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Strauss evening of unprecedented height: Arabella as vorspiel of Scenes from a marriage

To perhaps the most beautiful music written by Strauss, Arabella descends the stairs and hands Mandryka a glass of water. Their engagement is thus sealed. Behind the love couple, however, an inky black space opens up into which both disappear.
Nee, in deze enscenering van Christof Loy is Arabella alles behalve de lichtvoetige Weense komedie die Strauss van zijn librettist Hugo von Hoffmansthal vroeg. Geen Rosenkavelier light, eerder het vorspiel van Scenes from a marriage.
Waar in veel ensce...

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Henri Drost

Henri Drost

Henri Drost (1970) studied Dutch and American Studies in Utrecht. Sold CDs and books for years, then became a communications consultant. Writes for among others GPD magazines, Metro, LOS!, De Roskam, 8weekly, Mania, hetiskoers and Cultureel Persbureau/De Dodo about everything, but if possible about music (theatre) and sports. Other specialisms: figures, the United States and healthcare. Listens to Waits and Webern, Wagner and Dylan and pretty much everything in between.View Author posts

To perhaps the most beautiful music written by Strauss, Arabella descends the stairs and hands Mandryka a glass of water. Their engagement is thus sealed. Behind the love couple, however, an inky black space opens up into which both disappear.
Nee, in deze enscenering van Christof Loy is Arabella alles behalve de lichtvoetige Weense komedie die Strauss van zijn librettist Hugo von Hoffmansthal vroeg. Geen Rosenkavelier light, eerder het vorspiel van Scenes from a marriage.
Waar in veel ensce...

You can now log in to continue reading!

Welcome to the Culture Press archive! As a member, you have access to all, over 4,000 posts we have made since our inception in 2009!

(Recent posts (less than three months old) are available for all to read, thanks to our members!)

Become a member, or log in below:

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