The best way to adapt a book is to turn it into a narrative performance. Such theatre, where the actors focus loosely on the audience and bring the story as a story, I often saw in my years as a youth theatre critic. Almost always good and young audiences enjoyed it. I wondered why this kind of eager theatre is so little made for adult audiences, even just last week in a podcast interview with Moniek Merkx, who pretty much invented that genre.
Yesterday saw ...
You can now log in to continue reading!
Welcome to the Culture Press archive! As a member, you have access to all, over 4,000 posts we have made since our inception in 2009!
(Recent posts (under three months old) are available for all to read, thanks to our members!)
Become a member, or log in below:
English (UK) 
Nederlands 
Français 
You must be logged in to post a comment.