In 1961, Krzysztof Penderecki (Dębica, 1933) put his name on the map in one fell swoop with Lament for the Victims of Hiroshima. This avant-garde, expressionist piece for string orchestra flogs the ears with heavily dissonant harmonies full of microtones. With this relentless orgy of sound, the Pole struck at the heart of the mental and physical inferno caused by the atomic bombing of the Japanese city in 1945.
Unlike fellow innovators such as Stockhausen and Boulez, he knew from the start...
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