives
Own mastodon account on our instance
en_GBEnglish (UK)