Update April 2022: Turns out it's not an April fool's joke, so all the beats we were holding back at first turned out to be unnecessary. Since 2018, Toneelgroep Amsterdam no longer exists, as does the Capital's Stadsschouwburg. Together they have since formed 'Internationaal Theater Amsterdam', because that better suits the global ambitions of Ivo van Hove's Amsterdam city theatre. It was thus...
Whether we want to speak only of 's-Hertogenbosch from now on. Apparently, a last vestige of decency has bravely survived in the provincial capital of Brabant. Nazmiye Oral, master of ceremonies at a party at Den Bosch's citadel on 9 June, forgot right the first time. City marketers and old nobility fight hand in hand for a respected name to trump the vernacular....
Fred Goessens has been dead, but is still alive. As uncompromising as ever. The Netherlands' most reliable actor makes an interim will after twenty-two years with Toneelgroep Amsterdam. 'I had shit on everything' This interview was published 10 years ago in TheaterMaker, the trade magazine for the theatre sector. As Fred Goessens is now leaving ITA, the company where he once...
Janine Abbring has managed to pull the somewhat ramshackle institution Zomergasten out of the doldrums. She has fun, is excellently prepared, is genuinely interested in her guests and has managed to push the eternal battle element into the background without making the broadcasts less exciting. That battle element was always: does the interviewer succeed in 'breaking' the guest? Because.
It must have started with a big plan in Simon McBurney's head. The Brit, a master of mathematically precise text theatre full of technical gadgets, saw the amazing floor of the Rabozaal of Amsterdam's Stadsschouwburg and his brain started working. Something about a backcloth covering the full width of the hall, something about a doll's house, something about...
Some people read Christmas stories over Christmas, others the interview supplements of newspapers, and a few do so with policy documents. So, quite a few people have read our Culture Minister's 'Advice Request' in the past few days. I, at least. Those who 'officially' cannot have done so are the members of the Culture Council, because the whole package came...
Listen to an atmospheric impression and the full interview with Stef Aerts here. Children have the ability to turn adults' worlds upside down. Eleven-year-old JR is really getting into it. On a school trip, he learns how the stock market works and then turns it to his will. In doing so, unhampered by a prefrontal cortex, that part of the brain...
Toneelgroep Amsterdam and Stadsschouwburg Amsterdam will continue together as 'Internationa(a)l Theater Amsterdam' (ITA). Not to be confused with the just-removed Internationaal Danstheater Amsterdam. I find the name 'ITA' rather chilly. Maybe as cold as Toneelgroep, but at least that still contained the word 'group'. That has something cosy about it. ITA is something like ING. Great ambition and no roots. For a moment...
In my work, I entice people to come into contact with art. And especially art with a big K. The art that is often marketed as 'difficult' or, in an attempt to get rid of its negative image, as 'vulnerable'. Liberal politicians would perhaps say art that 'doesn't act normal'. It is the kind of...
In recent years, the artistic director of Toneelgroep Amsterdam, Ivo van Hove, made three performances of works by Couperus. In three short interviews, I look back at the last part, Little Souls. Despite the long meandering sentences and the romantic, sometimes very passive characters, this book (or actually it's four books)is a timeless masterpiece that, as far as I'm concerned, all...
In the final part of 'books of little souls', the once disgraced Constance sits in the dark and draughty country house where her reluctant parents-in-law used to live. Constance married their only child, Baron Henri van der Welcke, against their wishes. Constance's and Henri's son Addy is the only thing that connects these two people. Love for each other is never...
The Rutte III Cabinet is finally in place after long negotiations. It is a cabinet that will govern in financial prosperity, but that prosperity applies to a very limited extent to the Arts & Culture sector. Step by step, the cabinet will work towards an extra 80 million euros for the Culture sector from 2020, it says. But if this were to be enough...
Director Ivo van Hove chose the 'books of little souls' cycle as the conclusion of the Couperus triptych at Toneelgroep Amsterdam. He previously directed 'Silent Power' (2015) and 'The things that pass' (2016). Dramaturg Koen Tachelet adapted Couperus' Magnum Opus for the theatre. The books 'The Little Souls', 'Late Life', 'Twilight of Souls' and 'Sacred Knowing' together form the cycle 'The Books of...
