The Book of Sand: unprecedented computational speed invisible behind singing woman in layers

by Fransien van der Putt
4 June 201529 March 2022
2 min read
ACTUAL, For members only, Holland Festival, OPERA, SPECIALS

Geïnspireerd door verhalen van Borges, wiens weduwe bij de lancering van het online interactieve muziekstuk tijdens het Holland Festival aanwezig was, heeft The Book of Sand toch nog het meeste weg van een uitgebreide, hele chique videoclip. Is dat erg?
"Neither the book nor sand possess a beginning or an end." Het verhaal van Borges, waarnaar de titel verwijst, gaat over een wonderbaarlijk boek dat steeds van inhoud wisselt. Van der Aa verwijst naar en citeert meer verhalen van Borges, zoals D...

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Tags:Festival Holland Festival michel van der aa Dutch Chamber Choir new music online price video youtube

Fransien van der Putt

Fransien van der Putt is a dramaturge and critic. She works with Lana Coporda, Vera Sofia Mota, Roberto de Jonge, João Dinis Pinho & Julia Barrios de la Mora and Branka Zgonjanin, among others. She writes about dance and theatre for Cultural Press Agency, Theatererkrant and Dansmagazine. Between 1989 and 2001, she mixed text as sound at Radio 100. Between 2011 and 2015, she developed a minor for the BA Dance, Artez, Arnhem - on artistic processes and own research in dance. Within her work, she pays special attention to the significance of archives, notation, discourse and theatre history in relation to dance in the Netherlands. Together with Vera Sofia Mota, she researches the work of video, installation and peformance artist Nan Hoover on behalf of www.li-ma.nl.View Author posts

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