We already knew that IDFA is more than a festival. Now there is also the Documentary Pavilion, its own place where all IDFA's activities, both for audiences and makers, can flourish throughout the year. 16 March starts the official opening week.
Does something get better when it is sanded? Art as the grindstone of the mind? The age-old concept of dialectics, the clash of opposites from which something new emerges? This 17th edition of IDFA's DocLab, the programme full of digital art, interactive work and virtual worlds, is themed 'Phenomenal Friction'. Technology is mostly focused on efficiency and convenience, but DocLab invites us to...
IDFA DocLab has returned home to the Brakke Grond, and how! More than thirty-five works explore the boundaries of documentary in content and form. DocLab is the digital playground where anything is technically and conceptually possible now. So I watched a work with scent, danced in the 80s and got so relaxed I almost...
Following the screening of her Venice Golden Lion-winning All the Beauty and the Bloodshed, committed and critical documentary filmmaker Laura Poitras had a good chat with IDFA's artistic director Orwa Nyrabia at Carré. About her discovery of the documentary world, her outrage at American politics and how she also learned to see hope.
The 35th edition of the IDFA documentary festival will kick off on 9 November. About the film selection, he remarked that it is "not only a judgement, but also a statement". In this interview, he talks about the choice of filmmaker-activist Laura Poitras as guest of honour, and much more.
Whenever a technology is presented that I am not yet familiar with, I like to explore. A museum with holographic glasses? Do it! However, it turned out to be the content that will stay with me for a long time. The Museum of Austerity by Sarah Wares and John Pring is no easy read. But essential for understanding the impact of austerity on disabled people...
DocLab has been the most exciting part of IDFA for 15 years. This is the place for experimentation in form, technology and content; pushing and stretching the boundaries of the medium. I like to plunge in, sometimes with skin and hair. The VR installation Symbiosis gives that opportunity quite literally. You get to enter a post-apocalyptic world, where people are forced to make connections...
IDFA-DocLab is celebrating its 15th anniversary. Leading platform for all kinds of interactive or non-interactive, virtual or physical projects through which artists give us a different window on reality.
Swart Gat/ Golden Age (Dunguu olo - katibo-ten) is a theatrical installation about Amsterdam's slavery past and Maroon culture from Suriname. The concept is by Tolin Erwin Alexander, Berith Danse and designer Bartel Meyburg. The theatrical installation, which has lost none of its urgency, has been further finished and will start again in summer 2021! From 17 June (19 June...
In IDFA winner Radiograph of a Family, the Iranian revolution invades the marriage of filmmaker Firouzeh Khosrovani's secular father and her religious mother. What makes this family portrait so special?
Today opens IDFA's The DocLab, perhaps my favourite part of the festival. With its own competition, commissions and exhibition, this is the realm of digital experimentation.
A sleek, snow-white art temple in the middle of the Congolese interior. What does that mean? Renzo Martens talks about his new documentary White Cube, and the art project that allows plantation workers to buy back their land. Premiering at IDFA and in Lusanga, Congo.
Golden Calf winner Buladó is now our Oscar entry. That will satisfy advocates of more colour in Dutch cinema. And on Sunday, check out Festus Toll's When You Hear the Divine Call, a more modest but equally telling example of new light in Dutch cinema.
From February 2020, Vanja Kaludjercic will succeed Bero Beyer as festival director of the International Film Festival Rotterdam.
The 32nd edition of the International Documentary Film Festival Amsterdam has opened with Sunless Shadows. Confessions of young women jailed for complicity in the murder of their father or other man in the family grow into a haunting statement about oppressed women in a male-dominated society. The only Dutch film in the international competition is Rotjochies by Maasja Ooms.
Good news for anyone who has so far missed If you grow up later, Max Baggerman's double award-winning graduation film. This documentary look at working people, as poetic as it is socially critical, can be seen again on 1 August as part of New Lights. This evening is the second instalment of a new bi-monthly event that introduces us to...
The Council for Culture has just proposed the new Basic Infrastructure (BIS), and it has become a very big, in traditional terms 'prosperous', baby. Since the Council is not allowed to name names, and can only list functions, we have already made a fill-in list here, in which we list (very briefly, because little time and not knowing about everything) which existing cultural...
The riveting, Golden Lion-winning Roma immerses you in the Mexico of filmmaker Alfonso Cuarón's youth. Are we going to see it on Netflix, or in the cinema? Viewers have a choice that Netflix did not offer in our country before. In addition, the exclusive cinema window is also in flux.
IDFA 2018 is a great opportunity to take a look at what you can do with documentary in film education. Documentaries can resonate very well with children, is the experience of Meike Statema, head of education at IDFA.
How do you make a beautiful and personal documentary about a hero? And what if your hero is a filmmaker and has already made beautiful footage himself? How free can you be with your subject matter? For a long time, my problem with IDFA has been that the documentaries are so well behaved, so focused on the subject and not on the medium itself. In...
Slowly but surely, the very latest in virtual reality (VR) is finished and we can start thinking about what you want to show, rather than how. Whereas at the first VR festival I still got whooping headaches from bad glasses, now I can be mesmerised by the beauty of the Amazon or beautiful animations. Movie theatres like Eye...
DocLab 2018 is no longer about the latest technology, but about the human experience. What menu can artists serve us with digital media and artificial intelligence. Examination of reality, playful installations, the Humanoid Cookbook and collaboration with MIT
The Ministry of OCW has excellent black felt-tip pens. In no way, therefore, did I manage to find out which newspaper in Amsterdam made the WOB request to which Minister van Engelshoven is now responding. The length of the black bar could be anything (except Coöperatief Cultureel Persbureau UA). Anyway: someone is investigating the course of events surrounding the...
At the film sector's traditional Spring Consultation, the panel at the Ketelhuis shed its light on the video on demand explosion, among other things, and on the advice of the Council for Culture. Will operators support the film sector with levies on sales?
EYE Film Museum has a robot filmmaker connecting old archive footage with trending topics from social media. Experimental filmmaking in the internet age. Watch and marvel at Jan Bot's work.
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