The Tuschinski Award for best graduation film of the Film Academy was awarded this afternoon at the Dutch Film Festival to Anne-Marieke Graafmans for her documentary If I didn't have you. What is special about the presentation of this award for up-and-coming talent is that the commercial cinema business and independent film criticism are here together for a while. The Tuschinski Award will be presented and with 5000 euro...
Will classic cinema survive the digital iconoclasm of the future? The question is not new, but it comes to mind again upon seeing the programme of the Netherlands Film Festival, which opens tonight with André van Duren's De bende van Oss. Put that opening film next to Iconoclasm, the festival's main theme, and you see what...
The Golden Calf for the best Dutch feature film was awarded on the closing night of the Netherlands Film Festival to Joy, a modest arthouse film that, according to René Mioch, was seen by no more than 2,000 people. Joy was also the front-runner for the nominations, so in that respect the jury's decision was in line with expectations, although it had...
Joy, directed by Mijke de Jong to a screenplay by Helena van der Meulen, has become the leader in the battle for the Golden Calfs at the Netherlands Film Festival. With seven nominations, all attention has, deservedly, suddenly turned to a small but intensely filmed and acted drama that had hitherto remained somewhat in the shadows. This...
One of the most fascinating Dutch films to hit cinemas last year was Ditteke Mensink's Farewell. A romance in an airship flying around the world, and then constructed entirely from real archive footage. This miraculous and wonderful tour de force now has a chance of winning a Golden Calf for best feature-length documentary. This and other nominations for Golden Calfs were...
Bloody and hard to burn out of your memory are the police photographs Walter Stokman has incorporated into Scena del crimine about Naples and the mafia. What makes those images so unforgettable is not only the gruesomeness, but also the unreality that clings to them. Razor-sharp, brightly lit, as if it was all staged. As if that girl in that immaculate...
Where were the producers? On Tomorrow's Maker's Day, the Netherlands Film Festival screened 48 graduation films from the Film Academy and other art schools. So the hall should have been full of film producers to scout all that new talent, but no, exactly today the Film Fund had organised a meeting with those Dutch producers. Not so convenient. What did those...
It is now official: Daan Bakker is the new film talent to keep an eye on. Last night, it was announced at the opening of the Netherlands Film Festival that he is the winner of the Film Prize of the City of Utrecht for best debut. He received this award for his short film Bukowski, an engaging and brilliantly executed fantasy about...
By Leo Bankersen
Film acting is in the special spotlight during the 30th edition of the Netherlands Film Festival. So that's convenient that the Festival opens tonight with Tirza, a story that is too gruesome to be true, but which, thanks to the acting of Gijs Scholten van Aschat, Sylvia Hoeks and Johanna ter Steege, among others, you have to believe anyway.
Rudolf van den Berg single-handedly reworked Arnon Grunberg's book, about Jörgen Hofmeester, his failed life and his adored daughter, into a haunting road movie, a journey to the end of the night. Scholten van Aschat, who had long been working towards the role, allows the contained bitterness and anger to slowly turn into despair. Hoeks plays her best role so far here and Ter Steege saw enough in this script to put aside her dislike of Grunberg. And don't forget nine-year-old Keitumetse Matlabo from South Africa, as Hofmeester's conscience and guardian angel. The result is a film that wrings and chafes, but also has the allure of a great and bitter tragedy. Tirza is now the Dutch entry for the Oscars.
When the 30th edition of the Netherlands Film Festival kicks off on 22 September, the first Golden Calf will be awarded to Rolf Orthel. This was announced by festival director Willemien van Aalst at a press conference today.
Producer and director Orthel receives this award for his special merit for Dutch film culture. In 1975, he made a name for himself with the impressive documentary A semblance of doubt, about the prisoners and guards of Auschwitz and Westerbork. As a producer, he often committed to difficult projects by young makers. The documentary he produced Bastøy, about a Norwegian prison island, will premiere this festival.
Tirza van Rudolf van den Berg naar de gelijknamige roman van Arnon Grunberg is gekozen als de film die naar Los Angeles gestuurd zal worden als Nederlandse inzending voor de Oscars in de categorie beste buitenlandse film. Holland Film heeft dit vandaag bekend gemaakt. Gijs Scholten van Aschat speelt in dit grimmige drama een man die na een mislukt huwelijk…
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