On 24 to 28 June and 2, 3 and 4 July, at Theater Bouwkunde in Deventer, you will enjoy a unique and intimate theatre experience: While enjoying a drink, seated 1.5 metres away from each other and from the actors, Peter Drost and Paul R. Kooij perform all the roles in this classic whodunit. Peter & Paul 'young men' in front of your eyes,...
The new year often starts with new insights and resolutions. A critical reflection can then help. We were therefore delighted to read the Volkskrant of 2 January, in which columnist and theatre critic Merlijn Kerkhof concludes that in 2020, he wants to enjoy all that the Netherlands has to offer in terms of culture a bit more often outside 020. And that is only right,...
![M carbunaru [CC BY-SA 3.0 (https://creativecommons.org/licenses/by-sa/3.0)], from Wikimedia Commons](https://cultureelpersbureau.nl/wp-content/uploads/2019/02/Vasile_Craciun_-_competitie_internationala.jpg)
How nice it would be if Zutphen were to be Cultural Capital of the Netherlands next year, proudly representing itself and thanks to a strong impulse from its surrounding area: the province of Gelderland. They could immediately tackle the hopeless situation of the local theatre, the kids from the suburbs could also go to hip-hop in a real hall and everyone in the Netherlands would know...
'I recently spent a day working with municipal administrators. It was about bureaucracy. Well, if anything is about bureaucracy, it is the work of Samuel Beckett. So I also invited theatre people to illustrate what I was talking about with Becketian texts.' Philosopher René ten Bosch, currently Denker des Vaderlands, is one of the three curators of the...
We Had Love, We Had Guns by Christine Otten is about black resistance fighter Robert F. Williams, who fought for black equality. In the theatre adaptation of the same name, white actors - including Huub van der Lubbe - play black characters and vice versa. Double talk about personal sacrifice, skin colour and connection. Idlewild It is a remarkable coincidence. America is taking...
45th Film Festival Rotterdam, the first under new director Bero Beyer, gets off to a strong start with Beyond Sleep, after W.F. Hermans's Nooit meer slapen.
A damning report by organisational consultancy Berenschot, the voluntary or involuntary departure of director Harm Mannak, repeated bickering in the State Assembly and panting reports of high salaries for directors and artistic directors, all the way to the national newspapers. It marks the chaos at HET Symfonieorkest and the lack of any form of direction, not only at the orchestra itself,...
Apetrots they are, the MPs Jacques Monasch, Jasper van Dijk, Mona Keijzer and Alexander Pechtold. After all, they saved a youth theatre company and managed to add a few festivals to the basic cultural infrastructure of the Netherlands. In addition, they have also already earmarked an amount for some other festivals. Yesterday, the motions from the June debate were put to a vote. Almost...
THE Symphony Orchestra does not have a balanced budget for 2016. Without additional money from the province, it can no longer perform its core task, nor can it fulfil all the commitments it made earlier. That is the gist of the letter CDA deputy commissioner Hester Maij sent to Provincial Council, ahead of its meeting on 7 October. The subject of the letter: "progress business plan/redemption subsidy HET Symfonieorkest"....
What happened to the five million Overijssel gave the orchestra in 2011 to 'get more money from the market'? This was also what councillor Van Abbema wondered, and the answers the province gave her mostly raise more questions. What is abundantly clear is that the province wants to keep the orchestra no matter what and of no merger
A tricky question, but Festival Havenwerk director Erik-Jan Post has an idea and likes to bad some sacred cows. About arts education. About the concept of 'amateur'. About how big you should want to be as a festival. 'We are much less a festival in the classic sense. Havenwerk is more of a meeting place, with the participants at the centre. This year, therefore, the entrance fees are...
Nederlandse Reisopera, Gluck: Orphée et Eurydice (opera), 1 May to 6 June Dazzling debut by director Floris Visser at the Nederlandse Reisopera. Rather than showing a centuries-old opera about an even much older myth, he exposes the core of Gluck's opera. It results in a heartbreaking performance about mourning and the inability to accept that your loved one is no longer there....
Everything comes together in Enschede. Revenue models that appear to be based on air, but are defended to the hilt by administrators. Jubilant reports on rising museum visits, but smaller museums are going under. Aldermen acting out of cultural interests, but then playing residents against each other to make draconian decisions. All this to disguise the ruins of Rutte I. A quick recap:...
HET Symfonieorkest's financial problems have not gone unnoticed. Regional newspaper Tubantia reported last Monday that PvdA MP Jacques Monasch had minister Jet Bussemaker (also PvdA) summoned to the Lower House. In that report, Monasch passes with seven-mile boots advice, applications and decisions that have already been made or are yet to come, and immediately reports that a symphony orchestra will continue to be...
The money at HET Symphony Orchestra has run out. Despite all the extra millions from the province and after years of writing off tons of general reserves, the end is in sight. And so the orchestra is scrapping concerts, will be seen less in theatres in Deventer and Zwolle, stops CD recordings and shuns any risky performances. To keep the...
It's raining annual lists and we're merrily joining in. As subjective as anyone, after all, no one sees everything, and opinions on taste can always differ. Of course, also in this list many performances in or from the Randstad, but half of them were not yet shown there. And all genres mixed together. As long as it is theatre. With the only limitation: no repeats, apologies Ring and Lohengrin (DNO), St John Passion (NRO). And no dance, because for that our partner dance audience.
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