This edition, Theatre Festival Boulevard invited the audience to reflect on the two sides of identity: its immutability but especially its malleability. All this under the heading what you see is what you guess. If there is a performance to which this applies, it has to be Goat Song. A fascinating fifty-minute wordless performance by actress Mees Bergman and young Norwegian director Espen Hjort (Theater Utrecht).
On the train from Den Bosch had to...
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