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Academy of Arts: core fusion of art and science

Bring 50 distinguished and cross-disciplinary artists together and things will crackle tremendously. That will be the thinking behind the new Academy of Arts. The installation of 16 new high-profile members already gave a taste of this.

Actor Gijs Scholten van Aschat (board member) and visual artist Barbara Visser (chairman) a while ago expressed himself somewhat cautiously about what the Academy should all be doing. Now the Academy of Arts presents itself as a mature organisation with many ambitions. Bring in good people and the rest will follow naturally. Because a motley crew of artists, young/old, male/female, going along/rebellious, albeit predominantly white, gives the Akademie more stature.

In terms of design, the Academy of Arts well. It received financial and moral support from the minister of OC&W and cultural funds in 2014 to prove itself within 3.5 years. Organisationally, it falls under the Royal Netherlands Academy of Arts and Sciences, but functions independently. The accommodation is also worthy of note: the former Rijksmuseum, the Trippenhuis, a classic building built by wealthy brothers in arms. The artists can only add some atmosphere to the building.

Art and science

The Academy of Arts is realistic enough to realise that artists in particular do not want to be encapsulated by institutions. It is therefore about inspiring artists with what scientists are working on and vice versa. 'Science seeks meaning, art makes meaning,' clarifies artist and scientist Koert van Mensvoort afterwards. The Academy of Arts thus envisages a kind of core fusion: a society of cross-disciplinary artists providing inspiration for art in society.

Expensive names

Being installed as a member is also a bit like receiving an Oscar: after all, it means recognition and status. Because you are not admitted just like that. That happens on artistic merit and after 'quality consideration by peers'. And that, according to the Academy, is unique in the Netherlands. But the Academy of Arts does not want to be a dormant association with expensive names. You have to do something for it.

Entice or fight

Tonight already came the fine words. The sixteen were asked what they are fighting for or against as artists. There was, of course, one artist among them who questioned the legitimacy of the question itself. Wendelien van Oldenborgh is fine with the Academy becoming a combative institution. But she argues for more sensitivity in the arts rather than a fight or struggle.

Here's what other members said:

The gong strikes:

Ruben Brugman

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