performance
Performance 'Metro' gives you a slap in the face #amsfringe #tf2010
A new day, so new chances to find the Fringe's greatest gem. Today, I am taken from Theatre Bellevue into a nearby alley. Suddenly I see her lying there. A junk, like there are more walking around in Amsterdam. I prefer to walk around it quickly. Afraid of smelling them or being accosted. Metro, a piece of...
Fringe Festival continues to surprise with intimate Iris Brunette and poignant I Believe #tf2010
There is no notion of time when you take your seat. It is dark. The room looks like a café, with four tables and chairs around them. Don't expect a sit-back performance, as everyone is part of the play. The intriguing Iris Brunette doesn't let you be a spectator, but gives you a role. Do not fear that you will suddenly have to take the stage. From your seat, you are influencing the play. Actress Melanie Wilson lets you choose which way to go. Do we wait here or walk on? Do we go left or right? Do we trust this person or not? The space you're in feels safe. Fortunately. Because there is no exit; walking away is impossible. A maximum of twenty spectators witness this story that takes you through time. Wilson narrates and involves you in the story in the best possible way. A more intimate performance is hardly possible, I think.
Stunning transformations by Shelley Mitchell in poignant monologue 'Talking with Angels' #tf2010
Invisible forces, described as angels, speaking through a Jewish woman to her friends at the time of the Holocaust in Hungary. A mysterious and true story, translated into the one-woman performance Talking with Angels by American actress Shelley Mitchell. A huge success in America. Yesterday on stage for the first time in the Netherlands.
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