Skip to content

Theatre boards want more money for 'difficult' offerings.

More operas and classical concerts are offered in Dutch theatres and concert halls. More theatre was also offered for young people. Nice developments, but the increase in supply (3 per cent) did not directly lead to a proportionate increase in audiences. That increased by only 1 per cent. The number of spectators for theatre and cabaret even fell.

That is why the Association of Theatre and Concert Hall Directors (VSCD) is asking the presentation of these 'moderately positive' figures for additional support for the subsidised offer in their venues. 'We would like to see the subsidised market share at our venues and the corresponding audience grow,' director Hedwig Verhoeven states in a press release. 'To this end, our venues need structural support.'

Regional infrastructure

With this gentle cry for help, the VSCD is responding to the plans for a new, more regionally-oriented subsidy system. Like branch organisation Kunsten '92 did earlier in a letter to the minister, the umbrella of halls opts for a mild, moderate tone. It also prefers to keep the figures as vague as possible. Apparently, exact figures are sensitive material for many theatres and concert halls. 

The press release notes that the growth in supply and visitation is mainly found in the north and southeast of the country. The Randstad, along with the rest of the country, actually recorded declining figures in both supply and visits.

As the figures are not passed on nationally by the VSCD, it is therefore not clear whether this does not make the total of theatre and concert hall attendance and supply much more negative. 

Appreciate this article!

Happy with this story? Show your appreciation with a small contribution! That's how you help keep independent cultural journalism alive. (If you don't see a button below, use this link: donation!)

Donate smoothly
Donate

Why donate?

We are convinced that good investigative journalism and expert background information are essential for a healthy cultural sector. There is not always space and time for that. Culture Press does want to provide that space and time, and keep it accessible to everyone for FREE! Whether you are rich, or poor. Thanks to donations From readers like you, we can continue to exist. This is how Culture Press has existed since 2009!

You can also become a member, then turn your one-off donation into lasting support!

Wijbrand Schaap

Cultural journalist since 1996. Worked as theatre critic, columnist and reporter for Algemeen Dagblad, Utrechts Nieuwsblad, Rotterdams Dagblad, Parool and regional newspapers through Associated Press Services. Interviews for TheaterMaker, Theatererkrant Magazine, Ons Erfdeel, Boekman. Podcast maker, likes to experiment with new media. Culture Press is called the brainchild I gave birth to in 2009. Life partner of Suzanne Brink roommate of Edje, Fonzie and Rufus. Search and find me on Mastodon.View Author posts

Small Membership
175 / 12 Months
Especially for organisations with a turnover or grant of less than 250,000 per year.
No annoying banners
A premium newsletter
5 trial newsletter subscriptions
All our podcasts
Have your say on our policies
Insight into finances
Exclusive archives
Posting press releases yourself
Own mastodon account on our instance
Cultural Membership
360 / Year
For cultural organisations
No annoying banners
A premium newsletter
10 trial newsletter subscriptions
All our podcasts
Participate
Insight into finances
Exclusive archives
Posting press releases yourself
Own mastodon account on our instance
Collaboration
Private Membership
50 / Year
For natural persons and self-employed persons.
No annoying banners
A premium newsletter
All our podcasts
Have your say on our policies
Insight into finances
Exclusive archives
Own mastodon account on our instance
en_GBEnglish (UK)