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Ajami - delusional reality and 4 more stances Israeli-Palestinian regime duo

It seems like the Oscar-nominated mosaic drama Ajami (2009) was made especially for What's Art Got to do With It? This three-day cultural conference on art and politics was modelled around Israel-Palestine. So what could be better than a blistering feature film that thrusts our noses into the violent reality of a multicultural neighbourhood in Jaffa. Made by an Israeli-Palestinian director duo. Excitedly, Yaron Shani and Scandar Copti join De Balie after the screening ...

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Leo Bankersen

Leo Bankersen has been writing about film since Chinatown and Night of the Living Dead. Reviewed as a freelance film journalist for the GPD for a long time. Is now, among other things, one of the regular contributors to De Filmkrant. Likes to break a lance for children's films, documentaries and films from non-Western countries. Other specialities: digital issues and film education.View Author posts

It seems like the Oscar-nominated mosaic drama Ajami (2009) was made especially for What's Art Got to do With It? This three-day cultural conference on art and politics was modelled around Israel-Palestine. So what could be better than a blistering feature film that thrusts our noses into the violent reality of a multicultural neighbourhood in Jaffa. Made by an Israeli-Palestinian director duo. Excitedly, Yaron Shani and Scandar Copti join De Balie after the screening ...

You can now log in to continue reading!

Welcome to the Culture Press archive! As a member, you have access to all, over 4,000 posts we have made since our inception in 2009!

(Recent posts (under three months old) are available for all to read, thanks to our members!)

Become a member, or log in below:

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