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Thea Derks

Thea Derks studied English and Musicology. In 1996, she completed her studies in musicology cum laude at the University of Amsterdam. She specialises in contemporary music and in 2014 published the critically acclaimed biography 'Reinbert de Leeuw: man or melody'. Four years on, she completed 'An ox on the roof: modern music in vogevlucht', aimed especially at the interested layperson. You buy it here: https://www.boekenbestellen.nl/boek/een-os-op-het-dak/9789012345675 In 2020, the 3rd edition of the Reinbertbio appeared,with 2 additional chapters describing the period 2014-2020. These also appeared separately as Final Chord.

Unmissable livestreams in November Music

Meanwhile, November Music is keeping its nerve: the management is betting on live concerts with up to 30 people in the audience. In an email update to press and public, she did express her concerns: 'It will be some exciting days. After next Tuesday's press conference, we will know whether November Music 2020 can definitely go ahead.

Hanna Kulenty composes new piece for Bass Clarinet Festival: 'I'm making a collage of emotions'

Polish-Dutch Hanna Kulenty (Białystok, 1961) writes music that gets under your skin. Whether it is early works like Fourth Circle for violin and piano (1994), the opera Mother of Black-Winged Dreams about multiple personality syndrome (1995), or more recent compositions like the Viola Concerto (2015) and her Flute Concerto No.3 (2018), irrevocably you are taken on an exhilarating journey with a... 

Kaija Saariaho central composer at November Music: subtle timbres paint inky black scenario

Pièce de résistance will be the brand new Reconnaissance (Rusty Mirror Madrigal) for choir, percussion and double bass. Saariaho composed it commissioned by November Music and the Donaueschinger Musiktage. The first performance was scheduled at the German festival, which, however, was also cancelled. - A stroke of luck for November Music.

Gaudeamus: as a 75-year-old younger than ever

Anno 2020, Music Week is buzzing like never before. Even corona has barely caught on. How many 'Mozarts' have emerged by now I will leave open, but the rich and varied off- and online offerings create some choice stress. At 75, the organisation is younger than ever: Gaudeamus is the place to be.

Down with the veil! Three gutsy girls found Iranian Women Composers Union: 'We want to form a global home front'

Things can change. In 1979, Iran changed from a Western-oriented secular state to a spiritual dictatorship, where Islamic leaders call the shots. Women must henceforth go through life veiled and music is banned as extremely sinful. Four decades later, three women founded the Iranian Female Composers Association. In America, though. 'Music is like a drug, those who feel... 

#Corona-classics 4 Hannes Minnaar: 'I rolled into the frame of classical-romantic piano virtuoso'

Hannes Minnaar falls head over heels. His #corona tour with Bach's Goldberg Variations starts on 1 July, exactly the day when the maximum number of concert visitors is released. - Provided 1.5 metres distance et cetera. Although the Grote Kerk in Zwolle can admit considerably more than 100 people, the concert is already completely sold out. Those lucky enough to get a... 

#Corona-classics 3: Maxim Shalygin: organ-playing saxophones on CD 'Todos los fuegos el fuego'

A rainy day in #coronaquarantine seems like the ideal time to listen to a CD about fire. So I slide Todos los fuegos el fuego by Ukrainian-Dutch composer Maxim Shalygin into the laptop. 'All fires the fire' is named after Julio Cortázar's collection of eight short stories of the same name. The CD also has eight songs, which together... 

#Corona-classics 2: Liza Lim: disturbing CD 'Extinction Events and Dawn Chorus'

Totally contemporary, this new CD by Australian composer Liza Lim (1966) recently released on Kairos. Automatically you listen to Extinction Events and Dawn Chorus in the context of the corona pandemic. Are we headed for total destruction? The ominous title refers to Lim's concern about the huge amounts of plastic choking the oceans. The fish this... 

#Corona-classics I: Le Dernier sorcier Pauline Viardot

When corona measures were declared on Thursday 12 March, it felt surreal at first. The next day, the world premiere of Willem Jeths' opera Ritratto fell through. I had been looking forward to this immensely, just like all the other productions in the Opera Forward Festival. Besides, I was in the midst of preparations for numerous introductions the next... 

Requiem for an ideal music lover. 'Grandpa Hippo' is no more: Frans Curvers dies, aged 91

'Thea, have you heard that new piece yet? It's beautiful!' And there plopped another wetransfer in with a recording by Kate Moore, Pete Harden, Calliope Tsoupaki or any other composer. Frans Curvers was at the front of every (world) premiere. Whether it took place at Paradiso in Amsterdam, De Doelen in Rotterdam, TivoliVredenburg in Utrecht or a backstreet church somewhere.... 

