In late 2006, I got to know Dutch filmmaker Sander Francken. I had watched his film Dealing and wheeling in small arms for the Groene Amsterdammer. Afterwards, I sought him out in his workspace for an interview. I remember that conversation well: sharper than many other interviews. After all, the worst thing that can happen to you is a swarm of PR people buzzing around you full stop. Find the artist in his studio as much as possible has been my motto ever since, although I recently had an inter...
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