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VR installation Carne y Arena is an experience machine: stand among distraught migrants in the Arizona desert

To really feel the desert sand between your toes, you have to go in barefoot. The desert is the no-man's land between Mexico and the United States where nearly a thousand hopeful migrants lose their lives every year. A crossing as dramatic as the trip in wrecked boats across the Mediterranean. That sandy plain looms large in the virtual reality installation Carne y Arena (Virtually Present, Physically Invisible) by Alejandro González Iñárritu, best known as director of Birdma...

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Leo Bankersen

Leo Bankersen has been writing about film since Chinatown and Night of the Living Dead. Reviewed as a freelance film journalist for the GPD for a long time. Is now, among other things, one of the regular contributors to De Filmkrant. Likes to break a lance for children's films, documentaries and films from non-Western countries. Other specialities: digital issues and film education.View Author posts

To really feel the desert sand between your toes, you have to go in barefoot. The desert is the no-man's land between Mexico and the United States where nearly a thousand hopeful migrants lose their lives every year. A crossing as dramatic as the trip in wrecked boats across the Mediterranean. That sandy plain looms large in the virtual reality installation Carne y Arena (Virtually Present, Physically Invisible) by Alejandro González Iñárritu, best known as director of Birdma...

You can now log in to continue reading!

Welcome to the Culture Press archive! As a member, you have access to all, over 4,000 posts we have made since our inception in 2009!

(Recent posts (under three months old) are available for all to read, thanks to our members!)

Become a member, or log in below:

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