Eva's Klage at TivoliVredenburg: Lera Auerbach takes on the smothered female voice

Russian Lera Auerbach (1973) does not shy away from big challenges. And that is an understatement. Most recently, she made a big impression with her cycle Goetia 72: in umbra lucis. She composed this setting of the names of 72 demons for the Netherlands Chamber Choir and the string quartet Quatuor Danel. A CD of 72 Angels: in splendore lucis, in which... 

Reinbert is dead, long live Reinbert!

'I get up with you and I go to bed with you,' I said jokingly. We stood in his kitchenette, where he made coffee for himself and tea for me. Reinbert's big startled eyes told me that my ironic remark had landed in the barren soil of his deadly seriousness. - It was not the first and not the last 

Why I hope to meet those youngsters from that particular reading club here: Olga Neuwirth composes soundtrack to Die Stadt ohne Juden

Emerging fascism is becoming increasingly parlous. Especially among young people, I discovered recently at a concert by the Netherlands Philharmonic Orchestra at the Concertgebouw. A reading club of twenty-somethings said they enjoyed James MacMillan's Second Percussion Concerto. They joined me in denouncing the draconian cuts to culture. But suddenly it sounded carefree: 'We are all voting for Thierry.' When I was dismayed... 

Retrospect Opera presents Fête Galante by unjustly forgotten Ethel Smyth - Buy that CD!

'Had I not possessed three things unrelated to music, I would have perished early on from loneliness and disillusionment,' wrote Ethel Smyth (1858-1944) at 60. Those three things were: 'Iron health, a distinct fighting spirit and a modest but independent income.' Whereas women in the nineteenth century were condemned to compose 

'For a year I dragged Ravel's scores everywhere' - Bart Visman orchestrates 'Ondine'

Dutch composer Bart Visman (1962) has already written many wonderful works of his own, but makes his debut with the Rotterdam Philharmonic Orchestra with an orchestration of 'Ondine'. This is the first movement from Maurice Ravel's three-part piano cycle Gaspard de la nuit. It is the prelude to an integral orchestration, to be premiered next season. 'I am of the same... 

L'Orfeo: this wonderful performance deserves to tour internationally!

The new production of L'Orfeo by De Nederlandse Reisopera and Opera2Day is a form of total theatre in which Wagner would have licked his fingers. In her direction, Monique Wagemakers forges song, dance, music, costumes and scenery into an inseparable whole. The performance is compelling, poetic and enchanting and fits seamlessly with the stylised language with which Monteverdi in 1607 presented the... 

Serge van Veggel performs Opera Melancholica: 'Depression is a big social problem - a million people are on pills'

'My love for opera is rooted in my youth. Emotions you feel as a young person become almost tangible in opera. While listening, I often experienced a catharsis.' Director Serge van Veggel zooms in on depression and delusion with the production Opera Melancholica. Starting point is Philip Glass's The Fall of the House of Usher, presented as a form of 'anatomical... 

Ekaterina Levental: 'I come from the very bottom of society, didn't even have the right to be here, was even less than a junkie.'

Singer, harpist and theatre-maker Ekaterina Levental (Tashkent, 1977) came to the Netherlands as a refugee in 1993, where she built a successful career. Together with her partner Chris Koolmees, she made the triptych De Weg, De Grens and Schoppenvrouw, in which she sings of her own difficult road to happiness. With her pocket performances, she holds up a mirror to us: 'We are quick to judge a... 

Conductor Elim Chan: 'I can't walk away from the music.'

'When I unexpectedly had to conduct the "Dies Irae" from Verdi's Requiem Verdi, I felt how raw and impactful music could be. I knew immediately: I can no longer run away from music.' Elim Chan is moving like a rocket and will make her debut with the Netherlands Philharmonic Orchestra on 17 January. In 2014, Elim Chan (Hong Kong, 1986) was the first female... 

Lera Auerbach decries 72 demons: ''We know exactly what the right decision is, but often choose against our intuition''

Guts cannot be denied the Russian-American Lera Auerbach (1973). After all, you have to be 'a bit crazy and a bit of a genius to write a full-length choral work on a text limited to a list of 72 angel names', as one reviewer noted in 2016 after the world premiere of 72 Angels for the Netherlands Chamber Choir and the Raschèr Saxophone Quartet.... 

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