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Indonesian filmmaker Mouly Surya on her feminist western. 'I never saw Marlina the Murderer as a revenge story.'

Yes, she actually thinks it's a bizarre idea herself, making a western in Indonesia. But that is precisely what intrigued Jakarta-born and raised filmmaker Mouly Surya. Her first two films were about women in the big city, a life she knows well. Marlina's story is completely different. Marlina is a widow on the poverty-stricken and patriarchal island of Sumba who is visited by a gang of robbers.

Anyone who sees Marlina the Murderer now immediately understands that those western elements fit perfectly. To t...

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Leo Bankersen

Leo Bankersen has been writing about film since Chinatown and Night of the Living Dead. Reviewed as a freelance film journalist for the GPD for a long time. Is now, among other things, one of the regular contributors to De Filmkrant. Likes to break a lance for children's films, documentaries and films from non-Western countries. Other specialities: digital issues and film education.View Author posts

Yes, she actually thinks it's a bizarre idea herself, making a western in Indonesia. But that is precisely what intrigued Jakarta-born and raised filmmaker Mouly Surya. Her first two films were about women in the big city, a life she knows well. Marlina's story is completely different. Marlina is a widow on the poverty-stricken and patriarchal island of Sumba who is visited by a gang of robbers.

Anyone who sees Marlina the Murderer now immediately understands that those western elements fit perfectly. To t...

You can now log in to continue reading!

Welcome to the Culture Press archive! As a member, you have access to all, over 4,000 posts we have made since our inception in 2009!

(Recent posts (under three months old) are available for all to read, thanks to our members!)

Become a member, or log in below:

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