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Fransien van der Putt

Fransien van der Putt is a dramaturge and critic. She works with Lana Coporda, Vera Sofia Mota, Roberto de Jonge, João Dinis Pinho & Julia Barrios de la Mora and Branka Zgonjanin, among others. She writes about dance and theatre for Cultural Press Agency, Theatererkrant and Dansmagazine. Between 1989 and 2001, she mixed text as sound at Radio 100. Between 2011 and 2015, she developed a minor for the BA Dance, Artez, Arnhem - on artistic processes and own research in dance. Within her work, she pays special attention to the significance of archives, notation, discourse and theatre history in relation to dance in the Netherlands. Together with Vera Sofia Mota, she researches the work of video, installation and peformance artist Nan Hoover on behalf of www.li-ma.nl.

Director of Dance Days Maastricht: "I really feel supported by Mayor Onno Hoes."

The Dutch Dance Days are not yet a mad hive of dance, but for Maastricht they are increasingly a fun tourist attraction. Day trippers and weekend tourists come from all over the country to combine the delights of the South with those of the art of dance. For that matter, all of Maastricht seems to float on VVV leaflets. In this sphere of promotion, is there still room for... 

Sarah Moeremans camps out at the theatre and shows young actors all over it during #dekeuze

Director, actress and theatre designer Sarah Moeremans is holding office in the lobby of the Rotterdam Schouwburg for a year. Titled "My First Camp", she has moved into the front hall to be more in touch with the various users and visitors in the building and the world around it. Has the public space become a wilderness, which... 

Eszter Salamon and Daniel Linehan gems of highly diverse Julidans

Holland Festival, Julidans, IT's, Over 't IJ. End-of-season theatre is always strewn across Amsterdam. Between April and September, international performance offerings migrate from Utrecht (Springdance and Festival aan de Werf) via Amsterdam to Rotterdam (Internationale Keuze). If you want to experience something of contemporary, international dance, Springdance, HF and Julidans are the places to be. [For... 

#HF11 Special performance Jagden und Formen by Waltz and Rihm does not produce an ideal exchange, but it does raise interesting questions about the fusion of dance and music

Dancers of Sasha Waltz & Guests in ''Jagden und Formen''. Photo Dominik Mentzos. Composer Wolfgang Rihm and choreographer Sasha Waltz, two familiar faces at the Holland Festival and big names in European performing arts, released a performance together in 2008 that could not be missing from a Holland festival programme this year. The festival not only focuses on a number of...... 

Fascinating canon with 24 dancers by Boris Charmatz as bouncer and finale of Springdance 2011

Boris Charmatz's dancers in ''Levée des conflits'' Photo Caroline Ablain.

Nothing is more uplifting than singing a canon together. French choreographer Boris Charmatz's Frère Jacques, on show as the bouncer on the final night of Springdance, is a special case, though. 'Levée des conflits' has no recurring refrain, but it does have no fewer than 25 stanzas, which are sung by each of the 24 dancers....

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You won't believe with your eyes what you hear with your ears with drum machine Savion Glover

Tap dancer Savion Glover. Photo: Savion Glover Productions "I don't care about the body, I make music," Savion Glover said last night, leaning against the doorframe of his dressing room after the performance Bare Soundz. The dance audience at Utrecht's Stadsschouwburg theatre was struggling to master the mores of a jazz audience. As the concert progressed, it produced increasingly encouraging... 

Springdance opens with Botelho's Sideways Rain: fascinating intensity of dance, but lack of consistency


Scene from Sideways Rain by Botelho. Photo by Jean-Yves Genoud

From left to right, single people move across the stage, unceasingly and in droves sometimes, for an hour. It is addictive, this locomotion in Sideways Rain, the endless forward motion in one and the same direction of what appear to be ever-new people. Through subtle costume changes, a dark lighting scheme and Murcof's dramatic drones, it is in h...

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