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Alvin Ailey

Twee unieke (dans)producties ontstaan in een pandemie Tranen van Petrus en de Nationale Nieuwjaarszegen

Two unique (dance) productions created in a pandemic: Tears of Peter and the National New Year's Blessing

It is remarkable to see two productions bringing together dance and faith in a short time. Dancer Marijn Rademaker (former soloist Het Nationale Ballet) portrays the suffering of the apostle in Di Lasso's Tears of Petrus by Nederlands Kamerkoor and Dance Company Nanine Linning, dancer and recently assistant artistic director of The Dutch Don't Dance Division Kiran Bonnema portrays the change in the life of the still-young patriarch Jacob in EO's National New Year's Blessing.

Zwanen 2016

These are the winners of the Swans 2016. Or not.

Three dancers and three dance productions have been nominated for Swans 2016. On Friday 7 October, Daphne Bunskoek and Art Rooijakkers will announce who the winners are during the Nederlandse Dansdagen's Opening Programme 2016 in Maastricht. But you can already draw a few conclusions from the list of nominees.

And the 2014 Dance Photo nominees are...

The Official Nominations for the first Dance Photo of the Year election have been announced. From 43 entries, Hans van Manen (choreographer) and Thomas Cott (Alvin Ailey American Dance Theater) compiled a top six. We couldn't think of a better jury for a preselection. Now we are curious to hear your vote. The Dance Photo of the Year election puts dance photographers and their work in the spotlight. Because. 

1967, choreograaf Koert Stuyf en danseres Ellen Edinoff

5 reasons for the new Ellen Edinoff and Koert Stuyf Fund

A year ago, one of Holland's most legendary dancers died: Ellen Edinoff. She danced mainly in the 1960s and 1970s but there was always a hint of grandeur and mystery surrounding her and her husband, choreographer Koert Stuyf. Now a fund is being set up at the Prince Bernhard Culture Fund to support young dancers and creators of contemporary dance. 5 reasons why.

Red, Yellow and Blue (foto: Bob Karman)

Isabelle Beernaert is successful. Four reasons why it's not just down to SYTYCD.

The dance industry is not doing very well at all, people say. I spoke to a dance marketer who told me that venues are often only a quarter full. And that includes dance makers who have a  Oscar for dance have won. What does attract a lot of audiences are fairy tales. And Isabelle Beernaert.

What explains the success of this Belgian choreographer?

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