The decision will be official in mid-September, but behind the scenes it has already been made. The Netherlands will have a very small basic cultural infrastructure for the performing arts, and a very large fund that anyone who wants to make theatre, dance, mime or music must apply to. I asked around a bit recently, and so that's what it's going to be. That way, politicians can't...
The SER report published on Friday 21 April rubs it in nicely: the cultural sector is on the verge of collapse. It is even worse than a year ago. This shows that the patience of a PvdA culture minister over the past four years has not helped. Indeed: Halbe Zijlstra's multiplier of misery is doing its job entirely as expected....
I tell you here why you should go to see Parsifal, and not even just because of the object by Anish Kapoor that plays a part in it. And you could also go to theatre one day, by the way. With The Girls. Fel theatre by our very best theatre company (according to Americans). The National Opera, Parsifal (opera) Four years ago, I attended Pierre Audi's...
If the shock of 9-11 in 2016 highlighted anything, it was the yawning gap between the higher and lower educated in our neoliberal society. White, less-educated and angry male America elected a racist and war hitter as president. We cannot help but conclude that democratic, liberal, highly educated and majority-educated America refused to see the blow coming. In the spring ...
This play is going to cost me a lot of friends, but it needs to get out. After all, the theatre industry is doing badly. And I can see more and more clearly where that is due to. And for once it's not Halbe Zijlstra. Or the VVD, or the population, or the Netherlands in general, or the zeitgeist. And it's not because of Netflix either...
The effects of the previous cabinet's arts cuts are finally becoming clear. The Performing Arts Fund today announced the winners and losers of the battle for four-year subsidies. From 2017, the Dutch art world will be a lot smaller, more meagre and poorer than it was until 2013. Big names are gone, traditions dismantled, while what is new faces an extremely uncertain existence.
There are many reasons not to go on holiday. It costs money, you come back more stressed than you went, the food is no good, it costs tons of CO2 and it doesn't increase mutual understanding between countries either. Reason enough, then, to just stay here and enjoy the free time given to you by the boss, or by yourself if you are self-employed. Without being barked at by airport staff.
Maarten Baanders saw an opera that remained an island. An omnivore was Athanasius Kircher (1602 - 1680). No phenomenon in the universe could escape his urge to investigate. A universal scholar he was, but also a fantasist. Hence, he did not count in science. But for a grotesque opera, you can hardly imagine a more attractive protagonist. Louis...
On Saturday 4 June 2016, I attended the royal opening of the Holland Festival and was able to attend no review write about, because I was sitting in the front row of the Amsterdam Stadsschouwburg. As the stage was elevated, I was looking against a black wall, above which only the front actors were visible. The back and lower half of the stage were completely eluding me.
Me wrote that on, and the Holland Festival generously offered me the opportunity to go and see the performance again, from a better seat. At the same time, the organisers told me that the first three rows of the Stadsschouwburg would be compensated at this performance. So I went to Amsterdam one more time, on Monday 6 June.
Before the performance, while not eating a blackened hamburger in theatre restaurant Stanislavski, I heard from the neat people at the little table next to me that the front seats were offered at a sharply reduced rate, and that people like them who had already bought tickets had the choice of thus getting a partial refund or going on the waiting list for a seat with better sightlines. Whether they eventually managed to get one of the spots with better visibility, I don't know. The performance
'KUT TONEEL' has been spray-painted over BOT's poster. Another features penises and a clown's nose. Does Firma MES' new show arouse so much aggression? In any case, the young theatre company from The Hague promises us a play about "unkind people". But that doesn't quite pan out. On the flat floor of Theater aan...
"It's all right." In how many songs of the Top 2000 does that phrase appear? Too many to mention. So now the task is to sing all those different "It's all right"'s in the melody in which every audience will recognise them. The four actors in 'Total Eclipse of The Heart' by Theatre Group Kassys fill a thick hour in this way....
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