Between nappy and dishes - the (in)visibility of female composers

by Thea Derks
8 March 201830 March 2022
5 min read
ACTUAL, For members only, MUSIC, PODIUM ART

Amsterdam, 8 March 2018. Today is Women's Day, no one can fail to notice. The media are brimming with articles about women's unequal pay and their still limited representation in prestigious positions. Whether in politics, business, academia or the arts.

Perhaps the most conservative is the classical music world. There, the female composer still has to fight for her right to exist. As if even in anno 2018, her cre...

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Thea Derks

Thea Derks studied English and Musicology. In 1996, she completed her studies in musicology cum laude at the University of Amsterdam. She specialises in contemporary music and in 2014 published the critically acclaimed biography 'Reinbert de Leeuw: man or melody'. Four years on, she completed 'An ox on the roof: modern music in vogevlucht', aimed especially at the interested layperson. You buy it here: https://www.boekenbestellen.nl/boek/een-os-op-het-dak/9789012345675 In 2020, the 3rd edition of the Reinbertbio appeared,with 2 additional chapters describing the period 2014-2020. These also appeared separately as Final Chord.View Author posts

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Indien je een mens bent, laat dit veld leeg:.

Perhaps the most conservative is the classical music world. There, the female composer still has to fight for her right to exist. As if even in anno 2018, her cre...

You can now log in to continue reading!

Welcome to the Culture Press archive! As a member, you have access to all, over 4,000 posts we have made since our inception in 2009!

(Recent posts (under three months old) are available for all to read, thanks to our members!)

Become a member, or log in below:

English (UK)