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Do we want top entertainment or still tragedy on the Parade?

"The Parade is like a snack bar. I come here to soak up atmosphere, drink wine and, in addition, be made to think a bit by the performances. But then that shouldn't last too long." Looking for the essence of the Parade performance, Cultural Press Agency knocks on the door of visitors, The Sadists and John Buijsman. "It's already just cosy... 

That was him then. The March of Civilisation. And so was the chamber's Culture Committee debate on Halbe Zijlstra's letter.

With a small break for much-needed sleep, we were active for over 27 hours with a liveblog on the March of Civilisation. Hard work, and at first we suffered from some start-up problems. After all: setting up such a liveblog requires some structure in the approach. We had introduced a few so-called #hashtags, such as #marsderbeschaving, which on twitter allow people to share their... 

Thousands of runners, thousands of website visitors during Civilisation March 2011

Of course there are 'trolls'. Opponents of 'leftist hobbies' and supporters of the thesis that good art will survive on its own. Our liveblog on the March of Civilisation, which we had filled partly by following Twitter hashtags, turned a bit sour. We cleaned that up a bit, took out the loudest screamers (also pro, incidentally) and a few striking political... 

Successful Holland Festival closes record edition amid uncertainty over future

Photo: Pierre Nydegger To conclude. The 2011 Holland Festival could well be historic. Not only was it the festival that attracted the most audiences for years, it was also the festival that took place while a minority government of populists, nationalists and materialists proclaimed the end of art subsidies. We therefore look back on a festival in which we were able to meet with... 

Going into the market without denying yourself - that's the issue

Sponsorship repels audiences. That could be a conclusion of the research carried out at Oerol by Inholland's professorships Media, Culture and Citizenship and Media and Entertainment. With the central question "How can Oerol survive without government funding?", they are exploring the audience's reaction to commercial expressions. "The question is how to apply marketing strategies without... 

#HF11: We chat with Jeroen Stout, Daniël Bertina, Fransien vd Putt and Wijbrand Schaap.

  In conclusion. The 2011 Holland Festival could well be historic. Not only was it the festival that attracted the most audiences for years, it was also the festival that took place while a minority government of populists, nationalists and materialists proclaimed the end of art subsidies. We therefore look back on a festival in which we had a great time with our new... 

Photo: Jochem Jurgens

The Kiss and DUS in final stage award nominations

The Utrecht Games (DUS), with its successful production August Oklahoma, immediately wins three nominations for the theatre awards to be handed out in September: Ria Eimers for best female lead, and Peter Bolhuis and Tjitsjke Reidinga compete for the prizes for best supporting actress. Percentage-wise, however, much more successful than DUS is De Kus, a production by Hummelinck Stuurman, because there the... 

That could well be a big event next weekend

We are not big on copying press releases directly, but this one accidentally slipped in. For those who didn't know it yet, but tout art is going loopy on Sunday and Monday for the preservation of sanity in the Netherlands. Although that will have no effect on the architect of the cut, PVV member Martin Bosma. Even the cultural sector in Limburg (Geert... 

Stage pollster provides useful figures on the performing arts

Gerard Marlet is becoming a veritable numbers guru for the Dutch arts sector. His latest publication concerns the "Podiumpeiler". We have embedded it for you. Worth reading, not only for number and art freaks. After all, many discussions about whether or not money goes to art, whether or not full theatres, they can now all be equally well based on the facts. Useful,... 

A few solid misses, interspersed with plenty of indispensable beauty in week 3 of the Holland Festival #hf11

The Dodo was busy, this third week of the Holland Festival. Thankfully, again with an exciting mix of beautiful, weird and extraordinary. As it should be, really. What makes the Holland Festival all the more exciting is that such extremes can sometimes take place within one programme, as with the National Ballet, or even within one performance, as with The Russians... 

#HF11 Audi makes Ayres' funny-grim animal opera 'The cricket recovers' layered and edgy

Composer Richard Ayres signs off on the animal opera ''The cricket recovers''. Photo Hanya Chlala At last: the opera The Cricket Recovers based on the animal story The cure of the cricket by Toon Tellegen is in the Netherlands! Over six years after its world premiere in Aldeburgh, the Holland Festival presents Richard Ayres' work, performed by Asko|Schönberg and VocaalLAB conducted by Etienne Sie...... 

#HF11 'The select' is neat and well behaved and on stage lacks the raw emotion of Hemingway's novel

Photo Mark Barton Could Prime Minister Rutte cum suis' anti-advertising by dismissing art as destined for leftist types and other idiots already be having an effect? You would almost think so when you see the rather poorly filled halls during the performances at the Holland Festival. There are more than ten people sitting in the front row, but still the... 

#HF11 Dreamy cult pop and visual feast from The Irrepressibles

The Irrepressibles with their Human Music Box. Photo Patricia Niven At the request of the Holland Festival, Jamie McDermott of The Irrepressibles created a new programme: Human Music Box. The ten-piece British band will start its world tour in Amsterdam. The premiere on Friday 17 June at the Muziekgebouw aan 't IJ became an understated, musical evening that was especially visually appealing. In... 

