Mahler on a programme by Asko|Schönberg - the face of avant-garde atonality, is that possible? For regular guest conductor Etienne Siebens, this is no question: in his programmes, he likes to explore the boundaries between beloved classics and composers still alive. On Thursday 4 February, he juxtaposes the ensemble version of Mahler's romantic-singing Fourth Symphony - the one with the sleigh bells and the sprightly song 'Himmlische Freuden' - with the deconstructivist stammering ...
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