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200 military personnel and JunkieXL are expected to cause a spectacle on the A2 motorway near Utrecht on 13 April. The roof of the new tunnel trench will be the stage for a battle of medieval proportions, in which peace will be conquered by our army over something with a wall and 'war' on it.
UPDATE 17:45 Thanks to Dimitri van der Werf (in the comments) The composer in question does have to leave the country, but not because of this stunt, but because he did not fulfil his reporting obligation, which he
As the government has killed the entire circuit of production houses and further education, seven theatres have jumped into the gap. They are joining forces to enable a number of 'young' makers to develop their work after all. By offering a number of performances in advance
No offensive prominent, well-known world citizen or tricky topic, but ordinary people play the leading role in the print that was awarded this year's Inkstspot Prize. The prize for the best political cartoon published in the national and regional press in the past year goes to
'Everseller' author Arthur Japin is to make a stage adaptation of his novel Vaslav, about the legendary Russian dancer Nijinksi. He is making the adaptation at the request of theatre patron Joop van den Ende, who is a big fan of the book. The theatre production goes into
We received this via Facebook: "During the night of Friday 11 to Saturday 12 January at 1.30am, a group of about seven young men destroyed a large canvas hanging on the facade of Theatre Kikker on the Ganzenmarkt in Utrecht. The canvas, which
Sat another note in the post. One of many, these weeks. About a club that had only just been set up by the government. With the accompanying millions, which because of the PVV's vindictiveness have now been dumped in the local ditch. Its creators have already found a new purpose for themselves a few months ago: to improve the well-being of Parkinson's patients. But Dance House Station South is now thus a thing of the past. We quote:
We are just reporting the press release in full. For your information. Every now and then, more news like this comes along. We don't post them all, because that would make the world very bleak. The world as many people knew it, and which they thought was the pride of the Netherlands, is coming to a squeaking halt to make room for. Well. We will report on that in the years to come. Of what comes in its place.
Developing new models on the internet takes time. We have found that out with the Cultural Press Agency by now. With more than 7,500 followers on Twitter and 400 visitors a day to our website, we have now become a factor of importance in cultural journalism. But we are also very happy that four years after the first plans took shape and one year after the start-up subsidy from the Ministry of Education, Culture and Science ended, our first publication can be read on the sites of De Persgroep, publisher of Trouw, Volkskrant and Parool.
STUT is a household name. The neighbourhood theatre group has been putting on performances with and about ordinary people from ordinary Utrecht neighbourhoods since 1977. In 2010, the theatre group gave birth to the Stutkoor, which is now taking part in the exchange project of the community art lab for the Treaty of Utrecht celebrations in 2013.
Dance fans can submit their nominations for the most outstanding dance performance of 2012 online from 1 December. The winner will then be able to receive the Dans Publieksprijs early next year. New this year is
The music of Eefje de Visser comes in. In the silence of the theatre even more than in clubs, where enthusiastic fans sing along to her words out loud. One spotlight and her guitar, that's all this 26-year-old singer-songwriter needs to touch the room. I see tears, gazes of love and attempts at seated dancing during the official premiere of her theatre tour in the Melkweg.
There it is: the coalition agreement of the new cabinet of the man who previously managed to associate the terms 'subisidy slave' and 'empty halls' with the fine arts. The tone is different now, and we owe that to the input of the PvdA, just as earlier we apparently owed the sneering tone to Martin Bosma's PVV.
The Literary Museum, with its 'Double Thinker' exhibition on the life and work of Marten Toonder the essence of Toonder's art.
The Netherlands' most remarkable company when it comes to handling grant money has been saved. The Theatre newspaper reports that the central government has agreed to the new adjusted budget, which had to be prepared after earlier this year a loss of over 2 million euros had arisen. So the company keeps the one and a half million euros and artistic director Jos Thie and his business partner Jelle Snijder are chased out of the city with pitch and feathers, where they can join the Supervisory Board that had already turned a little too blind eye. After all, putting in an overpriced production to make up for the deficit from an earlier run of that same overpriced production: no entrepreneur would ever allow that.
The Ministry of Education, Culture and Science is investing time and money in improving cultural education in primary schools in the coming years. Through a combination of existing pots and money contributed by the state, municipalities and provinces, 41.5 million euros a year will be freed up for arts education in the coming years. And before every self-employed artist starts making plans now: that money will mainly go towards research and procedures, with the most concrete goal being: 'the development of a curriculum for cultural education'.
The crop of feature-length documentaries screened at the Netherlands Film Festival is good. They are extraordinary stories, sometimes startling, sometimes penetrating, sometimes fodder for much discussion, and almost all very beautifully filmed. We wish the jury much wisdom. The nominated documentary 'The Rules of Matthijs' is interesting for everyone, but should be compulsory reading for social workers,...
Documentary filmmaker Femke Stroomer and Sanne Sprenger will make two films in the coming year with two classes of the International Switching Class (ISK) entitled I am here. Part two of a report on this Treaty of Utrecht Community Arts Project.
We never actually pat ourselves on the back, but so once every few years it is allowed. For instance, when you are 'top story' within an hour on the global twitter story website 'storify.com'. Of course, we often have a sudden surge in visitors, and certainly last September was a top month with 15000 visitors, but something like this, more than 500 visitors in not even an hour....
A while back, there was a fuss in the Netherlands about the BUMA, the club that collects copyrights for musicians and publishers. Money had been lost in speculation and a director was engaging in nepotism. These cases do not appear to be isolated. At least, they are also mentioned in an overview of all known cases of abuse of power and corruption at collecting societies worldwide.
What could be the matter with the Rotterdam Philharmonic Gergiev Festival - the official name to emphasise its international appeal anyway? As soon as you enter concert hall de Doelen, you immediately get the feeling that you have arrived at an ordinary, weekday concert, even though Valeri Gergiev is on the posters. No decoration of the large rooms...
Halbe Zijlstra is proud of his policy, and keen to come and tell it in front of the entire cultural sector. So on Sunday 26 August, he appeared on stage during the annual 'Paradiso Debate' to reiterate how well things had gone with the 200 million cut in the arts sector. He praised the resilience of the affected art world, and would be happy to do the same again.
Documentary filmmakers Femke Stroomer and Sanne Sprenger will make two films in the coming year with two classes of the International Switching Class (ISK) entitled Me am here.
Yet money for the National Academy of Visual Arts, money for an orchestra merger in the south of the Netherlands and 4.7 million for a knowledge institute for amateur art. The clear-cutting of the Dutch cultural sector has become a little less extreme thanks to a second advice from the Council for Culture. Besides the aforementioned positive assessment, there is also money for a knowledge institute for the creative sector
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