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According to US film magazine, our Oscar entry does not stand a chance

It is not very often that Dutch films attract the attention of the film trade magazine Screen International. Now that the web edition ScreenDaily happens to publish two reviews in a row, it is nice to quote something from them.

Among us

Screen hoofdredacteur Mike Goodridge zag de Nederlandse Oscarkandidaat Sonny Boy en Marco van Geffens debuutfilm Among us (internationale titel Among Us) en kwam tot de volgende bevindingen.

Hij snapt wel dat het in Nederland succesvolle Sonny Boy, over racisme en verboden liefde tijdens de Tweede Wereldoorlog, wordt voorgedragen voor de Oscars, maar noteert desondanks: “Extraordinary true story aside, however, the film is told in a straightforward, uninspiring fashion and lacks the epic emotional quality that could have boosted its chances of international festival play or sales.” Hoofdrolspelers Ricky Koole en Sergio Hasselbaink zijn in orde en hun personages interessant, maar ze krijgen volgens Goodridge geen ruimte in de film die “… has the pacing of a TV movie with none of the feeling and sense of these amazing characters it should possess.”

Gaat dat wel wat worden met die Oscar.

Over het door het Cultureel Persbureau al eerder gesignaleerde Onder Ons is hij echter zeer te spreken. Op het Nederlands Film Festival bracht dit drama over een Poolse au pair in een Nederlandse Vinexwijk het niet verder dan een nominatie voor bijrolspeelster Rifka Lodeizen, maar als we op het oordeel van Screen International afgaan moet daar toch iets over het hoofd zijn gezien.

Goodridge: “… Among Us (Onder Ons) is a chilling drama which appears to be a social drama before turning into something else entirely. A confident, cleverly constructed and well-acted feature which builds a pervasive sense of evil amid the creature comforts of suburban Amsterdam, the film is also a fascinating glimpse into the lives of eastern European au pairs …”
Hij ziet er een “Rashomon-style study in different perspectives and misunderstanding” in, met een “psychological dimension which makes it unusually gripping.”

Mooie opsteker voor Van Geffen, die zijn film eerder deze zomer al op het festival van Locarno in première mocht laten gaan.  Op 10 november in de Nederlandse bioscoop.

Leo Bankersen

Leo Bankersen

Leo Bankersen has been writing about film since Chinatown and Night of the Living Dead. Reviewed as a freelance film journalist for the GPD for a long time. Is now, among other things, one of the regular contributors to De Filmkrant. Likes to break a lance for children's films, documentaries and films from non-Western countries. Other specialities: digital issues and film education.View Author posts

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