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Nicolas Mansfield

From 'artistic director' to 'deputy artistic director': what is Josef Fuchs' position at the Netherlands Reisopera?

Last Monday, 20 September, the Nederlandse Reisopera presented its programme for the upcoming season. The speaker was Josef Fuchs, who was introduced as the company's new artistic director by its general director a.i. Nina Hiddema. A festive occasion, which caused slight surprise in the small gathering (a few journalists and some colleagues). In an interview (below... 

Resolved(?): Ombudsman Allegiance admits carelessness.

This was the email from the editors of Trouw, dated 9 May 2018: "Mr A. Bakx has had the phone number and email address we now have from him under this name since 2014. We therefore assume that he is A. Bakx." Was supported by an email to Erwin Roebroeks, which mentioned a telephone conversation with... 

Dutch Reisopera 2018-19: We're waiting for the curtain to rise!

We're sitting in the opera house; We're waiting for the curtain to arise With wonders for our eyes; We're feeling pretty gay, [...] A feeling of expectancy, A certain kind of ecstasy, Expectancy and ecstasy... Sh's's's's. "Curtain!" With the above words, Charles Ives sang of the excitement of a child going to the opera for the first time. A similar enthusiasm shows... 

Speed and humour in Reisopera's Don Giovanni

When the Commendatore suddenly rises from his bier in the mortuary, Leporello recoils violently. He smacks painfully against the back wall, as if struck by a gust of hurricane-force wind. This cartoonish image is just one of many hilarious moments in Don Giovanni by the Nederlandse Reisopera. This production was performed after its premiere Saturday 4 March in the... 

New Year's Eve lottery winner overturns culture cuts

A usually reliable source reports that the winner of the New Year's Eve lottery wants to dedicate a significant part of her prize to culture. In this way, she wants to undo the cuts made by Rutte I. Six million will go directly to the Dutch Travel Opera. Another four million is earmarked for a new integral performance of Wagner's Ring des Nibelungen. Also scheduled is a revival of Tristan und Isolde... 

Bold. @martinbosma_pvv provokes threat unknown Dutch. #ikwilook

Geert Wilders was quick off the mark, after the attack in Berlin, posting a photoshopped picture of Angela Merkel with blood on her hands. The message was all too clear. Even more opportunistic and shocking was the list posted half a day later by Martin Bosma, media and culture spokesman. Bosma's tweet included a list of names. Caption "These... 

24 million for culture added! Or 80 euros! Or 0.0015 euro!

In these election times, it is just how you put it and calculate it. That 24 million extra for culture, which Pechtold triumphantly mentioned with the addition that 'the journey through the desert is over after 2016', has, for the time being, as much value as Rutte's illustrious 1,000 euros: first see, then believe. And since Pechtold gave no further explanation,... 

Nicolas Mansfield: Today I feel more European than ever. #Brexit

24th of June, 2016. What a day. I spent it at the Dutch Ministry of Education, Culture and Science in The Hague. Speaking with civil servants about the achievements, plans, challenges and dreams of the Dutch National Touring Opera. All in the shadow of something I find difficult to process. 

You see, expats like myself are incredibly proud of our Britain. Not too proud not to leave, but proud enough to strive to be impassioned ambassadors for our country. The enormous cultural heritage of the...

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Nicolas Mansfield 'Dutch Travel Opera still needs €500,000'

The past and future of the Netherlands Reisopera are dominated by money worries. Nicolas Mansfield, director, during the season presentation on 20 April last in the foyer of Theatre Carré, stressed not only the necessity of a national opera company's existence but, above all, the necessary quality requirements to keep attracting audiences. And quality cannot exist without decent... 

Nederlandse Reisopera, Orkest van het Oosten, Consensus Vocalis ánd 600 sing-alongs give lessons in the capital: connecting is how you do it!

Tight and razor-sharp? No. But that's not what this afternoon is about at all. Here the feast of singing together is celebrated, the end result being a performance of Handel's oratorio that you wouldn't want on CD, but which is of a surprisingly high standard and, above all, one you wouldn't have wanted to miss for the world. Much has been written about the problems... 

Orchestra of the East reinstated: HET Symphony Orchestra has 'new' name

From Dutch Symphony Orchestra with international ambitions back to provincial orchestra with as yet nothing at all. Now, except for the ironclad original name. It could be a commercial for Telfort. In between are many lost lawsuits, the grotesque protest name *****Symphony Orchestra and the equally garish HET Symphony Orchestra. It is the ultimate capitulation of the once by just about everything and everyone... 

"This piece already carries history with it"

Terezín, 1944. In the most deplorable conditions imaginable, Victor Ullmann completes the opera Der Kaiser von Atlantis. The camp authorities forbid a first performance after a few rehearsals. The unmistakable allegory on Hitler and his downfall leads to one of the rare forms of censorship in the camp, which the Nazis showed as an example to the Red Cross.... 

Half-hearted advice puts touring opera companies at odds with each other

There is too little money for two travelling opera companies. Quality is at risk, something must be done. But the Culture Council does not offer a solution.

The Culture Council's advice, published on Wednesday, contains few real surprises. Some money needs to be added, more emphasis on cities, differentiation in youth theatre, that's about it. Concrete companies are not mentioned, in line with minister Bussemaker's wish that the council leave the institutions alone as much as possible.

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Municipal politics remain powerless over cultural policy content, this time in Enschede

Municipal cultural politics are often about 'bricks and mortar'. People put up a cultural building and then pray/hope that great things will happen there, which the city council in turn has no money for/power over. Take Enschede. In a council meeting in which it was decided to reinvest in cultural bricks by means of a €475,000 loan, there was actually some unrest. No, not about those bricks, but about... 

Timeless staging of St John Passion grips at throat

The main character of Bach's St John Passion? Jesus, of course. Wrong. It is the narrator, the evangelist, especially in Dale Duesing's wonderful staging, especially when interpreted by Robert Burt. Where in ordinary performances of the Johannes the evangelist's recitatives mainly interrupt the arias and choral passages, here they form the dramatic core. We truly see John's passion.

Nederlandse Reisopera with a musical. With Sanne Wallis de Vries. In Royal Theatre Carré.

No, the company is not afraid of competition. Nor of cooperation, as witness the jubilantly received Fairy queen with Veenfabriek and Combattimento, the orchestra led until recently by Jan Willem de Vriend.

Combattimento? That orchestra was supposed to quit, wasn't it?

Indeed, it looked like that for a while when Jan Willem de Vriend announced his intention to retire from the Netherlands Symphony Orchestra, but without its founder, the orchestra made a successful relaunch. Like the Reisope

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Tristan und Isolde at Reisopera, something special happens here

A Brünhilde who does not burst into flames but endures the Götterdämmerung with a baby in her arms, a Senta who does not jump off a cliff but is shot by Erik together with the Holländer. No one really looks surprised anymore. And Isoldes who do not die in the Liebestod are no exception, but Tristan who rises from the dead, as it were, by Isolde's notes reaching into heaven, stands diagonally behind her and sings along soundlessly?

Ed Spanjaard unleashes primal forces in Götterdämmerung Reisopera

The final applause after the premiere of Götterdämmerung stormy, is an understatement. It seemed as if the completely sold-out auditorium wanted to surpass the primal forces extracted from the Gelders Orkest by Ed Spanjaard. History was made here: on stage, by the soloists and choir, in the orchestra pit and behind the scenes, for six hours and 20 minutes.

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