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Waldstille is a haunting Brabant drama. Read what Martijn Maria Smits says about it

Martijn Maria Smits (1980) does not aim for a large audience but has often won prizes with his work. With Waldstille, he again proves to be a Dutch filmmaker with a clear signature. The Hollywood Reporter also discovered this and, after the premiere in San Sebastian, wrote a favourable review of this oppressive drama from Brabant about Ben, who by a stupidity has his wife's death on his conscience. When his in-laws join him after serving his sentence at his...

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Leo Bankersen

Leo Bankersen has been writing about film since Chinatown and Night of the Living Dead. Reviewed as a freelance film journalist for the GPD for a long time. Is now, among other things, one of the regular contributors to De Filmkrant. Likes to break a lance for children's films, documentaries and films from non-Western countries. Other specialities: digital issues and film education.View Author posts

Martijn Maria Smits (1980) does not aim for a large audience but has often won prizes with his work. With Waldstille, he again proves to be a Dutch filmmaker with a clear signature. The Hollywood Reporter also discovered this and, after the premiere in San Sebastian, wrote a favourable review of this oppressive drama from Brabant about Ben, who by a stupidity has his wife's death on his conscience. When his in-laws join him after serving his sentence at his...

You can now log in to continue reading!

Welcome to the Culture Press archive! As a member, you have access to all, over 4,000 posts we have made since our inception in 2009!

(Recent posts (under three months old) are available for all to read, thanks to our members!)

Become a member, or log in below:

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