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Abbas Kiarostami (1940-2016), the great humanist of Iranian cinema

It is not difficult to use weighty words to signify the importance of Abbas Kiarostami (1940-2016), the Iranian filmmaker who died yesterday in Paris where he was being treated for cancer. Grand master. A filmmaker who could be compared to Japanese icon Ozu. Someone who showed how, under a repressive regime, art can find its own way out. Golden Palm for Taste of Cherry (1997). Foreman of the Iranian new wave who cinematically put the country on the were...

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Leo Bankersen

Leo Bankersen has been writing about film since Chinatown and Night of the Living Dead. Reviewed as a freelance film journalist for the GPD for a long time. Is now, among other things, one of the regular contributors to De Filmkrant. Likes to break a lance for children's films, documentaries and films from non-Western countries. Other specialities: digital issues and film education.View Author posts

It is not difficult to use weighty words to signify the importance of Abbas Kiarostami (1940-2016), the Iranian filmmaker who died yesterday in Paris where he was being treated for cancer. Grand master. A filmmaker who could be compared to Japanese icon Ozu. Someone who showed how, under a repressive regime, art can find its own way out. Golden Palm for Taste of Cherry (1997). Foreman of the Iranian new wave who cinematically put the country on the were...

You can now log in to continue reading!

Welcome to the Culture Press archive! As a member, you have access to all, over 4,000 posts we have made since our inception in 2009!

(Recent posts (under three months old) are available for all to read, thanks to our members!)

Become a member, or log in below:

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