"That fairytale world has never been my world," director Ivo van Hove declared before the premiere of Schreker's fairytale opera Der Schatzgräber. Remarkable, as Van Hove and his regular scenographer Jan Versweyveld were previously responsible at De Nederlandse Opera for Tchaikovsky's Iolanta and Janáček's The Makropulos case - also fairy tales rather than grand dramatic works.
The Netherlands Opera opens the season with a rarely performed opera by Franz Schreker, which mixes pagan and Christian themes. The brilliant music is countered by the chilly direction, preventing identification with the characters.
Thai and Vietnamese puppetry. Acrobats, Chinese shadow play and Japanese costumes. A Chinese conductor for a Dutch orchestra, a Canadian directing team and, as the main work, a scant 50-minute opera by a Russian composer, based on a fairy tale by a Danish writer who took his inspiration from China. Loosely.
The Netherlands Opera's fourth revival of Elektra is over halfway through. In the final performances, two fresh dramatic sopranos take over. Why does an opera get revived, even as many as four times? With the sleep-inducing Don Giovanni in the previous season of De Nederlandse Opera - also a revival - this might have been a logical question. The decision turned out to be...
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