#HF11 Messy set-up of Around Robert Wyatt gets in the way of magical moments

Scene from ''Around Robert Wyatt''. Photo Annabelle Tiaffay. "Alifib" by British progrocker Robert Wyatt (b. 1945) is a song that gets under the skin. Wyatt's near-breaking voice sounds so genuinely sad that it takes your breath away. It seems an impossible task to perform "Alifib" convincingly without the master himself. Yet the French Orchestre National de Jazz gets... 

Week two of the Holland Festival (#HF11) brings a nice mix of highlights and questionable choices.

Photo: Ruth Walz That the Off Broadway musical Fela! was a success, we could actually expect. For The Dodo, we therefore did not send anyone there either: there are already enough newspapers and other bloggers eager to have a front-row seat to the New York audience favourite. That they had a good time, you can read elsewhere on this site,... 

#HF11 Unadorned, austere and powerful "Flûte Enchantée" by Peter Brook

Papageno showed off without his feathers last night. Indeed, the entire direction of Une flûte enchantée was an unadorned pleasure. Sober. Integral. You can't get a Dutch audience wilder than with such an approach. Compliments, then, to Peter Brook. At the Muziekgebouw aan het IJ was the Dutch premiere of Brook's adaptation of Mozart's Die Zauberflöte. The production turned... 

Deeper layers far in vague project 'The Long Count' by twin brothers Dessner

The Long Count - photo Julieta Cervantes

Two boys beat a guitar with a baseball bat, which was hanging on a rope in the air. Moments before, they also battered the instrument in a strange game of tug-of-war, during which the guitar regularly hit the ground. Both times, shrill, nasty sounds fill the room. The games are played with a deadly serious face and thus seem to tell something a...

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Die Jahreszeiten, in OT's version, fits perfectly into the Flemish-Dutch Opera Days

Photo: Ben van Duin In the Netherlands, the view of opera is mainly guided by concert practice. As such, the Dutch approach to this genre differs considerably from what is common in the rest of Euroa. This is evident from the fact that over the past century, investments have been made in concert halls that are among the best in the world. 

The Dodo revives for Holland Festival edition 2011 #HF11

This week the Holland Festival erupts and we are there. We are producing a Dodo Festival Day newspaper with a sizeable team of professional journalists, as we did before for Springdance and The International Choice of the Rotterdam Schouwburg, for example. We follow the festival closely to bring news as it happens. We go to see performances where others... 

Limburg lion awakens: the heartland of the PVV rebels against culture cuts

When even André Rieu gets involved, the asparagus is done. In Maastricht, but also in The Hague. Because André Rieu, that's Limburg, that's popular culture, that's, according to the ministry, the country's most important export product and if it says you have to keep your hands off the Limburg Symphony Orchestra, then you keep your hands... 

Rascals and heroes battle for power at Utrecht Festival a/d Werf

There is no such thing as the perfect human being. We are all crooks. Or is there a way to get it right? Ilay den Boer and the actors of De Utrechtse Spelen / De Warme Winkel each explore in their own way at the 26th edition of Festival aan de Werf. Wasn't my grandfather just an asshole? That... 

Ministry of OCW cuts a little more of the truth than we already proved on Friday

Case in point: more people are against cuts than the ministry would have us believe. On page 32 of the now heavily controversial brochure 'Cultuur in Beeld', the ministry writes: "In the CDE, carried out at the end of 2010, citizens were asked to indicate from 17 policy fields whether they think the central government should spend (a lot) less or (a lot) more money on... 

'You can't become a successful cultural entrepreneur if you don't understand how a symphony orchestra works'

The opening images are apt: Joop van den Ende among men in togas, behind a real Pedel (the man with the bells), apathetic. And rightly so, of course. Because the once head man of cultural-entrepreneurial Holland, who started out in a party goods shop, achieved academic status without ever studying. For the man who always felt somewhat disadvantaged by the cultural and intellectual... 

Ten theatre performances you should not have missed according to the jury of the Dutch Theatre Festival. Agree?

Of course, you were all lining up for that legendary Richard III by Orkater with music by Tom Waits. Or you had locked yourself in for Oostpool's small-room gem 'Till the fat lady sings', or you just didn't want to miss an episode of O O Cherso and The Voice of Holland. Anyway: now you know what you... 

Gergiev comes to Rotterdam with a top orchestra and top repertoire, but audiences are used to that from him

Russian conductor Valeri Gergjev was back in Rotterdam for a while, for one concert. He conducted his own orchestra, the London Symphony Orchestra (LSO), in de Doelen. The famous orchestra played repertoire that we in our country know inside out: Gustav Mahler's 1st symphony and Dmitri Shostakovich's 1st piano concerto. A now historic combination: because the Netherlands has become fused... 

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